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East West Poetics at Work
East West Poetics at Work
Description
About the Book:

The papers brought together in this volume were presented at a Seminar organized from 7 to 10 January 1991 under the joint auspices of the Sahitya Akademi and the Literary Criterion, Dvanyaloka, Mysore in collaboration with the Indian Association of Commonwealth Literature. Several scholarly papers were presented at the seminar on the Indian concept of Natya, Dhvani, Aucitya and Alankara. Erudite scholars from all parts of the country took part. This seminar represents the third phase of the interaction between Indian and Western critical endeavours. The papers have been ably edited by Professor C.D. Narasimhaiah, who has contributed a precious prelude that heightens the value of this publication.

Sahitya Akademi is happy to bring out these papers in book-form for the benefit of discerning scholars, academics and general readers.

CONTENTS

EDITOR'S PREFACE
WELCOME ADDRESS
    Indra Nath Choudhuri
1
INTRODUCTION
    C.D. Narasimhaiah
5
1. TOWARDS AN ENRICHED HERITAGE
    Krishna Chaitanya
17
2. POINT OF VIEW IN COMPARATIVE CRITICISM
    G.B. Mohan Thampi
35
3. THE CONCEPT OF SAHRDAYA
    Vidya Niwas Mishra
48
4. VICTOR BORISOVITCH SHKLOVSKY AND HIS TECHNIQUE OF 'MAKING STRANGE'
    J.P. Dimri and A. Charumati Ramdas
57
5. KAMARUPA (the willed form)
    D.R. Nagaraj
69
6. THE VALIDITY AND SCOPE OF RASA AS A CRITICAL CONCEPT
    M.S. Kushwaha
77
7. VAKROKTI IN APPLICATION: AN EXAMINATION
    C.N. Ramachandran
88
8. "RASAUCHITYA" AS A CRITERION OF LITERARY JUDGEMENT IN INDIAN THEORY & PRACTICE
    K. Krishnamoorthy
95
9. THE RASA VIEW OF ART AND ITS ADVANTAGE OVER WESTERN POETICS - SOME ILLUSTRATIONS FROM THE RAMAYANA AND THE MAHABHARATA
    K.S.Narayanachar
109
10. DOCTRINE OF DHVANI IN PRACTICAL APPLICATION
    Ramaranjan Mukherjee
118
11. A CRITICAL APPRECIATION OF 'MEGHA DUTA'
    H.V. Nagaraja Rao
131
12. THE TECHNIQUE OF PLOT CONSTRUCTION IN SANSKRIT
    H.P. Malledevaru
140
13. MADHYAMAVYAYOGA
    Kirtinath Kurtkoti
146
14. AUROBINDO
    V.S. Sethuraman
154
15. ANANDAVARDHANA - READING THE MAHABHARATA
    Namwar Singh
162
16. LOLITA FROM THE PERSPECTIVE OF INDIAN POETICS
    Vimala Rama Rao
169
17. OF RASA/DHVANI, AMONG OTHER CRITERIA
    M. Sivaramakrishna
179
18. AUCITY AS A CRITERION OF LITERARY ASSESSMENT
    Ayyapa Paniker
189
19. ACRITICAL APPROACH TO NARAYANA REDDY'S VISWAMBHARA
    Adapa Ramakrishna Rao
194
20. THINGS FALL APART: AN ENQUIRY INTO RASA CONFIGURATION
    Madhusudan Pati
199
21. THE TENDRIL AND THE ROOT
    Krishna Rayan
213
22. VAKROKTI IN THE POETRY OF HOPKINS
    C.N. Srinath
223
23. 'SVABHAVOKTI' OF A SYMBOLIST
    Lakshmi Kumar
230
24. KING LEAR IN THE LIGHT OF INDIAN POETICS
    Ragini Ramchandra
237
25. THE AESTHETIC EXPERIENCE OF A DIKSHITHAR KRITI
    Mohan Ramanan
248
26. AN ANALYSIS OF "FRAGMENTED" BY UMASHANKAR JOSHI IN THE RASA-DHVANI TRADITION
    Ramanlal Joshi
257
27. CAN RASA-DHVANI POETICS HELP US TO UNDERSTAND KEAT'S 'ODE TO A NIGHTINGALE'?
    Dhanya Menon
267
28. ABHIHITANVAYA
    Rewa Prasad Dwivedi
279
29. THE SAME ISN'T THE SAME
    Ashoka Mitran
287

