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Books > Yoga > Eighty-four Asanas in Yoga: A Survey of Traditions (Superbly Illustrated in Full Color with Miniature Paintings)
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Eighty-four Asanas in Yoga: A Survey of Traditions (Superbly Illustrated in Full Color with Miniature Paintings)
Eighty-four Asanas in Yoga: A Survey of Traditions (Superbly Illustrated in Full Color with Miniature Paintings)
Description

From the Jacket:

Physical postures (asanas) are the most important and often the only constituent of modern Yoga. Many practitioners believe that the postures derive from an ancient original set of eighty-four asanas. This book, for the first time, traces traditions of eighty-four postures by examining original materials, including drawings, descriptions in older Indic texts and modern publications which reflect contemporary traditions. It also takes up a number of broad issues related to the topic of Yoga postures so as to provide the reader with a larger context.

Gudrun Buhnemann is a Professor of Sanskrit and South Asian Religions in the Department of Languages and Cultures of Asia, the University of Wisconsin-Madison, USA. Her recent publications include The Iconography of Hindu Tantric Deities (2 volumes, E. Forsten, 2000-2001) and Mandalas and Yantras in the Hindu Traditions (E.J. Brill, 2003; revised edition by D. K. Printworld, 2007).

Introduction:

Physical postures (asanas) are the most important and often the only constituent of modern Yoga. Many practitioners believe that the postures derive from an ancient original set of eighty-four asanas. In this book I trace, for the first time, traditions of eighty-four postures by examining original materials, including line drawings, descriptions in older Indic texts and modern publications which reflect contemporary traditions. I have also taken up a number of broader issues related to the topic of Yoga postures so as to provide the reader with a larger context. At the same time I see this as a welcome opportunity to summarize for a wider public the results of comparatively new academic research on Yoga.

How can one define Yoga? Yoga is often popularly considered to be a single unified system. However, under the term Yoga can be subsumed a diverse body of teachings and a variety of practices and approaches, which were traditionally passed on from teacher to student and then codified in texts. Definitions of Yoga necessarily vary with schools and systems, and no one comprehensive definition of Yoga can be given. Literal translations of the term Yoga include 'union' and 'means,' among others.

A common characteristic of many traditional Yoga systems is a structured approach, which consists of a set of prescribed practices, often arranged in graded components. The disciple progresses through a sequence of practices with the help of a teacher to a goal, which in most cases is defined as liberation from the cycle of existence (samsara) and/or union with a deity or divine principle. In most systems a set of moral precepts and rules of conduct are ordained so as to provide a foundation for practice. The final state is often defined as meditative absorption (samadhi). Components of Yoga practice often include dietary restrictions; cultivating a balanced mind and an attitude of indifference to pairs of opposites, which are defined as heat/cold, pleasure/pain, and so forth; and solitary meditation. Measurable signs of progress, which signal the practitioner's success, are described in the texts. These include physical changes and visions, among other things. Yoga differs from the varied ancient Indian practice of austerities which mortify the body, since it emphasizes a balanced and controlled approach that avoids extremes.

In recent years Yoga has become decontextualized, commercialized and transformed into a mass movement in Western culture, where it has been made into a practice to enhance physical fitness and beauty-often labeled as hathayoga. This Western approach to Yoga has in turn influenced the way in which Yoga is now taught and practised in India, where one can witness the same traits that manifest themselves when traditional religious systems are adapted by people who practice them outside of their original contexts. It is evident that the Western and modern Indian concept of Yoga and the traditional Indian Yoga systems are not the same in nature and goal. One might in fact wonder whether the use of the term Yoga is appropriate for the former.

A common element of modern Yoga practice is the performance of postures. Some of the postures are shared by almost all modern schools, although the style of performance, such as the technique and speed, may again vary. The selection, number and sequence of postures practised vary greatly with traditions. A number frequently invoked as authentic by ancient and modern authorities is eighty-four. However, nothing is known about an original set of eighty-four asanas. Despite the broad popular interest in Yoga and the growing number of publications on the subject, hardly any research has been done on the history of the practices which are often subsumed under the name hathayoga. With this book I hope to make a contribution to the subject by inquiring into traditions of eighty-four classical or basic postures. As a general introduction to the topic, a brief survey of relevant Yoga texts is provided below. Then the terms hathayoga and rajayoga are examined in some detail, since their meaning in the past differs greatly from author to author and is not as clear-cut as their modern usage. This is followed by a discussion of the place and function of asanas in different Yoga systems. Then the number of asanas in Yoga systems is examined, and several sets of eighty-four asanas are presented from both older and modern sources. Most important among the pictorial representations are the coloured drawings according to the Jogapradipaka which are preserved in the British Library. They are of high artistic value and unique in that no other comparable illustrated manuscript has come to light so far. Among the sources illustrating sets of eighty-four postures, this manuscript therefore occupies a foremost position.

