Subscribe for Newsletters and Discounts
Be the first to receive our thoughtfully written
religious articles and product discounts.
Your interests (Optional)
This will help us make recommendations and send discounts and sale information at times.
By registering, you may receive account related information, our email newsletters and product updates, no more than twice a month. Please read our Privacy Policy for details.
.
By subscribing, you will receive our email newsletters and product updates, no more than twice a month. All emails will be sent by Exotic India using the email address info@exoticindia.com.

Please read our Privacy Policy for details.
|6
Your Cart (0)
Share our website with your friends.
Email this page to a friend
Books > Art and Architecture > Secularism in Indian Art
Displaying 884 of 1595         Previous  |  NextSubscribe to our newsletter and discounts
Secularism in Indian Art
Secularism in Indian Art
Description

About the Book

This book is directed towards inquiring into the definition of the scope of secularism in a holistic way, in so far as it could apply to ancient Indian creative art often labeled as religious art. It is however seen that this art often shows in its composition, partly of wholly, a deliberate unrelated ness to its immediate locus, and conveys the mind of the artist, his absorption of the aesthetic and literary, traditional, mystic and the rasa-charged pulsating life-stream legacy, and display f macro-cosmic temper, supra-regional commonality and norm-building penchant, in his eventual creations. Religion can produce profound thought but not art which, through the medium of religion, shows insight and the impacts of secular experiences. Examining by a sampling the entire range of art, sectorally and chronologically, to detect the secular manifestations embedded in the art presentations; the author finds that there is an integrated secularism in the art of India's past , invoked by the artists who had been groomed in its culture and who had developed a macro-perception, by the totality of the impacts of the Dharmasastras, Arthasastras, Kamasastras and Natyasstras, along with the hieratic works and the fertility cults and mystic deity-devotee links, analogous to mundane romantic attachment, and the ancient artist who owned all this as a private legacy, had evolved his own techniques for formal creations of them in art. Illustrated with 64 plates and line-drawing, besides Notes on Plates and Appendices, the 8 chapters of the Book dissect the processes behind art creations, to reveal humanism and secularism.

About the Author

K. V. Soundara Rajan Additional Director General Archaeological Survey of India is one of the senior most and leading archaeologists and art-historians of India. Educated in Madras and Allahabad Universities and having been trained by Mortimer Wheeler in Field archaeology and F. E. Zeuner in prehistoric archaeology his is a rare and versatile combination of erudition in Sanskrit, Epigraphy, Prehistory and Fine Arts of ancient India. He is a prolific writer and researcher of distinction with over four hundred research papers and fifteen books to his credit on a variety of aspects of archaeology, art and architecture, including an authentic study of Islamic architecture in India entitled Islam Builds in India released by M. Hidayatullah, then Vice President of India, in 1983. Widely traveled in the Old World and the new, he has been Visiting Professor in the Universities of Chicago and Los Angles, USA and Visitor to U.K. under the British Council. He was a member of the Official cultural Delegation to Thailand and Vietnam in 1978, and member, consultative Committee for the UNESCO Project on the Port-cities of the Indian Ocean region at Zanzibar in 1983. He has the unique distinction of having been President of the Congresses of the Indian archaeological Society, Indian Society for Prehistoric and Quaternary studies; and the Indian Epigraphical society; and is a senior Research Fellow of Indian Council of Historical Research; and is closely associated with the National Museum, New Delhi. He was honoured recently with a State Award by the Government of Karnataka for outstanding researches in that State. His other discerning interests are classical music and the stage.

