Subscribe for Newsletters and Discounts
Be the first to receive our thoughtfully written
religious articles and product discounts.
Your interests (Optional)
This will help us make recommendations and send discounts and sale information at times.
By registering, you may receive account related information, our email newsletters and product updates, no more than twice a month. Please read our Privacy Policy for details.
.
By subscribing, you will receive our email newsletters and product updates, no more than twice a month. All emails will be sent by Exotic India using the email address info@exoticindia.com.

Please read our Privacy Policy for details.
|6
Your Cart (0)
Share our website with your friends.
Email this page to a friend
Books > Hindu > Performative Polities and the Cultures of Hinduism (Public Uses of Religion in Western India)
Displaying 6590 of 7245         Previous  |  NextSubscribe to our newsletter and discounts
Performative Polities and the Cultures of Hinduism (Public Uses of Religion in Western India)
Performative Polities and the Cultures of Hinduism (Public Uses of Religion in Western India)
Description
About the Book:

The Ganapati utsava, a major festival of western India dedicated to the elephant-headed god, raises compelling questions about the interplay of religion, spectacle and cultural politics. In a book that spans a century of epochal history, Raminder Kaur considers how the public festival has been interwoven with everyday lives as well as the making of the modern Indian nation.

The festival was mobilised as a potential vehicle for political critique in the 1890s, pre-eminently by Bal Gangadhar Tilak. Its success lay in combining entertainment with veneration, which meant that the event could not be easily prohibited by the colonial state. While the success of the mobilisation is widely acknowledged as the work of Tilak, this study shows that other, less-known community leaders were active, if not pioneering, in the festival's more public transformations.

In contemporary India, this kaleidoscopic event is of interest to various bodies: to political parties such as the Shiv Sena, the BJP, and the Congress; to media conglomerates which sponsor competitions associated with religious rituals; and to the police and regulating organisations of the state which strive to keep religious festivity 'clean' of criminality and excessive political manipulation.

At the level of community life and everyday bhakti, Raminder Kaur shows that the audio-visual aspects of the festival are crucial to its enduring appeal among large sectors of India's populace. This is evident, for instance, from the emergence of martial representations of Ganapati and the development of shrine tableaux that provide commentaries on issues of historical and topical interest-such as the freedom struggle, contemporary political corruption, and the nuclear rivalry with Pakistan.

As such, this book deploys a single major cultural and religious event to study the variety and cultures of contemporary Hinduism, and their complex histories. It is an outstanding monograph which will interest every serious student of Indian politics, cultural history, and anthropology.

About the Author:

Raminder Kaur is a Simon/Marks Research Fellow at the University of Manchester. She completed her Ph.D. on the Ganapati festival at SOAS, University of London. She is co-editor of Travel Worlds: Journeys in Contemporary Cultural Politics (Zed, 1999) and co-author of the forthcoming Liquid Notions: Critical Reflections on Diaspora and Hybridity (sage).

From the Preface:

'A Trunk Full of Tales'

The stockbroker harshad Mehta looks remorseful in prison for his role in the Mumbai Stock Exchange scam of 1992. Riots between Hindus and Muslims ravage the city of Mumbai in that year. The actor Sanjay Dutt sits opposite, his dark glasses giving the lie to the Menon Brothers who were implicated for the Mumbai bomb blasts that scarred the city shortly afterwards, in 1993. The irrepressible don Dawood Ibrahim speaks into his cellular phone from Dubai, ordering his henchmen where to hit next. And the astronaut Rakesh Sharma swings above in his silver suit looking down at the pettiness of the planet below.

You would be forgiven for thinking that this was a description of a clip from yet another Bollywood blockbuster. It was in fact part of a series of vignettes placed around the Hindu deity, Ganapati, During the period of the annual festival, the Ganapati utsava, Ganapati-literally 'lord of the hordes'-is the most frequently cited name for Ganesh in Maharashtra. The deity is considered vighmaharta ('remover of obstacles'), sukhakarta (one who creates happiness and peace), and duhkhaharta (one who removes pain and sadness). As the scribe of the Mahabharata, he embodies wisdom, yet also mischief. He is considered fearful and warrior-like, yet benign and beneficent. Effectively, he is an ambivalent god, ideally thought of as lying on the threshold of the divine and mundane realms by Hindu devotees (Court right 1988: 84-5)-a teller of mythical tales, but also a feature of much more earthly tales-as shown by the profusely illustrated festive tableaux.