 

Contents

 

  Acknowledgements vii
  Guide to Transliteration and Pronunciation viii
  List of Illustrations ix
  List of Tables xi
  Frequently Used Abbreviations xii
1. Introduction 1
2. A Brief Survey of Relevant Texts 5
3. On the Terms hathayoga and rajayoga 11
4. The Place and Function of Asanas in Yoga Systems 17
4.1 The Term Asana 17
4.2 Asana as an Ancillary Part (anga) of Yoga Systems 17
4.3 The Function of Asanas in Yoga Systems 20
5. Eighty-four Asanas in Yoga 25
5.1 The Number of Asanas in Yoga Systems 25
5.2 The Number Eighty-four 26
5.3 Eighty-four Asanas in Older Texts 27
5.3.1 Hatharatnavali 27
5.3.2 Jogapradipaka 28
5.4 Eighty-four Asanas in Contemporary Sources 29
5.4.1 Hanuman Sarma 29
5.4.2 Gangadharan Nair 29
5.4.3 Svami Svayamananda 30
5.4.4 The Yoga Challenge System 30
6. Sets of Illustrations of Eighty-four Asanas 37
6.1 Preliminary Remarks 37
6.2 The Coloured Drawings of the Asanas according to the Jogapradipaka 38
6.2.1 A Description of the Drawings according to the Jogapradipaka 38
6.2.2 A Reproduction of the Drawings according to the Jogapradipaka 41
6.3 The Line Drawings from Nepal 65
6.3.1 A Description of the Line Drawings from Nepal 65
6.3.2 A Reproduction of the Line Drawings from Nepal 67
6.4 The Sources in the Jodhpur Tradition 85
6.4.1 A Description of the Line Drawings 85
6.4.2 A Reproduction of the Line Drawings 89
6.4.3 The Murals in Mahamandir 103
6.4.4 A Reproduction of Selected Murals 105
6.5 The Line Drawings in Svami Svayamananda 1992 111
6.6 Photographs of the Asanas in the Yoga Challenge System 123
7. Concluding Remarks 143
8. Appendices: Lists of Names of Eighty-four Asanas 147
8.1 Hatharatnavali 3.9-20 147
8.2 Jogapradipaka, Section 3 150
8.3 Hanuman Sarma 1935 153
8.4 Gangadharan Nair 1962 156
8.5 Svami Svayamananda 1992 159
8.6 The Yoga Challenge System 162
  Selected Bibliography and Abbreviations 167
  Index of Names of Asanas Listed in the Appendices 179
  General Index 191
 

 

Sample Pages









Item Code:
IDJ771
Cover:
Hardcover
Edition:
2007
Publisher:
D. K. Printworld (P) Ltd.
ISBN:
8124604177
Size:
9.8" X 7.2"
Pages:
207 (Colour Illus: 100 and B/W Illus: 104)
Other Details:
Weight of the Book: 750 gms
Price:
$50.00
Discounted:
$40.00   Shipping Free - 4 to 6 days
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$10.00 (20%)
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From the Jacket:

Physical postures (asanas) are the most important and often the only constituent of modern Yoga. Many practitioners believe that the postures derive from an ancient original set of eighty-four asanas. This book, for the first time, traces traditions of eighty-four postures by examining original materials, including drawings, descriptions in older Indic texts and modern publications which reflect contemporary traditions. It also takes up a number of broad issues related to the topic of Yoga postures so as to provide the reader with a larger context.

Gudrun Buhnemann is a Professor of Sanskrit and South Asian Religions in the Department of Languages and Cultures of Asia, the University of Wisconsin-Madison, USA. Her recent publications include The Iconography of Hindu Tantric Deities (2 volumes, E. Forsten, 2000-2001) and Mandalas and Yantras in the Hindu Traditions (E.J. Brill, 2003; revised edition by D. K. Printworld, 2007).

Introduction:

Physical postures (asanas) are the most important and often the only constituent of modern Yoga. Many practitioners believe that the postures derive from an ancient original set of eighty-four asanas. In this book I trace, for the first time, traditions of eighty-four postures by examining original materials, including line drawings, descriptions in older Indic texts and modern publications which reflect contemporary traditions. I have also taken up a number of broader issues related to the topic of Yoga postures so as to provide the reader with a larger context. At the same time I see this as a welcome opportunity to summarize for a wider public the results of comparatively new academic research on Yoga.

How can one define Yoga? Yoga is often popularly considered to be a single unified system. However, under the term Yoga can be subsumed a diverse body of teachings and a variety of practices and approaches, which were traditionally passed on from teacher to student and then codified in texts. Definitions of Yoga necessarily vary with schools and systems, and no one comprehensive definition of Yoga can be given. Literal translations of the term Yoga include 'union' and 'means,' among others.

