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Paintings > Thangka > Vajradhara - Protector of Vajrayana Buddhism
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Vajradhara - Protector of Vajrayana Buddhism

Vajradhara - Protector of Vajrayana Buddhism

Vajradhara - Protector of Vajrayana Buddhism

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Tibetan Thangka Painting

Size of Painted Surface 19.0 X 23.0 inches
Size with Brocade 31.0 X 45.0 inches
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Vajradhara - Protector of Vajrayana Buddhism

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Viewed 15837 times since 3rd Aug, 2012
An exceptionally fine work, this impressive thangka depicts Primordial Buddha Vajradhara. It is said that when all was perfect void (Maha-shunyata) the mystic syllable AUM became manifest, from which at his own will the Adi-Buddha was produced. At the creation of the world he revealed himself in the form of a flame, which issued from a lotus-flower and out of the Adi-Buddha’s permanent state of meditation, the Five Dhyani or Transcendent Buddhas emanate in a spiritual sense. From Dhyani Buddhas emanates Bodhisattvas. Actually with the evolution of Mahayana and Vajrayana traditions of Buddhism numerous Buddhist deities came in existence. The idea of multiple Buddhas, Bodhisattva, shaktis and goddesses were systematized with the Primordial Buddha as Kuleshas (Lord of the families).

The name Vajradhara means “holder of the vajra or thunderbolt’, implying that Vajradhara is the holder or protector of Vajrayana Buddhism. He is the supreme guru of the Kargyupa and the principal deity of this sect whose origins go back to Marpa. Marpa was a disciple of Naropa and the master of supreme yogi and the mystic poet Milarepa. Vajradhara occupies a prominent position in the mystical experience of the Gelugpa too. Vajradhara is Buddha from the beginning with no conquest of Buddhahood. He is the Absolute, beyond the five Dhyani Buddhas, transcending them and nevertheless permeating them as the source of all apparent things. He is referred to as being the sambhogakaya form, the Body of Bliss or Transcendent Buddha form, of the primordial Buddha, the representation of pure Buddha nature from whom all Buddhas arise. He is also considered as counterpart of Adi-Buddha Vajrasattva. The unreformed Lamaist sects in Tibet acknowledged a primordial Buddha whom they worshipped under the name of Samantabhadra. The Red-Caps as well as Nepalese Mahayanists worshipped the Adi-Buddha under the name of Vajrasattva, while the ‘Yellow-Caps’ looked upon Vajradhara as the Supreme power or Adi-Buddha and creator of all things.

The Guru in his transcendant character may be envisaged as the yidam with whom one has the paramount feeling of transcendance. The Guru enters life as a spiritual friend (kalyanamitra) and ultimately he is a manifestation of Buddhahood. The Supremely Enlightenment One has said in his precious tantras and sutras that in this degenerate age Lord Vajradhara manifests himself in the form of spiritual friends, and acts for the good of sentient beings. Accordingly, our spiritual friends, apart from merely exhibiting different aspects of being, are manifestations the Lord Vajradhara to attract beings, are manifestations of the Lord Vajradhara to attract us who have the ill-fortune of being unable to perceive Buddhahood directly. . Vajradhara is shown here seated in vajraparyankasana on a moon disk on a pink lotus flower against a brilliant aureole. The complexion of his body is blue, suggestive of the absolute. His both the hands are crossed over the chest in vajra-humkara-mudra and carries the vajra in the right and vajra-tipped bell in the left hand, respectively, a gesture symbolizing highest energy and the union of compassion and wisdom necessary to reach enlightenment. He is dressed in royal attire, with diadem with jewels, necklaces, earrings, armlets, bracelets, anklets, silk scarf, dhoti and waist-band.

Vajradhara is widely represented in all Buddhist countries of North, especially in Tibet and China. As mention above this thangka is brilliantly drawn and painted. The extended brocade is woven with flowers and Chinese good-luck symbols. The painting is very much suitable for sadhana and practices of Vajradhara Buddha.

This description is by Dr. Shailendra K. Verma, whose Doctorate thesis is on “Emergence and Evolution of the Buddha Image (From its inception to 8th century A.D.)”.

Click Here to View the Thangka Painting along with its Brocade

Delivered by to all international destinations within 3 to 5 days, fully insured.

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