I literally fell into the festive celebrations in 1991 when a very forceful woman pulled me out of a taxi in central Mumbai. I was trying to take a photograph of an immersion party on its way to the Arabian Sea. In subsequent year I participated more willingly, seeing the elaborate tableaux being constructed, joining in with the attendant rites and activities, and accompanying festival competition judges throughout Maharashtra's two foremost cities, Mumbai and Pune, for the celebration of this festival. From 1993 the festival became the focus of more extended research into the relations between visual culture, festival praxis, and nationalism. This book is the fruit of that labour.

During the main fieldwork period of sixteen months from August 1994, the forces of Hindutva (the Sangh Parivar) were on the ascendant in their political hijacking of religio-cultural icons, sites and events for a militant Hindu nationalism (Basu et al. 1993; Pandey 1993; van der veer 1987, 1994). This grouping mainly included a fraternity of right-wing organisations consisting of the Bharatiya Janata Party (BJP), the Rashtriya Swayamsevak Sangh (RSS-which translates as National Volunteer Organisation), the Vishwa Hindu Parishad (VHP-or World Hindu Council), the Bajrang Dal (Bajrang Army), and, from 1984, the Mumbai-based party, the Shiv Sena (Shivaji's Army). Hindu militancy invariably had its repercussions on the Ganapati utsava in Maharashtra, particularly through the involvement of the Shiv Sena in the region. Due to its public nature, the festival was increasingly used to propagate ideas conducive to the Hindutva project, comparable to the 1890s, when it was first mobilised in the political arena. Topical matters of the type that I have described above were often filtered through Hindutva-influenced narratives in mandap tableaux. However, Hindutva co-option of the festival was not the only political dynamic-which fact is often overlooked within the ever-growing literature on contemporary pubic events that associates Hinduism, sometimes simplistically, with communalism. The presence of a Hindu god in the pubic field need not be a prefix for communalism. Indeed, the festival also acted as a discursive site of counteracted exclusivist movements such as those associated with Hindu nationalism.

CONTENTS

List of Illustrations and Mapsvii
Prefacexiii
1.The Promise of Performative Politics1
Mobilised Efficacy 4
Festive Moments11
The Public Field13
A Multifaceted Festival18
Slippery Performers25
2.'Seething with Sedition'31
Recasting Tilak's Interventions 35
Martial Murti41
Fire in the Belly of the Gods51
A Festival in Ferment59
A Whirlpool of Movements63
3.The Spectacle of Drama and The Drama of Spectacle70
Creative Patriotism72
A Long Train of Etceteras 76
Fractured Publics81
Moving Scenes88
Mandap Types 93
Spectacular Politics95
4.Ganesh Chaturthi: Festival as Praxis 97
'An Antidote to Vague Despair'99
Engaging with Mandap Tableaux 100
Synaesthesia 105
Pleasure-Principles107
Society of the Spectator 109
Vitality115
The Immersion Procession117
The 'Saffronisation' of Public Space 122
5.Mandal, Media, and the Market127
Gods and Goods129
The Business of Religion132
Marking the Event137
Overview of the Three Rounds140
Assessing the Competition149
6.Open Secrets154
Contemporary Political Culture in Maharashtra158
The Eye of the Tiger162
Street Poetics167
Sainik Spectacles 169
An Art of Stage-craft or State-craft?177
Variant Versionings of the Nation 180
Spectacles and Spectators186
7.Nuclear Reactions190
Bombs and the Nation194
Gods, Bombs and the Social Imaginary197
Explosive Scenes202
The Destroyer of Worlds220
8.A Nation of Magic Mirrors222
National or Natural?223
Envisaging the Nation225
HEROIC FIGURES227
ICONIC EVENTS232
SPACE AND TERRITORY239
GENDERED TROPES OF THE NATION244
PERCEPTIONS OF THE OTHER249
FUTURE HORIZONS257
MODERN TOTEMS AND METAPHORS261
Homing In265
9.An Imperfect Osmosis270
Glossary and Abbreviations274
Bibliography277
Index299

