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Theory 0f Indian Ragas
Theory 0f Indian Ragas
Description
Back Of The Book

The concept of raga, the traditional basis of melodic composition and improvisation in Indian classical music, has become familiar to listerners and musicologists throughout the world, but its historical origins and early development have been little explored.

"Theory of Indian Ragas" gives and opening into the wide world of varied concepts of the Ragas, which are timeless, without history and chronicle. This book analyzes their notation, musical structure and relationship to the theoretical tradition in which they are embedded and cultivated in the Indian tradition.

CONTENTS
.
Bilawal Thata: Shudh Bilawal, Alhiya Bilawal, Behag, Shankara, Hem, Yaman Bilawal, Devgiri, Odava Devgiri, Sarparda, Lachhasaskh, Deshkar, Shukal Bilawal, Kaukab, Nut Bilawal, Nut Behag, Nut Kamode, Nutkedar, Nut, Nut Narain, Behagra, Pat Beha Maloha, Jaldhar, Durga, Gunkali, Pahadi, Mand, Savani, Mulla, Chhaya, Tilak, Mewada, Patmanjiri, Hansdihwani, Deepak (1 to 15).

Khamaj Thata: Khamaj, Des, Tilak Kamode, Jejewanti, Jhanjhoti, Savant, Nagsuravali, Shudh Malhar, Partap Varali, Tilak (16 to 20)
Kafee Thata: Kafee, Bageshri, Brindabani Sarang, Bhimplasi, Peielu, Gaudmalhar, Miankimalhar, Bahar, Sindhara, Sindhvi, Barva, Dhanasari, Dhani, Pardeepiki, Hanskankani, Plasi, Madhmad, Shudh Sarang, Budhans, Sawant Sarang, Mianki Sarang, Lankdhan Sarang, Patmanjiri, Suha, Sughrai, Suhasugrai, Shahana, Naikikandra, Desakh, Kaunsikandra, Mehmalhar, Sooirdasi Malhar, Ramdasi Malhar, Nut Malhar, Meerabaiki Malhar, Chhajuki Malhar, Dhoolia Malhar, Roopmanjri Malhar, Chanchal Malhar, Shiri "Ranjini, Abhogi, Chanderkauns, Gaud, Husainikandra, Nilambari (21 to 31)
Asawari Thata: Asawari-Jonpuri, Darbari Kandra, Adana, Desi, Komaldesi, Gandhari, Devgandhari, Khiut, Khut Todi, Jangula, Zeelaf, gopiki Basant, Mundrick Kandra, Sindhbhairvi, Abhiri (32 to 36).
Bhairavi Thata: Bhairavi, Malkauns, Bilaskhani, Todi, Komal Begeshiri, Bhoopalitodi, Basantmukhari, Motaki, Uttargunkali, Dhanashiri, Asawari, Mudrakee, Sarvari (37 to 40).
Bhairava Thata: Bhairava, Kalingra, Ramkali, Bengal Bhairava, Anand Bhairava, Surashth, Aheer Bhairava, Shiv Mat Bhairava, Prabhat Bhairava, Lalit Pancham, Megh Ranjani, Gunkali, Jogia, Zeelaf, Gauri, Jangula, Dev Ranjini, Haijaz, Saveri, Bibhas, Des Goud (41 to 47).
Kaliyan Thata: Yaman, Yaman Kaliyan, Bhoopali, Hamir, Kedar, Shudh Kaliyan, Kamode, Chhaya Nat, Gaud Sarang, Hindole, Chander Kant, Savani Kaliyan, Jet Kaliyan, Shyaim Kliyan, Malsiree, Pulindika (48 to 53).
Marva Thata: Marva, Sohini, Puriya, Lalit, Purba, Puriya Kaliyan, Maligaura, Jet, Baradi, Bibhas, Pancham, Bhatyar, Bhankhar, Sajgiri, Lalitgauri (54 to 59).
Pooravi Thata: Poorvi, Shri, Pooriya Dhanashiri, Basant, Paraj, Gauri, Tirvini, Shritanak, Malvi, Bibhas, Reva, Jiteshari, Deepak, Hans Naraini, Manohar, Kumari (60 to 65).
Todi Thata: Todi, Multani, Gujri, Bahaduri Todi, Lachari Todi, Lakshmi Todi, Anjani Todi (66 to 68).

