Splendidly beautified by the circle (mandala) of gopis, Krishna then assumed as many forms as there were women and entered in between every two of them, placing his arm around the neck of the adjacent female.
Then there arose from within the ring of dancers, the din of jingling bangles and anklets, along with the tinkling of the small bells attached to the girdles of the gopis. The lord shone splendidly like a brilliant sapphire set in gold. With waists bending and breasts heaving due to the vigorousness of movement, perspiration trickling down faces, braided hair and girdles loosening in consequence of the dance, it seemed as if flashes of lightening (the gopis) were illuminating a circle of clouds (formed by the numerous Krishnas).
The gopis, their voices sweetened with melodious ragas, sang at a high pitch, the reverberations of which still resound in the world. One sang in chorus with Krishna in a higher pitch, and the latter applauded her performance with the words "Well done." When another of her friends rendered the same piece in raga Dhrupada, she too was honored by the lord.