Performative Polities and the Cultures of Hinduism (Public Uses of Religion in Western India)

Item Code:
IDG479
Cover:
Hardcover
Edition:
2003
Publisher:
ISBN:
8178240475
Size:
8.5" X 5.5"
Pages:
325 (Figure: 3)
Price:
$55.00   Shipping Free - 4 to 6 days
Add to Wishlist
Send as e-card
Send as free online greeting card
Performative Polities and the Cultures of Hinduism (Public Uses of Religion in Western India)

Verify the characters on the left

From:
Edit     
You will be informed as and when your card is viewed. Please note that your card will be active in the system for 30 days.

Viewed 7718 times since 16th Oct, 2009
About the Book:

The Ganapati utsava, a major festival of western India dedicated to the elephant-headed god, raises compelling questions about the interplay of religion, spectacle and cultural politics. In a book that spans a century of epochal history, Raminder Kaur considers how the public festival has been interwoven with everyday lives as well as the making of the modern Indian nation.

The festival was mobilised as a potential vehicle for political critique in the 1890s, pre-eminently by Bal Gangadhar Tilak. Its success lay in combining entertainment with veneration, which meant that the event could not be easily prohibited by the colonial state. While the success of the mobilisation is widely acknowledged as the work of Tilak, this study shows that other, less-known community leaders were active, if not pioneering, in the festival's more public transformations.

In contemporary India, this kaleidoscopic event is of interest to various bodies: to political parties such as the Shiv Sena, the BJP, and the Congress; to media conglomerates which sponsor competitions associated with religious rituals; and to the police and regulating organisations of the state which strive to keep religious festivity 'clean' of criminality and excessive political manipulation.

At the level of community life and everyday bhakti, Raminder Kaur shows that the audio-visual aspects of the festival are crucial to its enduring appeal among large sectors of India's populace. This is evident, for instance, from the emergence of martial representations of Ganapati and the development of shrine tableaux that provide commentaries on issues of historical and topical interest-such as the freedom struggle, contemporary political corruption, and the nuclear rivalry with Pakistan.

As such, this book deploys a single major cultural and religious event to study the variety and cultures of contemporary Hinduism, and their complex histories. It is an outstanding monograph which will interest every serious student of Indian politics, cultural history, and anthropology.

About the Author:

Raminder Kaur is a Simon/Marks Research Fellow at the University of Manchester. She completed her Ph.D. on the Ganapati festival at SOAS, University of London. She is co-editor of Travel Worlds: Journeys in Contemporary Cultural Politics (Zed, 1999) and co-author of the forthcoming Liquid Notions: Critical Reflections on Diaspora and Hybridity (sage).

From the Preface:

'A Trunk Full of Tales'

The stockbroker harshad Mehta looks remorseful in prison for his role in the Mumbai Stock Exchange scam of 1992. Riots between Hindus and Muslims ravage the city of Mumbai in that year. The actor Sanjay Dutt sits opposite, his dark glasses giving the lie to the Menon Brothers who were implicated for the Mumbai bomb blasts that scarred the city shortly afterwards, in 1993. The irrepressible don Dawood Ibrahim speaks into his cellular phone from Dubai, ordering his henchmen where to hit next. And the astronaut Rakesh Sharma swings above in his silver suit looking down at the pettiness of the planet below.

You would be forgiven for thinking that this was a description of a clip from yet another Bollywood blockbuster. It was in fact part of a series of vignettes placed around the Hindu deity, Ganapati, During the period of the annual festival, the Ganapati utsava, Ganapati-literally 'lord of the hordes'-is the most frequently cited name for Ganesh in Maharashtra. The deity is considered vighmaharta ('remover of obstacles'), sukhakarta (one who creates happiness and peace), and duhkhaharta (one who removes pain and sadness). As the scribe of the Mahabharata, he embodies wisdom, yet also mischief. He is considered fearful and warrior-like, yet benign and beneficent. Effectively, he is an ambivalent god, ideally thought of as lying on the threshold of the divine and mundane realms by Hindu devotees (Court right 1988: 84-5)-a teller of mythical tales, but also a feature of much more earthly tales-as shown by the profusely illustrated festive tableaux.

