Nature and Culture

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Item Code: NAD331
Author: R. Balasubramanian
Publisher: Center for Studies in Civilizations
Language: English
Edition: 2011
ISBN: 8187586494
Pages: 533 (8 Color Illustrarions )
Cover: Hardcover
Other Details 11.5 inch x 8.5 inch
Weight 1.50 kg
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Book Description
About the Book

The volumes of the PROJECT ON THE HISTORY OF SCIENCE, PHILOSOSPHY AND CULTURE IN INDIAN CIVILIZATION aim at discovering the main aspects of India’s heritage and present them in an interrelated way. In spite of their unitary look, these volumes recognize the difference between the areas of material civilization and those of ideational culture. The project is not being executed by a single group of thinkers and writers who are methodologically uniform or ideologically identical in m their commitments. The Project is marked by what may be called 'methodological pluralism'. In spite of its primarily historical character, this project, both in its conceptualization and execution, has been shaped by scholars drawn from different disciplines. It is for the first time that an Endeavour of such a unique and comprehensive character has been undertaken to study critically a major world civilization

The subject of Nature and Culture raises fascinating questions that have been addressed in many different ways over the ages by philosophers, poets, artists, scientists and other thinkers, who have all had something arresting to say on the subject.

The core of this volume is woven around seven sub themes. The first is a broad contemporary perspective, chiefly sociological. The next considers the views of ancient Indian texts in Sanskrit, from the Vedas which adore nature but are puzzled by creation, to the myths of the more popular puranas and the forceful reasoning of the Yoga-Vasistha, There follows the view of classical Indic sciences: rationalist ayurveda, inferential linguistics, computational astronomy and so forth. Then there are poets’ thoughts: Caldara’s loving descriptions and those of the Tamil Sangam era - affected as deeply by nature as the Vedic arks but non-adoring - with the nature of each landscape determining the character of its inhabitants.

A short interlude (Section 6) attempts comparisons between western and Indic views (realizing of course that neither is monolithic): the former chiefly anthropocentric, the latter seeing man as just one element of the biological order of the world. Modern science (Section 7) is increasingly tending to the view that culture is not a unique possession of human civilizations, but (in some form) also of animals and even insects - a view incidentally long held in India.

Finally there is a brief survey of developments in the twentieth century: the role of new technology in sculptural art, for example; Tagore’s respect for science even as he was religiously intimate with nature; and the passionate but enduring human connection with an intensely local nature even in our rapidly globalizing world.

What seem common in this rich diversity of India thinking are the absences, like the civilization avoidance of binaries in favor of a hierarchical pluralism, and an emphasis on the fundamental value of experience in relation to what may be understood as truth.

 

About the Author

D. P. CHA TTOPADHYA YA, M.A., LL.B., Ph.D. (Calcutta and London School of Economics), D. Litt., (Honoris Causa), studied, researched on Law, philosophy and history and taught at various Universities in India, Asia, Europe and USA from 1954 to 1994. Founder-Chairman of the Indian Council of Philosophical Research (1981-1990) and President-cum-Chairman of the Indian Institute of Advanced Study, Shimla (1984-1991), Chattopadhyaya is currently the Project Director of the multidisciplinary ninety-six volume Project of History of Indian Science, Philosohy and Culture (PHIS PC) and Chairman of the Centre for Studies in Civilizations (CSC). Among his 37 publications, authored 19 and edited or co-edited 18, are Individuals and Societies (1967); Individuals and Worlds (1976); Sri Aurobindo and Karl Marx (1988); Anthropology and m Historiography of Science (1990); Induction, Probability and Skepticism (1991); Sociology, Ideology and Utopia (1997); Societies, Cultures and Ideologies (2000); Interdisciplinary Studies in Science, Society, Value and Civilizational Dialogue (2002); Philosophy of Science, Phenomenology and Other Essays (2003); Philosophical Consciousness and Scientific Knowledge: Conceptual Linkages and Civilizational Background (2004); Self, Society and Science: Theoretical and Historical Perspectives (2004); Religion, Philosophy and Science (2006); Aesthetic Theories and Forms in Indian Tradition (2008) and Love, Life and Death (2010). He has also held high public offices, namely, of Union cabinet minister and state governor. He is a Life Member of the Russian Academy of Sciences and a Member of the International Institute of Philosophy, Paris. He was awarded Padma Bhushan in 1998 and Padmavibhushan in 2009 by the Government of India.