 

CONTENTS
  Preface vii
1. Prolegomena 1
2. Narrative Range 5
3. Synthesis of Time and Theme 19
4. Chronological Panorama of Evolution 24
5. Cultural Ethos 30
6. The Literary Heritage in Fine Arts 45
7. Philosophy of Summation and Formation 58
8. The Medieval Situation 66
9. Totality of Values 78
  Appendix I 81
  Appendix II 85
  Select Bibliography 87
  Notes on Plates 89
  Index 105
Sample Pages








Secularism in Indian Art

Item Code:
IDF971
Cover:
Hardcover
Edition:
1988
ISBN:
8170172454
Language:
English
Size:
9.5" X 7.4"
Pages:
109 {64 illustration, 3 Figures in B/W }
Other Details:
WEIGHT OF THE BOOK: 450 GMS
Price:
$22.50   Shipping Free
Add to Wishlist
Send as e-card
Send as free online greeting card
Secularism in Indian Art

Verify the characters on the left

From:
Edit     
You will be informed as and when your card is viewed. Please note that your card will be active in the system for 30 days.

Viewed 5500 times since 22nd Nov, 2014

About the Book

This book is directed towards inquiring into the definition of the scope of secularism in a holistic way, in so far as it could apply to ancient Indian creative art often labeled as religious art. It is however seen that this art often shows in its composition, partly of wholly, a deliberate unrelated ness to its immediate locus, and conveys the mind of the artist, his absorption of the aesthetic and literary, traditional, mystic and the rasa-charged pulsating life-stream legacy, and display f macro-cosmic temper, supra-regional commonality and norm-building penchant, in his eventual creations. Religion can produce profound thought but not art which, through the medium of religion, shows insight and the impacts of secular experiences. Examining by a sampling the entire range of art, sectorally and chronologically, to detect the secular manifestations embedded in the art presentations; the author finds that there is an integrated secularism in the art of India's past , invoked by the artists who had been groomed in its culture and who had developed a macro-perception, by the totality of the impacts of the Dharmasastras, Arthasastras, Kamasastras and Natyasstras, along with the hieratic works and the fertility cults and mystic deity-devotee links, analogous to mundane romantic attachment, and the ancient artist who owned all this as a private legacy, had evolved his own techniques for formal creations of them in art. Illustrated with 64 plates and line-drawing, besides Notes on Plates and Appendices, the 8 chapters of the Book dissect the processes behind art creations, to reveal humanism and secularism.

About the Author

K. V. Soundara Rajan Additional Director General Archaeological Survey of India is one of the senior most and leading archaeologists and art-historians of India. Educated in Madras and Allahabad Universities and having been trained by Mortimer Wheeler in Field archaeology and F. E. Zeuner in prehistoric archaeology his is a rare and versatile combination of erudition in Sanskrit, Epigraphy, Prehistory and Fine Arts of ancient India. He is a prolific writer and researcher of distinction with over four hundred research papers and fifteen books to his credit on a variety of aspects of archaeology, art and architecture, including an authentic study of Islamic architecture in India entitled Islam Builds in India released by M. Hidayatullah, then Vice President of India, in 1983. Widely traveled in the Old World and the new, he has been Visiting Professor in the Universities of Chicago and Los Angles, USA and Visitor to U.K. under the British Council. He was a member of the Official cultural Delegation to Thailand and Vietnam in 1978, and member, consultative Committee for the UNESCO Project on the Port-cities of the Indian Ocean region at Zanzibar in 1983. He has the unique distinction of having been President of the Congresses of the Indian archaeological Society, Indian Society for Prehistoric and Quaternary studies; and the Indian Epigraphical society; and is a senior Research Fellow of Indian Council of Historical Research; and is closely associated with the National Museum, New Delhi. He was honoured recently with a State Award by the Government of Karnataka for outstanding researches in that State. His other discerning interests are classical music and the stage.

 

CONTENTS
  Preface vii
1. Prolegomena 1
2. Narrative Range 5
3. Synthesis of Time and Theme 19
4. Chronological Panorama of Evolution 24
5. Cultural Ethos 30
6. The Literary Heritage in Fine Arts 45
7. Philosophy of Summation and Formation 58
8. The Medieval Situation 66
9. Totality of Values 78
  Appendix I 81
  Appendix II 85
  Select Bibliography 87
  Notes on Plates 89
  Index 105
Sample Pages