A common characteristic of many traditional Yoga systems is a structured approach, which consists of a set of prescribed practices, often arranged in graded components. The disciple progresses through a sequence of practices with the help of a teacher to a goal, which in most cases is defined as liberation from the cycle of existence (samsara) and/or union with a deity or divine principle. In most systems a set of moral precepts and rules of conduct are ordained so as to provide a foundation for practice. The final state is often defined as meditative absorption (samadhi). Components of Yoga practice often include dietary restrictions; cultivating a balanced mind and an attitude of indifference to pairs of opposites, which are defined as heat/cold, pleasure/pain, and so forth; and solitary meditation. Measurable signs of progress, which signal the practitioner's success, are described in the texts. These include physical changes and visions, among other things. Yoga differs from the varied ancient Indian practice of austerities which mortify the body, since it emphasizes a balanced and controlled approach that avoids extremes.

In recent years Yoga has become decontextualized, commercialized and transformed into a mass movement in Western culture, where it has been made into a practice to enhance physical fitness and beauty-often labeled as hathayoga. This Western approach to Yoga has in turn influenced the way in which Yoga is now taught and practised in India, where one can witness the same traits that manifest themselves when traditional religious systems are adapted by people who practice them outside of their original contexts. It is evident that the Western and modern Indian concept of Yoga and the traditional Indian Yoga systems are not the same in nature and goal. One might in fact wonder whether the use of the term Yoga is appropriate for the former.

A common element of modern Yoga practice is the performance of postures. Some of the postures are shared by almost all modern schools, although the style of performance, such as the technique and speed, may again vary. The selection, number and sequence of postures practised vary greatly with traditions. A number frequently invoked as authentic by ancient and modern authorities is eighty-four. However, nothing is known about an original set of eighty-four asanas. Despite the broad popular interest in Yoga and the growing number of publications on the subject, hardly any research has been done on the history of the practices which are often subsumed under the name hathayoga. With this book I hope to make a contribution to the subject by inquiring into traditions of eighty-four classical or basic postures. As a general introduction to the topic, a brief survey of relevant Yoga texts is provided below. Then the terms hathayoga and rajayoga are examined in some detail, since their meaning in the past differs greatly from author to author and is not as clear-cut as their modern usage. This is followed by a discussion of the place and function of asanas in different Yoga systems. Then the number of asanas in Yoga systems is examined, and several sets of eighty-four asanas are presented from both older and modern sources. Most important among the pictorial representations are the coloured drawings according to the Jogapradipaka which are preserved in the British Library. They are of high artistic value and unique in that no other comparable illustrated manuscript has come to light so far. Among the sources illustrating sets of eighty-four postures, this manuscript therefore occupies a foremost position.

 

Contents

 

  Acknowledgements vii
  Guide to Transliteration and Pronunciation viii
  List of Illustrations ix
  List of Tables xi
  Frequently Used Abbreviations xii
1. Introduction 1
2. A Brief Survey of Relevant Texts 5
3. On the Terms hathayoga and rajayoga 11
4. The Place and Function of Asanas in Yoga Systems 17
4.1 The Term Asana 17
4.2 Asana as an Ancillary Part (anga) of Yoga Systems 17
4.3 The Function of Asanas in Yoga Systems 20
5. Eighty-four Asanas in Yoga 25
5.1 The Number of Asanas in Yoga Systems 25
5.2 The Number Eighty-four 26
5.3 Eighty-four Asanas in Older Texts 27
5.3.1 Hatharatnavali 27
5.3.2 Jogapradipaka 28
5.4 Eighty-four Asanas in Contemporary Sources 29
5.4.1 Hanuman Sarma 29
5.4.2 Gangadharan Nair 29
5.4.3 Svami Svayamananda 30
5.4.4 The Yoga Challenge System 30
6. Sets of Illustrations of Eighty-four Asanas 37
6.1 Preliminary Remarks 37
6.2 The Coloured Drawings of the Asanas according to the Jogapradipaka 38
6.2.1 A Description of the Drawings according to the Jogapradipaka 38
6.2.2 A Reproduction of the Drawings according to the Jogapradipaka 41
6.3 The Line Drawings from Nepal 65
6.3.1 A Description of the Line Drawings from Nepal 65
6.3.2 A Reproduction of the Line Drawings from Nepal 67
6.4 The Sources in the Jodhpur Tradition 85
6.4.1 A Description of the Line Drawings 85
6.4.2 A Reproduction of the Line Drawings 89
6.4.3 The Murals in Mahamandir 103
6.4.4 A Reproduction of Selected Murals 105
6.5 The Line Drawings in Svami Svayamananda 1992 111
6.6 Photographs of the Asanas in the Yoga Challenge System 123
7. Concluding Remarks 143
8. Appendices: Lists of Names of Eighty-four Asanas 147
8.1 Hatharatnavali 3.9-20 147
8.2 Jogapradipaka, Section 3 150
8.3 Hanuman Sarma 1935 153
8.4 Gangadharan Nair 1962 156
8.5 Svami Svayamananda 1992 159
8.6 The Yoga Challenge System 162
  Selected Bibliography and Abbreviations 167
  Index of Names of Asanas Listed in the Appendices 179
  General Index 191
 

 

Sample Pages









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