RODDAM NARASIMHA, FRS, currently at the Engineering Mechanics Unit, Jawaharlal Nehru Centre for Advanced Scientific Research, was formerly Director of the National Aerospace Laboratories and the National Institute of Advanced Studies, Bangalore. Much of his professional career has been spent at the Indian Institute of Science, Bangalore. He was educated there and at the Califomia Institute of Technology, where he obtained his Ph.D. He is basically a fluid dynamicist whose research has been relevant to aerospace technology and atmospheric dynamics. For his contributions in these fields he has been elected to the Royal Society, the US National Academies of Sciences and of Engineering, and the American Academy of Arts and Sciences. He won the Trieste Science Prize in 2009, and was awarded the Padma Bhushan in 1987. He is particularly interested in the epistemology underlying classical Indian thinking about science and scientific method, on which he has written several papers including The cheque red history of epistemology and science, in the PHISPC Volume edited by B. Ray, and Epistemology and Language in Indian Astronomy and Mathematics (J. Ind. Phil. 2007, 35:521- 541). He is co-editor (with Helaine Selin, corrected reprint 2009) of the Encyclopaedia of Classical Indian Sciences

 

Preface

The idea that the subject of nature and culture should be the theme of one of the series of volumes being published as part of the project on History of Indian Science, Philosophy and Culture (PHISPC) was first mooted in a Brain-storming and Discussion Meeting held on 28- 29 May 2004 at the National Institute of Advanced Studies in Bangalore. A total of 15 presentations were made at this meeting, and the decision was taken to sponsor a volume on Nature and Culture in the PHISPC series.

A follow-up Discussion Meeting on Nature and Culture was held on 5-6 May 2005, again at NIAS. Specific issues that might form the subject of analysis in the proposed volume were discussed at some length at this Meeting. Some of the papers contained in the present volume can be traced to the presentations made at the time at NIAS.

To collect all the papers that would finally constitute this volume, and to review, revise and edit them before they could be submitted to the press, has taken longer than we had imagined. However the task is now done and we can finally place it before the public. In the \ process we, the editors, have learnt a great deal from our many distinguished contributors on the subject of nature and culture, and we will be happy if readers can share even a small part of our own sense of discovery as we assembled these essays.

It remains to thank all the contributors for the effort they have put in to write these essays and for their willingness to revise their scripts in response to the editors' queries.

We are honoured to have been invited by Prof D P Chattopadhyaya to edit this volume, and are grateful to him for his patience during the years that it took us to put together the volume, and for his understanding of the pressure on time (especially of RN) as the volume progressed slowly to its conclusion. We thank Prof Chattopadhyaya and his colleagues at the Centre for Studies in Civilizations for their unfailing courtesy during this period. We similarly thank the administrations at JNCASR and NIAS for their help during the project.

It is finally a pleasure to thank Ms K Nagarathna for keeping track of all the manuscripts received in their various versions, her patience in preparing yet one more of the editors' numerous versions of their papers and especially of the Introduction, and her excellent and devoted assistance in all aspects of putting the volume together-from the earliest correspondence with PHISPC to the final soft version of the book.

