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Parvati Offers Bhang to Shiva
Miniature Painting On Paper
6.0" x 8.0"
Item Code: HB53
$255.00$204.00
You save: $51.00 (20%)
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Devi as Shiva
Miniature Painting On Paper
7.5" x 5.0"
Item Code: HB57
$150.00$120.00
You save: $30.00 (20%)
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Turbaned Ganesha
Miniature Painting on Paper
8.0" x 8.0"
Item Code: HB27
$75.00$60.00
You save: $15.00 (20%)
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Nrittya Ganesha
Stone Color on Paper Miniature Painting on Paper
5.0" x 7.0"
Item Code: HB14
$75.00$60.00
You save: $15.00 (20%)
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Parvati as Annapoorna
Stone based Water Color on Paper
Artist Kailash Raj
Kangra School
8.5" X 11.5"
Item Code: HA96
$160.00$128.00
You save: $32.00 (20%)
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Tantric form of Param Shiva
Stone Color on Paper With 24 Gold Work
5.5" X 7.5"
Item Code: HT17
$125.00$100.00
You save: $25.00 (20%)
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The Trinity of Brahma, Vishnu, and Mahesha
Orissa's Paata Painting Water Color on Tussar Silk
3.5 ft X 1.2 ft
Item Code: PC11
$105.00$84.00
You save: $21.00 (20%)
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The Dance of Shiva and Kali
Stone Color on Paper With 24 Gold Work
6.5" X 7.5"
Item Code: HP73
$160.00$128.00
You save: $32.00 (20%)
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I wanted to let you know how happy we are with our framed pieces of Shree Durga and Shree Kali. Thank you and thank your framers for us. By the way, this month we offered a Puja and Yagna to the Ardhanarishwara murti we purchased from you last November. The Brahmin priest, Shree Vivek Godbol, who was visiting LA preformed the rites. He really loved our murti and thought it very paka. I am so happy to have found your site , it is very paka and trustworthy. Plus such great packing and quick shipping. Thanks for your service Vipin, it is a pleasure.
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"Shiva, the Mahadeva, represents...dissolution or destruction of the cosmos...(among) the functional aspects of God, namely, the creation, preservation and dissolution (of the cosmos)... Brahma and Vishnu have their roots in the Vedas, and not before. Shiva has a pre-Vedic origin, as his worship cult seems to have been in vogue amongst the Indus dwellers, even around 3000 B.C... excavated material includes a number of terracotta seals representing a yogi icon and the phallus type baked clay objects...suggestive of some kind of phallus-worship cult of the non-Aryan settlers of the Indus cities... Shiva's divine perception as well as iconic visualization developed into two directions, one growing out of his serene sublime benevolent Saumyarupa and the other out of his awe-striking Raudra-rupa... The violent jungle god of Vedas and the grim looking horn wearing Yogi of Indus emerges upon the altar of the believing ones, on painter's canvas, in metal casters' mould and in the strokes of hammer and chisel, as the harmless Bholanath, the innocence Lord and the good incarnate, as the supreme auspice, the most formidable of divine powers, the paramount lover and the holiest model of the Vedic family cult..."
The Iconographic Genesis of Shiva
"Shiva the Hindu god of destruction is also known as Nataraja, the Lord of Dancers (In Sanskrit Nata means dance and raja means Lord). The visual image of Nataraja achieved canonical form in the bronzes cast under the Chola dynasty in the tenth century AD, and then continued to be reproduced in metal, stone and other substances right up to the present times. The Chola Nataraja is often said to be the supreme statement of Hindu art."
Shiva as Nataraja - Dance and Destruction In Indian Art
"Shiva is an embodiment of the three principal themes of Indian philosophy....The marriage of Shiva and Parvati was preceded by a long interval of courtship. It was no ordinary engagement however....Shiva was tempted enough to touch her, and Parvati, tantalizing him, withdrew....She would exist only as an intense flame burning for Shiva....Tapasya means to gradually start bringing restraint into our lives....She was no different from the way trees live in this world....Though he possesses nothing, he is the source of all possessions....Inevitable union between male and female…"
Parvati's Quest: Understanding the Essence of Shiva
"God of eroticism, Shiva is... the master of Yoga, which is described as the method used to sublimate virile power and transform it into mental and intellectual power. He is therefore the 'great Yogi.'... 'I have never renounced any vice: it is they who have left me' summarizes the message of Shiva."
The Dance of Shiva
"Shiva's...is the imagery and iconography that evolved over a period of five millennia - perhaps the longest period for an image, or worship tradition, to have evolved and sustained through... Shiva's imagery reveals wondrous unity and unique growth perspective... there is absolute unanimity in regard to the fact that he had iconic presence much before the Vedas came into being... Shiva has been conceived in visual arts as timeless youth, though sometimes with moustaches defining an advanced age and sometimes without them close to juvenescence..."
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