I literally fell into the festive celebrations in 1991 when a very forceful woman pulled me out of a taxi in central Mumbai. I was trying to take a photograph of an immersion party on its way to the Arabian Sea. In subsequent year I participated more willingly, seeing the elaborate tableaux being constructed, joining in with the attendant rites and activities, and accompanying festival competition judges throughout Maharashtra's two foremost cities, Mumbai and Pune, for the celebration of this festival. From 1993 the festival became the focus of more extended research into the relations between visual culture, festival praxis, and nationalism. This book is the fruit of that labour.

During the main fieldwork period of sixteen months from August 1994, the forces of Hindutva (the Sangh Parivar) were on the ascendant in their political hijacking of religio-cultural icons, sites and events for a militant Hindu nationalism (Basu et al. 1993; Pandey 1993; van der veer 1987, 1994). This grouping mainly included a fraternity of right-wing organisations consisting of the Bharatiya Janata Party (BJP), the Rashtriya Swayamsevak Sangh (RSS-which translates as National Volunteer Organisation), the Vishwa Hindu Parishad (VHP-or World Hindu Council), the Bajrang Dal (Bajrang Army), and, from 1984, the Mumbai-based party, the Shiv Sena (Shivaji's Army). Hindu militancy invariably had its repercussions on the Ganapati utsava in Maharashtra, particularly through the involvement of the Shiv Sena in the region. Due to its public nature, the festival was increasingly used to propagate ideas conducive to the Hindutva project, comparable to the 1890s, when it was first mobilised in the political arena. Topical matters of the type that I have described above were often filtered through Hindutva-influenced narratives in mandap tableaux. However, Hindutva co-option of the festival was not the only political dynamic-which fact is often overlooked within the ever-growing literature on contemporary pubic events that associates Hinduism, sometimes simplistically, with communalism. The presence of a Hindu god in the pubic field need not be a prefix for communalism. Indeed, the festival also acted as a discursive site of counteracted exclusivist movements such as those associated with Hindu nationalism.

CONTENTS

List of Illustrations and Mapsvii
Prefacexiii
1.The Promise of Performative Politics1
Mobilised Efficacy 4
Festive Moments11
The Public Field13
A Multifaceted Festival18
Slippery Performers25
2.'Seething with Sedition'31
Recasting Tilak's Interventions 35
Martial Murti41
Fire in the Belly of the Gods51
A Festival in Ferment59
A Whirlpool of Movements63
3.The Spectacle of Drama and The Drama of Spectacle70
Creative Patriotism72
A Long Train of Etceteras 76
Fractured Publics81
Moving Scenes88
Mandap Types 93
Spectacular Politics95
4.Ganesh Chaturthi: Festival as Praxis 97
'An Antidote to Vague Despair'99
Engaging with Mandap Tableaux 100
Synaesthesia 105
Pleasure-Principles107
Society of the Spectator 109
Vitality115
The Immersion Procession117
The 'Saffronisation' of Public Space 122
5.Mandal, Media, and the Market127
Gods and Goods129
The Business of Religion132
Marking the Event137
Overview of the Three Rounds140
Assessing the Competition149
6.Open Secrets154
Contemporary Political Culture in Maharashtra158
The Eye of the Tiger162
Street Poetics167
Sainik Spectacles 169
An Art of Stage-craft or State-craft?177
Variant Versionings of the Nation 180
Spectacles and Spectators186
7.Nuclear Reactions190
Bombs and the Nation194
Gods, Bombs and the Social Imaginary197
Explosive Scenes202
The Destroyer of Worlds220
8.A Nation of Magic Mirrors222
National or Natural?223
Envisaging the Nation225
HEROIC FIGURES227
ICONIC EVENTS232
SPACE AND TERRITORY239
GENDERED TROPES OF THE NATION244
PERCEPTIONS OF THE OTHER249
FUTURE HORIZONS257
MODERN TOTEMS AND METAPHORS261
Homing In265
9.An Imperfect Osmosis270
Glossary and Abbreviations274
Bibliography277
Index299
Post a Comment
 