 

Editors

D. P. CHATTOPADHYAYA, M.A., LL.B., Ph.D. (Calcutta and London School of Economics), D. Litt., (Honoris Causa), studied, researched on Law, philosophy and history and taught at various Universities in India, Asia, Europe and USA from 1954 to 1994. Founder-Chairman of the Indian Council of Philosophical Research (1981-1990) and President-cum-Chairman of the Indian Institute of Advanced Study, Shimla (1984-1991), Chattopadhyaya is currently the Project Director of the multidisciplinary ninety-six volume Project of History of Indian Science, Philosohy and Culture (PHISPC) and Chairman of the Centre for Studies in Civilizations (CSC). Among his 37 publications, authored 19 and edited or co-edited 18, are Individuals and Societies(1967); Individuals and Worlds (1976); Sri Aurobindo and Karl Marx (1988); Anthropology and Historiography of Science (1990); Induction, Probability and Skepticism (1991); Sociology, Ideology and Utopia (1997); Societies, Cultures and Ideologies (2000); Interdisciplinary Studies in Science, Society, Value and Civilizational Dialogue (2002); Philosophy of Science, Phenomenology and Other Essays (2003); Philosophical Consciousness and Scientific Knowledge: Conceptual Linkages and Civilizational Background (2004); Self, Society and Science: Theoretical and Historical Perspectives (2004); Religion, Philosophy and Science (2006); Aesthetic Theories and Forms in Indian Tradition (2008) and Love, Life and Death (2010). He has also held high public offices, namely, of Union cabinet minister and state governor. He is a Life Member of the Russian Academy of Sciences and a Member of the International Institute of Philosophy, Paris. He was awarded Padma Bhushan in 1998 and Padmavibhushan in 2009 by the Government of India.

RODDAM NARASIMHA, FRS, currently at the Engineering Mechanics Unit, Jawaharlal Nehru Centre for Advanced Scientific Research, was formerly Director of the National Aerospace Laboratories and the National Institute of Advanced Studies, Bangalore. Much of his professional career has been spent at the Indian Institute of Science, Bangalore. He was educated there and at the California Institute of Technology, where he obtained his Ph.D. He is basically a fluid dynamicist whose research has been relevant to aerospace technology and atmospheric dynamics. For his contributions in these fields he has been elected to the Royal Society, the US National Academies of Sciences and of Engineering, and the American Academy of Arts and Sciences. He won the Trieste Science Prize in 2009, and was awarded the Padma Bhushan in 1987. He is particularly interested in the epistemology underlying classical Indian thinking about science and scientific method, on which he has written several papers including The chequered history of epistemology and science, in the PHISPC Volume edited by B. Ray, and Epistemology and Language in Indian Astronomy and Mathematics (J. Ind. Phil. 2007, 35:521-541). He is co-editor (with Helaine Selin, corrected reprint 2009) of the Encyclopaedia of Classical Indian Sciences.

 

General Introduction

It is understandable that man, shaped by Nature, would like to know Nature. The human ways of knowing Nature are evidently diverse, theoretical and practical, scientific and technological, artistic and spiritual. This diversity has, on scrutiny, been found to be neither exhaustive nor exclusive. The complexity of physical nature, life-world and, particularly, human mind is so enormous that it is futile to follow a single method for comprehending all the aspects of the world in which we are situated.

One need not feel bewildered by the variety and complexity of the worldly phenomena. After all, both from traditional wisdom and our daily experience, we know that our own nature is t quite alien to the structure of the world. Positively speaking, the elements and forces that are out there in the world are also present in our body-mind complex, enabling us to adjust ourselves to our environment. Not only the natural conditions but also the social conditions of life have instructive similarities between them. This is not to underrate in any way the difference between the human ways of life all over the world. It is partly due to the variation in climatic conditions and partly due to the distinctness of production-related tradition, history and culture.

Three broad approaches are discernible in the works on historiography of civilization, comprising science and technology, art and architecture, social sciences and institutions. Firstly, some writers are primarily interested in discovering the general laws which govern all civilizations spread over different continents. They tend to underplay what they call the noisy local' events of the external world and peculiarities of different languages, literatures and histories. Their accent is on the unity of Nature, the unity of science and the unity of mankind. The second groups of writers, unlike the generalist or transcendentalist ones, attach primary importance to the distinctiveness of every culture. To these writers’ human freedom and creativity are extremely important and basic in character. Social institutions and the cultural articulations of human consciousness, they argue, are bound to be expressive of the concerned people's consciousness. By implication they tend to reject concepts like archetypal consciousness, universal mind and providential history. There is a third group of writers who offer a composite picture of civilizations, drawing elements both from their local and common characteristics. Every culture has its local roots and peculiarities. At the same time, it is pointed out that due to demographic migration and immigration over the centuries an element of compositeness emerges almost in every culture. When, due to a natural calamity or political exigencies people move from one part of the world to another, they carry with them, among other things, their language, cultural inheritance and their ways of living.

