Avalokiteshvara appears in various forms. In the present form he is also known as samantmukha or the "All sided one", i.e. the god who looks in every direction to help and save his all devotees. The Bodhisattva is shown here standing on a moon disk on a lotus that sprang up from a blue lake. The thousand extended arms are his helping compassionate hands toward all beings. Each hand has an eye to see their suffering devotees in innumerable worlds. His eight main arms hold the major attributes. His first two hands are held in front of his chest, holding the magic wish-granting gem, which stands for the spirit of enlightenment that consists of love and wisdom. Two of his remaining three right hands hold a rosary for reciting om mani padme hum and a wheel of combined spiritual teaching and benevolent governance, the third reaches out in the boon-granting gesture. His left hands holds a lotus flower in full blown, symbolizing that the flowering of enlightenment lies in compassionate activities, a bow and arrow symbolizing meditation and wisdom, and a vase of elixir of immortality, symbolizing that enlightenment result in boundless life. His ten faces symbolizes that he has mastered of all ten of the bodhisattva stages, each face representing an attitude dominant on a particular stage. The eleventh head of Amitabha on the top, symbolizing that Avalokiteshvara is really a Buddha, that in fact he is the compassion of all the Buddhas.
Avalokiteshvara wears exquisitely designs jewelry, crowns, necklaces, hoop earrings, armlets, bracelets and anklets. The skin of antelope is over his left shoulder, referring to his ascetic experience. Moreover he wears silk scarves and floral dhoti.
On the top Dhyani Buddha Amitabha is on lotus throne. The upper corners are filled with the figures of two Buddhas and bottom corners depict Bodhisattva Manjushri on the left and Vajrapani in the right. The bottom centre shows peaceful auspicious offerings. The two lines Buddhist verses are written in Tibetan character below the offerings. The border of the painting depicts aspects of Buddha, auspicious symbols and offerings. The thangka is brilliantly drawn and beautifully painted; its colour-combination is also brilliant. The painting is very much suitable for sadhana and practices of Avalokiteshvara.
This description is by Dr. Shailendra K. Verma. His Doctorate thesis being: "Emergence and Evolution of the Buddha Image (From its inception to 8th century A.D.)".