Post Review
Post a Query
For privacy concerns, please view our Privacy Policy

Related Items

Cultural History of Medieval India
by Meenakshi Khanna
Paperback (Edition: 2012)
Orient Blackswan Pvt. Ltd
Item Code: NAJ558
$23.00
Add to Cart
Buy Now
Kumbha: India Ageless Festival
Item Code: IHF086
$22.50
Add to Cart
Buy Now
Gandhi’s Conscience Keeper (C. Rajagopalachari and Indian Politics)
by Vasanthi Srinivasan
Hardcover (Edition: 2009)
Permanent Black
Item Code: NAG083
$40.00
Add to Cart
Buy Now
The Temple In South Asia: Archaeology and Text
by Himanshu Prabha Ray
Hardcover (Edition: 2010)
Oxford University Press
Item Code: IHG075
$50.00
Add to Cart
Buy Now
Nostradamus and Beyond (Visions of Yuga-Sandhi)
by N. S. Rajaram
Paperback (Edition: 2010)
Rupa Publication Pvt. Ltd.
Item Code: NAD396
$15.00
Add to Cart
Buy Now
The English Writings of Rabindranath Tagore (Volume Three)
by Sisir Kumar Das
Hardcover (Edition: 2012)
Sahitya Akademi
Item Code: IDH086
$75.00
Add to Cart
Buy Now
Bharatiya Janata Party vis-a-vis Hindu Resurgence
by Koenraad Elst
Paperback (Edition: 1997)
Voice of India
Item Code: NAM373
$20.00
Add to Cart
Buy Now

Testimonials

Very grateful for this service, of making this precious treasure of Haveli Sangeet for ThakurJi so easily in the US. Appreciate the fact that notation is provided.
Leena, USA.
The Bhairava painting I ordered by Sri Kailash Raj is excellent. I have been purchasing from Exotic India for well over a decade and am always beyond delighted with my extraordinary purchases and customer service. Thank you.
Marc, UK
I have been buying from Exotic India for years and am always pleased and excited to receive my packages. Thanks for the quality products.
Delia, USA
As ever, brilliant price and service.
Howard, UK.
The best and fastest service worldwide - I am in Australia and I put in a big order of books (14 items) on a Wednesday; it was sent on Friday and arrived at my doorstep early on Monday morning - amazing! All very securely packed in a very strong cardboard box. I have bought several times from Exotic India and the service is always exceptionally good. THANK YOU and NAMASTE!
Charles (Rudra)
I just wanted to say that this is I think my 3rd (big) order from you, and the last two times I received immaculate service, the books arrived well and it has been a very pleasant experience. Just wanted to say thanks for your efficient service.
Shantala, Belgium
Thank you so much EXOTIC INDIA for the wonderfull packaging!! I received my order today and it was gift wrapped with so much love and taste in a beautiful golden gift wrap and everything was neat and beautifully packed. Also my order came very fast... i am impressed! Besides selling fantastic items, you provide an exceptional customer service and i will surely purchase again from you! I am very glad and happy :) Thank you, Salma
Salma, Canada.
Artwork received today. Very pleased both with the product quality and speed of delivery. Many thanks for your help.
Carl, UK.
I wanted to let you know how happy we are with our framed pieces of Shree Durga and Shree Kali. Thank you and thank your framers for us. By the way, this month we offered a Puja and Yagna to the Ardhanarishwara murti we purchased from you last November. The Brahmin priest, Shree Vivek Godbol, who was visiting LA preformed the rites. He really loved our murti and thought it very paka. I am so happy to have found your site , it is very paka and trustworthy. Plus such great packing and quick shipping. Thanks for your service Vipin, it is a pleasure.
Gina, USA
My marble statue of Durga arrived today in perfect condition, it's such a beautiful statue. Thanks again for giving me a discount on it, I'm always very pleased with the items I order from you. You always have the best quality items.
Charles, Tennessee
TRUSTe
Language:
Currency:
All rights reserved. Copyright 2017 © Exotic India