In the light of the above facts, it is not at all surprising that comparative anthropologists and philologists are intrigued by the striking similarity between different language families and the rites, rituals and myths of different peoples. Speculative philosophers of history, heavily relying on the findings of epigraphy, ethnography, archaeology and theology, try to show in very general terms that the particulars and universals of culture are 'essentially' or 'secretly' interrelated. The spiritual aspects of culture like dance and music, beliefs pertaining to life, death and duties, on analysis, are found to be mediated by the material forms of life like weather forecasting, food production, urbanization and invention of script. The transition from the oral culture to the written one was made possible because of the mastery of symbols and rules of measurement. Speech precedes grammar, poetry prosody. All these show how the 'matters' and 'forms' of life are so subtly interwoven.

The PHTSPC publications on History of Science, Philosophy and Culture in Indian Civilization, in spite of their unitary look, do recognize the differences between the areas of material civilization and those of ideational culture. It is not a work of a single author. Nor is it being executed by a group of thinkers and writers who are methodologically uniform or ideologically identical in their commitments. In conceiving the Project we have interacted with, and been influenced by, the writings and views of many Indian and non-Indian thinkers.

The attempted unity of this Project lies in its aim and inspiration. We have in India many scholarly works written by Indians on different aspects of our civilization and culture. Right from the pre-Christian era to our own time, India has drawn the attention of various countries of Asia, Europe and Africa. Some of these writings are objective and informative and many others are based on insufficient information and hearsay, and therefore not quite reliable, but they have their own value. Quality and view-points keep on changing not only because of the adequacy and inadequacy of evidence but also, and perhaps more so, because of the bias and prejudice, religious and political conviction, of the writers.

Besides, it is to be remembered that history, like Nature, is not an open book to be read alike by all. The past is mainly enclosed and only partially disclosed. History is, therefore, partly objective or 'real' and largely a matter of construction. This is one of the reasons why some historians themselves think that it is a form of literature or art. However, it does not mean that historical construction is 'anarchic' and arbitrary. Certainly, imagination plays an important role in it.

But its character is basically dependent upon the questions which the historian raises and wants to understand or answer in terms of the ideas and actions of human beings in the past ages. In a way, history, somewhat like the natural sciences, is engaged in answering questions and in exploring relationships of cause and effect between events and developments across time. While in the natural sciences, the scientist poses questions about nature in the form of hypotheses, expecting to elicit authoritative answers to such questions, the historian studies the past, partly for the sake of understanding it for its own sake and partly also for the light which the past throws upon the present, and the possibilities which it opens up for mounding the future. But the difference between the two approaches must not be lost sight of. The scientist is primarily interested in discovering laws and framing theories, in terms of which different events and processes can be connected and anticipated. His interest in the Conditions or circumstances’ attending the concerned events is secondary. Therefore, scientific laws turn out to be basically abstract and easily expressible in terms of mathematical language.

In contrast, the historian's main interest centers round the specific events, human ideas and actions, not general laws. So, the historian, unlike the scientist, is obliged to pay primary attention to the circumstances of the events he wants to study. Consequently, history, like most other humanistic disciplines, is concrete and particularistic. This is not to deny the obvious truth that historical event and processes consisting of human ideas and actions show some trend or other and weave some pattern or another. If these trends and patterns were not there at all in history, the study of history as a branch of knowledge would not have been profitable or instructive. But one must recognize that historical trends and patterns, unlike scientific laws and theories, are not general or purported to be universal in their scope.