Theory 0f Indian Ragas

Item Code:
IDH243
Cover:
Paperback
Edition:
2005
ISBN:
8187155310
Size:
9.3" X 6.9"
Pages:
72 (Figure Illus:10)
Price:
$16.50   Shipping Free
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Back Of The Book

The concept of raga, the traditional basis of melodic composition and improvisation in Indian classical music, has become familiar to listerners and musicologists throughout the world, but its historical origins and early development have been little explored.

"Theory of Indian Ragas" gives and opening into the wide world of varied concepts of the Ragas, which are timeless, without history and chronicle. This book analyzes their notation, musical structure and relationship to the theoretical tradition in which they are embedded and cultivated in the Indian tradition.

CONTENTS
.
Bilawal Thata: Shudh Bilawal, Alhiya Bilawal, Behag, Shankara, Hem, Yaman Bilawal, Devgiri, Odava Devgiri, Sarparda, Lachhasaskh, Deshkar, Shukal Bilawal, Kaukab, Nut Bilawal, Nut Behag, Nut Kamode, Nutkedar, Nut, Nut Narain, Behagra, Pat Beha Maloha, Jaldhar, Durga, Gunkali, Pahadi, Mand, Savani, Mulla, Chhaya, Tilak, Mewada, Patmanjiri, Hansdihwani, Deepak (1 to 15).

Khamaj Thata: Khamaj, Des, Tilak Kamode, Jejewanti, Jhanjhoti, Savant, Nagsuravali, Shudh Malhar, Partap Varali, Tilak (16 to 20)
Kafee Thata: Kafee, Bageshri, Brindabani Sarang, Bhimplasi, Peielu, Gaudmalhar, Miankimalhar, Bahar, Sindhara, Sindhvi, Barva, Dhanasari, Dhani, Pardeepiki, Hanskankani, Plasi, Madhmad, Shudh Sarang, Budhans, Sawant Sarang, Mianki Sarang, Lankdhan Sarang, Patmanjiri, Suha, Sughrai, Suhasugrai, Shahana, Naikikandra, Desakh, Kaunsikandra, Mehmalhar, Sooirdasi Malhar, Ramdasi Malhar, Nut Malhar, Meerabaiki Malhar, Chhajuki Malhar, Dhoolia Malhar, Roopmanjri Malhar, Chanchal Malhar, Shiri "Ranjini, Abhogi, Chanderkauns, Gaud, Husainikandra, Nilambari (21 to 31)
Asawari Thata: Asawari-Jonpuri, Darbari Kandra, Adana, Desi, Komaldesi, Gandhari, Devgandhari, Khiut, Khut Todi, Jangula, Zeelaf, gopiki Basant, Mundrick Kandra, Sindhbhairvi, Abhiri (32 to 36).
Bhairavi Thata: Bhairavi, Malkauns, Bilaskhani, Todi, Komal Begeshiri, Bhoopalitodi, Basantmukhari, Motaki, Uttargunkali, Dhanashiri, Asawari, Mudrakee, Sarvari (37 to 40).
Bhairava Thata: Bhairava, Kalingra, Ramkali, Bengal Bhairava, Anand Bhairava, Surashth, Aheer Bhairava, Shiv Mat Bhairava, Prabhat Bhairava, Lalit Pancham, Megh Ranjani, Gunkali, Jogia, Zeelaf, Gauri, Jangula, Dev Ranjini, Haijaz, Saveri, Bibhas, Des Goud (41 to 47).
Kaliyan Thata: Yaman, Yaman Kaliyan, Bhoopali, Hamir, Kedar, Shudh Kaliyan, Kamode, Chhaya Nat, Gaud Sarang, Hindole, Chander Kant, Savani Kaliyan, Jet Kaliyan, Shyaim Kliyan, Malsiree, Pulindika (48 to 53).
Marva Thata: Marva, Sohini, Puriya, Lalit, Purba, Puriya Kaliyan, Maligaura, Jet, Baradi, Bibhas, Pancham, Bhatyar, Bhankhar, Sajgiri, Lalitgauri (54 to 59).
Pooravi Thata: Poorvi, Shri, Pooriya Dhanashiri, Basant, Paraj, Gauri, Tirvini, Shritanak, Malvi, Bibhas, Reva, Jiteshari, Deepak, Hans Naraini, Manohar, Kumari (60 to 65).
Todi Thata: Todi, Multani, Gujri, Bahaduri Todi, Lachari Todi, Lakshmi Todi, Anjani Todi (66 to 68).
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