East West Poetics at Work

Item Code:
IDE380
Cover:
Paperback
Edition:
1994
Publisher:
ISBN:
81-7201-385-X
Language:
English
Size:
8.5" X 5.5"
Pages:
302
Price:
$16.50   Shipping Free
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About the Book:

The papers brought together in this volume were presented at a Seminar organized from 7 to 10 January 1991 under the joint auspices of the Sahitya Akademi and the Literary Criterion, Dvanyaloka, Mysore in collaboration with the Indian Association of Commonwealth Literature. Several scholarly papers were presented at the seminar on the Indian concept of Natya, Dhvani, Aucitya and Alankara. Erudite scholars from all parts of the country took part. This seminar represents the third phase of the interaction between Indian and Western critical endeavours. The papers have been ably edited by Professor C.D. Narasimhaiah, who has contributed a precious prelude that heightens the value of this publication.

Sahitya Akademi is happy to bring out these papers in book-form for the benefit of discerning scholars, academics and general readers.

CONTENTS

EDITOR'S PREFACE
WELCOME ADDRESS
    Indra Nath Choudhuri
1
INTRODUCTION
    C.D. Narasimhaiah
5
1. TOWARDS AN ENRICHED HERITAGE
    Krishna Chaitanya
17
2. POINT OF VIEW IN COMPARATIVE CRITICISM
    G.B. Mohan Thampi
35
3. THE CONCEPT OF SAHRDAYA
    Vidya Niwas Mishra
48
4. VICTOR BORISOVITCH SHKLOVSKY AND HIS TECHNIQUE OF 'MAKING STRANGE'
    J.P. Dimri and A. Charumati Ramdas
57
5. KAMARUPA (the willed form)
    D.R. Nagaraj
69
6. THE VALIDITY AND SCOPE OF RASA AS A CRITICAL CONCEPT
    M.S. Kushwaha
77
7. VAKROKTI IN APPLICATION: AN EXAMINATION
    C.N. Ramachandran
88
8. "RASAUCHITYA" AS A CRITERION OF LITERARY JUDGEMENT IN INDIAN THEORY & PRACTICE
    K. Krishnamoorthy
95
9. THE RASA VIEW OF ART AND ITS ADVANTAGE OVER WESTERN POETICS - SOME ILLUSTRATIONS FROM THE RAMAYANA AND THE MAHABHARATA
    K.S.Narayanachar
109
10. DOCTRINE OF DHVANI IN PRACTICAL APPLICATION
    Ramaranjan Mukherjee
118
11. A CRITICAL APPRECIATION OF 'MEGHA DUTA'
    H.V. Nagaraja Rao
131
12. THE TECHNIQUE OF PLOT CONSTRUCTION IN SANSKRIT
    H.P. Malledevaru
140
13. MADHYAMAVYAYOGA
    Kirtinath Kurtkoti
146
14. AUROBINDO
    V.S. Sethuraman
154
15. ANANDAVARDHANA - READING THE MAHABHARATA
    Namwar Singh
162
16. LOLITA FROM THE PERSPECTIVE OF INDIAN POETICS
    Vimala Rama Rao
169
17. OF RASA/DHVANI, AMONG OTHER CRITERIA
    M. Sivaramakrishna
179
18. AUCITY AS A CRITERION OF LITERARY ASSESSMENT
    Ayyapa Paniker
189
19. ACRITICAL APPROACH TO NARAYANA REDDY'S VISWAMBHARA
    Adapa Ramakrishna Rao
194
20. THINGS FALL APART: AN ENQUIRY INTO RASA CONFIGURATION
    Madhusudan Pati
199
21. THE TENDRIL AND THE ROOT
    Krishna Rayan
213
22. VAKROKTI IN THE POETRY OF HOPKINS
    C.N. Srinath
223
23. 'SVABHAVOKTI' OF A SYMBOLIST
    Lakshmi Kumar
230
24. KING LEAR IN THE LIGHT OF INDIAN POETICS
    Ragini Ramchandra
237
25. THE AESTHETIC EXPERIENCE OF A DIKSHITHAR KRITI
    Mohan Ramanan
248
26. AN ANALYSIS OF "FRAGMENTED" BY UMASHANKAR JOSHI IN THE RASA-DHVANI TRADITION
    Ramanlal Joshi
257
27. CAN RASA-DHVANI POETICS HELP US TO UNDERSTAND KEAT'S 'ODE TO A NIGHTINGALE'?
    Dhanya Menon
267
28. ABHIHITANVAYA
    Rewa Prasad Dwivedi
279
29. THE SAME ISN'T THE SAME
    Ashoka Mitran
287

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