The aim of this Project is to discover the main aspects of Indian culture and present them in an interrelated way. Since our culture has influenced, and has been influenced by, the neighboring cultures of West Asia, Central Asia, East Asia and Southeast Asia, attempts have been made here to trace and study these influences in their mutuality. It is well- known that during the last three centuries, European presence in India, both political and cultural, has been very widespread. In many volumes of the Project considerable attention has been paid to Europe and through Europe to other parts of the world. For the purpose of a comprehensive cultural study of India, the existing political boundaries of the South Asia of today are more of a hindrance than help. Cultures, like languages, often transcend the bounds of changing political territories.

If the inconstant political geography is not a reliable help to the understanding of the layered structure and spread of culture, a somewhat comparable problem is encountered in the area of historical per iodization. Per iodization or segmenting time is a very tricky affair. When exactly one period ends and another begins is not precisely ascertainable. The periods of history designated as ancient, medieval and modem are purely conventional and merely heuristic in character. The varying scopes of history, local, national and continental or universal, somewhat like the periods of history, are unavoidably fuzzy and shifting. Amidst all these difficulties, the volume-wise details have been planned and worked out by the editors

in consultation with the Project Director and the General Editor. I believe that the editors of different volumes have also profited from the reactions and suggestions of the contributors of individual chapters in planning the volumes.

Another aspect of Indian history which the volume-editors and contributors of the Project have carefully dealt with is the distinction and relation between civilization and culture.

The material conditions which substantially shaped Indian civilization have been discussed in detail. From agriculture and industry to' metallurgy and technology, from physics and chemical practices to the life sciences and different systems of medicines-all the branches of knowledge and skill which directly affect human life-form the heart of this Project. Since the periods covered by the PHISPC are extensive-prehistory, proto-history, early history, medieval history and modem history of India-we do not claim to have gone into all the relevant material conditions of human life. We had to be selective. Therefore, one should not be surprised if one finds that only some material aspects of Indian civilization have received our pointed attention, while the rest have been dealt with in principle or only alluded to.

One of the main aims of the Project has been to spell out the first principles of the philosophy of different schools, both pro-Vedic and anti-Vedic. The basic ideas of Buddhism, Jainism and Islam have been given their due importance. The special position accorded to philosophy is to be understood partly in terms of its proclaimed unifying character and partly to be explained in terms of the fact that different philosophical systems represent alternative world-views, cultural perspectives, their conflict and mutual assimilation.

Most of the volume-editors and at their instance the concerned contributors have followed a middle path between the extremes of narratives and theoretic. The underlying idea has been this: if in the process of working out a comprehensive Project like this every contributor attempts to narrate all those interesting things that he has in the back of his mind, the enterprise is likely to prove unmanageable. If, on the other hand, particular details are consciously forced into a fixed mould or pre-supposed theoretical structure, the details lose their particularity and interesting character. Therefore, depending on the nature of the problem of discourse, most of the writers have tried to reconcile in their presentation, the specificity of narratives and the generality of theoretical orientation. This is a conscious editorial decision. Because, in the absence of a theory, however inarticulate it may be, the factual details tend to fall apart. Spiritual network or theoretical orientation makes historical details not only meaningful but also interesting and enjoyable.

Another editorial decision which deserves spelling out is the necessity or avoid ability of duplication of the same theme in different volumes or even in the same volume. Certainly, this Project is not an assortment of several volumes. Nor is any volume intended to be a miscellany. This Project has been designed with a definite end in view and has a structure of its own. The character of the structure has admittedly been influenced by the variety of the themes accommodated within it. Again it must be understood that the complexity of structure is rooted in the aimed integrality of the Project itself.