Post a Comment
 
Post Review
Post a Query
For privacy concerns, please view our Privacy Policy

Related Items

Ranjit Singh: A Secular Sikh Sovereign
by K.S. Duggal
Hardcover (Edition: 1989)
Abhinav Publications
Item Code: IDE822
$24.00
Add to Cart
Buy Now
Looking Again at Indian Art
Item Code: NAK782
$25.00
Add to Cart
Buy Now
Gods, Men and Women: Gender And Sexuality In Early Indian Art
by Seema Bawa
Hardcover (Edition: 2013)
D. K. Printworld Pvt. Ltd.
Item Code: NAE369
$175.00
Add to Cart
Buy Now
Bull in Early Indian Art (Up to Sixth Century AD)
by Bhogendra Jha
Hardcover (Edition: 2004)
D. K. Printworld (p) Ltd
Item Code: IDJ937
$50.00
Add to Cart
Buy Now
Forms of Devotion: The Spiritual in Indian Art (Set of 2 Volumes)
Deal 15% Off
by Sushma K. Bahl
Hardcover (Edition: 2015)
Niyogi Books
Item Code: NAK642
$250.00$212.50
You save: $37.50 (15%)
Add to Cart
Buy Now
Metaphors of The Indian Arts and Other Essays
by Kapila Vatsyayan
Hardcover (Edition: 2015)
D. K. Printworld Pvt. Ltd.
Item Code: NAK620
$85.00
Add to Cart
Buy Now
Celebration of Love: The Romantic Heroine in the Indian Arts
Item Code: IDE323
$50.00
Add to Cart
Buy Now
The Essential Mystery – Major Filmmakers of Indian Art Cinema
by John W Hood
Paperback (Edition: 2009)
Orient Black Swan
Item Code: NAC724
$40.00
Add to Cart
Buy Now
Hindu Deities in Thai Art
Item Code: IDI079
$40.00
Add to Cart
Buy Now
History of Indian Theatre (Loka Ranga Panorama of Indian Folk Theatre)
by M. L. Varadpande
Hardcover (Edition: 1992)
Abhinav Publications
Item Code: IDH425
$75.00
Add to Cart
Buy Now
Indian Language Litterateurs (Eminent Indians Series)
by M. L. Ahuja
Paperback (Edition: 2008)
Rupa.& Co
Item Code: NAD413
$15.00
Add to Cart
Buy Now

Testimonials

The Lakshmi statue arrived today and it is beautiful. Thank you so much for all of your help. I am thrilled and she is an amazing statue for my living room.
Susanna, West Hollywood, CA.
I received my ordered items in good condition. I appreciate your excellent service that includes a very good collection of items and prompt delivery service arrangements upon receiving the order.
Ram, USA
Adishankaracharya arrived safely in Munich. You all did a great job. The packaging was extraordinary well done. Thanks to all of you. I´m very happy...
Hermann, Germany
We had placed the order on your site and we received it today. We had tried a lot for finding that book but we couldn't. Thanks for the book.This was what we wanted.
Harkaran
I received my items in good condition. Packing was excellent. I appreciate your excellent service that includes a very good array of items you offer, various good shipping options, and prompt response upon receiving the order.
Ram
I received the necklace today. It is absolutely beautiful -so amazing. And the beautiful box it came in. Thank you so much for this amazing art. Very best regards.
Clare, Ireland
I received a dupatta with a Warli print. It is so beautiful! Great price.
Marie, USA
I just got the package delivered. The books look in good condition from outside. Thanks again. It is always a pleasure doing business with you.
Shambhu, Brooklyn
I wanted to let you know that the books arrived yesterday in excellent condition. Many, many thanks for the very rapid response. My husband had purchased many years ago a Kâshî Sanskrit Series edition of Nâgesha’s work that lacked the second volume. Delighted to have found the entire work — and in the original edition.
Cheryl, Portland.
I received a sterling silver cuff and ring. Both are more beautiful than I imagined. They came in a beautiful box; I will treasure them. The items here are made by artists.. and the shipping was faster than I expected.
Marie, USA
TRUSTe
Language:
Currency:
All rights reserved. Copyright 2017 © Exotic India