Medicine Buddha Seated on The Six-Ornament Throne of Enlightenment

$285
Item Code: TE16
Specifications:
Tibetan Thangka Painting
Dimensions Size of Painted Surface 14.5 inch X 19.5 inch
Size with Brocade 23.5 inch X 34 inch
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
100% Made in India
100% Made in India
Fair trade
Fair trade
The full name of the Medicine Buddha is Bhaishajyaguru Vaiduryaprabha, or the Healing master of Lapis Lazuli Radiance. Like the Shakyamuni Buddha he wears the robes of a monk made of patches sewed together, and sits in the full cross-legged posture. His left hand rests in his lap, in the Dhyana mudra of meditation holding a begging bowl filled with medicinal nectar and fruit. His right hand makes the Varada mudra of boon-granting and simultaneously grasps a stem of the myrobalan plant (Terminalia chebula). This particular herb is renowned in Tibet as the King among medicines because of its effectiveness in treating diseases both of the mind and body.

The most distinctive feature of this Medicine Buddha is his color, the deep blue of lapis lazuli. This precious stone has been greatly prized by Asian and European cultures for more than six thousand years and, until relatively recently, its ornamental value was on a par with, or even exceeded, that of the diamond. An aura of mystery surrounds this gemstone, perhaps because of its principal mines are located in the remote Badakshan region of northeast Afghanistan, an all-but-inaccessible area located behind the Hindu Kush. One commentator has written, "the finest specimens of lapis, intensely blue with speckled waves and swirls of shining gold-colored pyrite, resemble the night aglow with myriads of stars."

Indeed the Lapis Healing Master is one of the most honored figures in the Buddhist pantheon. In one of the main sutras (canonical texts) concerning the Medicine Buddha, the following prayer is mentioned:

I beseech you, Blessed Medicine Guru,
Whose sky-colored, holy body of lapis lazuli
Signifies omniscient wisdom and compassion
As vast as limitless space,
Please grant me your blessings

I beseech you, compassionate Medicine Guru,
Holding in your right hand the king of medicines
Symbolizing your vow to help all pitiful sentient beings
Plagued by the four hundred and twenty-four diseases,
Please grant me your blessings.

I beseech you, compassionate Medicine Guru,
Holding in your left hand a bowl of nectar
Symbolizing your vow to give the glorious undying nectar
    of the Dharma
Which eliminates the degeneration of sickness, old age
    and death,
Please grant me your blessings.

Bhaishajyaguru is seated on a moon disc placed above a multicolored lotus which rests on a lion throne. An ornate square pedestal base forms the throne, which is supported on each of its four sides by lions.

On either side of the base of the lotus throne are two elephants. On the elephants' backs stand two blue lions. Above the lions stand two composite animals which resembles a horse in appearance. On the back of the composite animals sit two young dwarfs, whose hands support an entwined jewel crossbeam draped with silk brocade. The dwarf is a symbol of colossal strength in a diminutive stature, and since all of the above animals symbolize strength, speed, and power, the dwarf is their human equivalent.

The crossbeam is capped with an entwined jewel at either end. Two makaras with upturned heads face outwards above the crossbeam, their fabulous 'feathered' tails forming a design of intricate scrolling spiral roundels.

At the very top stands Garuda.

These creatures represent the following perfections of the enlightened mind:

1). The two lions at the base represent the perfection of wisdom (prajna).

2). The two elephants represent the perfection of concentration (dhyana).

3). The two dwarfs represent the perfection of effort (virya).

4). The two makaras represent the perfection of patience (kshanti).

5). Garuda represents the perfection of generosity (dana).

An interesting point to observe is that the crossbeam divides the throne into two distinct sections, with the upper creatures; makara and Garuda symbolizing the watery, underground and heavenly realms. The lower portion symbolizes the Buddha's conception (elephant), enlightenment (lion), ascent to Tushita heaven (deva), and reconciliation of the factions in the sangha (crossbeam).

Each of our thangkas comes framed in silk brocade and veil, ready to be hung in your altar.


Free Shipping. Delivered by to all international destinations within 3 to 5 days, fully insured.

Unveiling the Divine Art: Journey into the Making of Thangkas

A Thangka is a traditional Tibetan Buddhist painting that usually depicts a Buddhist Deity (Buddha or Bodhisattva), a scene, or a mandala. These paintings are considered important paraphernalia in Buddhist rituals. They are used to teach the life of the Buddha, various lamas, and Bodhisattvas to the monastic students, and are also useful in visualizing the deity while meditating. One of the most important subjects of thangkas is the Bhavacakra (the wheel of life) which depicts the Art of Enlightenment. It is believed that Thangka paintings were developed over the centuries from the murals, of which only a few can be seen in the Ajanta caves in India and the Mogao caves in Gansu Province, Tibet. Thangkas are painted on cotton or silk applique and are usually small in size. The artist of these paintings is highly trained and has a proper understanding of Buddhist philosophy, knowledge, and background to create a realistic and bona fide painting.
The process of making a thangka begins with stitching a loosely woven cotton fabric onto a wooden frame. Traditionally, the canvas was prepared by coating it with gesso, chalk, and base pigment.
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After this, the outline of the form of the deity is sketched with a pencil or charcoal onto the canvas using iconographic grids. The drawing process is followed in accordance with strict guidelines laid out in Buddhist scriptures. The systematic grid helps the artist to make a geometrical and professional painting. When the drawing of the figures is finalized and adjusted, it is then outlined with black ink.
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Earlier, a special paint of different colors was made by mixing powdered forms of organic (vegetable) and mineral pigments in a water-soluble adhesive. Nowadays, artists use acrylic paints instead. The colors are now applied to the sketch using the wet and dry brush techniques. One of the characteristic features of a thangka is the use of vibrant colors such as red, blue, black, green, yellow, etc.
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In the final step, pure gold is coated over some parts of the thangka to increase its beauty. Due to this beautification, thangkas are much more expensive and also stand out from other ordinary paintings.
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Thangka paintings are generally kept unrolled when not on display on the wall. They also come with a frame, a silken cover in front, and a textile backing to protect the painting from getting damaged. Because Thangkas are delicate in nature, they are recommended to be kept in places with no excess moisture and where there is not much exposure to sunlight. This makes them last a long time without their colors fading away. Painting a thangka is an elaborate and complex process and requires excellent skills. A skilled artist can take up to 6 months to complete a detailed thangka painting. In earlier times, thangka painters were lamas that spent many years on Buddhist studies before they painted.
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