Long and in-depth editorial discussion has led us to several unanimous conclusions. Firstly, our Project is going to be unique, unrivalled and discursive in its attempt to integrate different forms of science, technology, philosophy and culture. Its comprehensive scope, continuous character and accent on culture distinguish it from the works of such Indian authors as P.C. Ray, B.N. Seal, Binoy Kumar Sarkar and S.N. Sen. and also from such Euro-American writers as Lynn Thorndike, George Carton and Joseph Needham. Indeed, it would be no exaggeration to suggest that it is for the first time that an Endeavour of so comprehensive a character, in its exploration of the social, philosophical and cultural characteristics of a distinctive world civilization-that of India-has been attempted in the domain of scholarship.

Secondly, we try to show the linkages between different branches of learning as different modes of experience in an organic manner and without resorting to a kind of reductionism, materialistic or spiritualistic. The internal dialectics of organics without reductionism allows fuzziness, discontinuity and discreteness within limits.

Thirdly, positively speaking, different modes of human experience-scientific, artistic, etc.-have their own individuality, not necessarily autonomy. Since all these modes are modification and articulation of human experience, these are bound to have between them some finely graded commonness. At the same time, it has been recognized that reflection on different areas of experience and investigation brings to light new insights and findings. Growth of knowledge requires humans, in general, and scholars, in particular, to identify the distinctness of different branches of learning.

Fourthly, to follow simultaneously the twin principles of: (a) individuality of human experience as a whole, and (b) individuality of diverse disciplines, is not at all an easy task. Overlap of themes and duplication of the terms of discourse become unavoidable at times. For example, in the context of Dharmasiistra, the writer is bound to discuss the concept of value. The same concept also figures in economic discourse and also occurs in a discussion on fine arts. The conscious editorial decision has been that, while duplication should be kept to its minimum, for the sake of intended clarity of the themes under discussion, their reiteration must not be avoided at high intellectual cost.

Fifthly, the scholars working on the Project are drawn from widely different disciplines. They have brought to our notice an important fact that has clear relevance to our work. Many of our contemporary disciplines like economics and sociology did not exist, at least not in their present form, just two centuries ago or so. For example, before the middle of the nineteenth century, sociology as a distinct branch of knowledge was unknown. The term is said to have been coined first by the French philosopher Augusta Comte in 1838. Obviously, this does not mean that the issues discussed in sociology were not there. Similarly, Adam Smith's (1723-90) famous work The Wealth of Nations is often referred to as the first authoritative statement of the principles of (what we now call) economics. Interestingly enough, the author was equally interested in ethics and jurisprudence. It is clear from history that the nature and scope of different disciplines undergo change, at times very radically, over time. For example, in ancients India arthasdstra did not mean the science of economics as understood today. Besides the principles of economics, the Arthasdstra of Kantilla discusses at length those of governance, diplomacy and military science.

Sixthly, this brings us to the next editorial policy followed in the Project. We have tried to remain very conscious of what may be called indeterminacy or inexactness of translation. When a word or expression of one language is translated into another, some loss of meaning or exactitude seems to be unavoidable. This is true not only in the bilingual relations like Sanskrit-English and Sanskrit-Arabic, but also in those of Hindi-Tamil and Hindi-Bengali. In recognition of the importance of language-bound and context-relative character of meaning we have solicited from many learned scholars, contributions written in vernacular languages. In order to minimize the disaffects of semantic inexactitude we have solicited translational help of that type of bilingual scholars who know both English and the concerned vernacular language, Hindi, Tamil, Telugu, Bengali or Marathi.

Seventhly and finally, perhaps the place of technology as a branch of knowledge in the composite universe of science and art merits some elucidation. Technology has been conceived in very many ways, e.g., as autonomous, as 'standing reserve', as liberating or enlargemental, and alienative or estrangemental force. The studies undertaken by the Project show that, in spite of its much emphasized mechanical and alienative characteristics, technology embodies a very useful mode of knowledge that is peculiar to man. The Greek root words of technology are techne (art) and logos (science). This is the basic justification of recognizing technology as closely related to both epistemology, the discipline of valid knowledge, and axiology, the discipline of freedom and values. It is in this context that we are reminded of the definition of man as homo techniques. In Sanskrit, the word closest to techno is kala which means any practical art. Any mechanical or fine art. In the Indian tradition, in Saivatantra, for example, among the arts (kala) are counted dance, drama, music, architecture, metallurgy. Knowledge of dictionary, encyclopedia and prosody. The closeness of the relation between arts and sciences, technology and other forms of knowledge are evident from these examples and was known to the ancient people. The human quest for knowledge involves the use of both head and hand. Without mind, the body is a corpse and the disembodied mind is a bare abstraction. Even for our appreciation of what is beautiful and the creation of what is valuable. We are required to exercise both our intellectual competence and physical capacity. In a manner of speaking, one might rightly affirm that our psychosomatic structure is a functional connector between what we are and what we could be, between the physical and the beyond. To suppose that there is a clear-cut distinction between the physical world and the psychosomatic one amount to denial of the possible emergence of higher logico-mathernatical, musical and other capacities. The very availability of aesthetic experience and creation proves that the supposed distinction is somehow overcome by what may be called the bodily self or embodied mind.

 

Contents

 

  List of Colour Plates x
  Preface Xl
  Roddam Narasimha and Sangeetha Menon X 111
  Editors XV
  Contributors XXlll
  General Introduction  
  D.P. Chattopadhyaya  
  I. Introduction  
1. Introduction 3
  Roddam Narasimha and Sangeetha Menon  
  Ii. A Contemporary Sociological Perspective  
2. Matter, Life and Mind: A Gradient Continuum in Nature and Culture 45
  D.P. Chattopadhyaya  
  III. The Early Texts  
3. Nature and Culture in the Rgveda 65
  K T Pandurangi and C Ramanathan  
4. You are Here: Puranic Cosmology as Cosmic Locator 87
  Jonathan B. Edelmann  
5. Perceiving the Forest: Early India 103
  Romila Thapar  
6 A Horrid Tree-House or a Charming City? 117
  Yogavasistha (Moksopaya) on Spiritual Culture of the Body  
  Arindam Chakrabarti  
  IV. Classical Indic Sciences  
7. Nature, Culture and Language 137
  Frits Staal  
8. Nature in Ayurveda 167
  M S Valiathan  
9 Man and Nature: An Indian World-View 187
  Partha Ghose  
  V. The Arts And Letters  
10 Nature in Samskrt Poetry-Vision and Views 225
  R. Ganesh  
11 The Flora of Tamil Sangam Poetry 231
  John R. Marr  
12 Nature and Culture in Early Dravidian Poetry 249
  S. Settar  
13 A First-person Approach to Aesthetic Emotions in Natyasastra 259
  Sangeetha Menon  
14 Nataraja and Cosmic Space: Nature and Culture  
  Intertwinings in the Early Tamil Tradition 271
  Sharada Srinivasan  
  VI. Indic Versus Western  
15 Nature/Culture Relations in Western and Indian Traditions 291
  Anand C. Paranjpe  
16 Culture Views Nature: Bacomn and Samkhya Compared 321
  Roddam Narasimha  
  VII. Modern Biologists on Culture 343
17 Culture and Evoltion  
  Vidyanand Nanjundiah 357
18 What can We Learn from Insect Societies? 357
  Raghavendra Gadagkar  
19 Nature and Culture in the Will: Biological Foundations of Behavioural Traditions in Non- Human Primated 367
  Michael A Huffman and Anindya Sinha  
20 Soceity, Culture and Enviormental Concerns  
  Madhav Gadgil 391
  VIII. The Twentieth Century  
21 Ancient Ritual Onjects and Modern Sculptures: The Metal Mirrors and 407
  Valampiri Conchs of Kerala, Interpreted in Contemporary Technology  
  Balan Bambiar  
22 Nature in Tagore's Poetry 423
  Amiya Dev  
23 Rabindranath Tagore on Nature and Culture 465
  Uma Das Gupta  
24 Dancing with the Gods 477
  Anita Nair  
  IX. Epilogure  
25 Epilogue 491
  Roddam Narasimha and Sangeetha Maenon  
  Index 495

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