28" Large Size Yoga-murti Buddha In Brass | Handmade | Made In India

$1575
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This seated image of Lord Buddha, a brass-cast anodized as copper – the outward golden glow transformed into oceanic depth, a complete change of perspective, which truly defined the spirit of a Buddha image, represents him as Yoga-Murti Buddha, the Buddha in Yogasana. In Hindu tradition the term ‘Yoga-murti’, applicable to both Shiva and Vishnu, is a commonly used phrase, though in context to Buddha, only rarely. As reveals early Buddhist texts, in his actual life Buddha is not known to have ever practised Yoga. Ordinarily ‘yoga’, literally meaning union, has two dimensions.

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Item Code: RQ06
Specifications:
Brass Sculpture
Height: 28.5 inch
Width: 24 inch
Depth: 15.5 inch
Weight: 27.30 kg
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
Shipped to 153 countries
Shipped to 153 countries
More than 1M+ customers worldwide
More than 1M+ customers worldwide

It relates to kindling of ‘kundalini’ – inherent female energy rising through ‘chakras’ – centres of energy located in spinal column, and join the male energy located at the centre of the head. In another form, ‘yoga’ defines one’s union with the Absolute by penance and practice. In context to Buddha neither applies.

In early sculptures Buddha’s images have ‘yogasana’ type posture in ‘Bhumisparsha-mudra’ – invoking mother-earth to be his witness, fasting Buddha, and ‘Dhyani-Buddha’ – Buddha in meditation, though in these forms the seating posture is hardly significant. In ‘Bhumisparsha-mudra’ the gesture of touching the earth with the forefinger of his right hand, his emaciated figure in fasting Buddha form, and meditative trance in Dhyani Buddha form are the central features of their iconography. ‘Yoga’, as part of the Buddhist practices, as also a true ‘yogasana’ posture defining a form of Buddha, evolved in late Vajrayana Buddhism around the ninth-tenth centuries.

The ‘yoga’ was perceived on one hand as a potential means to make the body flexible, supple and youthful, and hence, fit for various practices, and on the other, as the absolute Buddhahood for it defined the state of complete cessation of sorrow, suffering, or even happiness – the total extinction of worldly experiences, and of all acts and all material contexts. All other forms of Buddha reveal some act or body posture symbolic of an act. The Yoga-murti’ Buddha does not reveal any. It is a form beyond act – the state of ‘Nirvana’ while still in life. It is the state of ultimate sacrifice, detachment, renunciation of worldly life, asceticism, fearlessness and all things, even the noblest, a state which makes the soul quiescent, calm, serene, solid and stable, balanced, unperturbed and undisturbed. The ‘Yoga-murti’ Buddha is the absolute Buddhahood, the epitome of ‘inner worship’ and complete realisation of one’s own potentials beyond which there is nothing. In the Buddhist context the ‘yoga’ is a form of ‘Nirvana’ in which body does not cease existing but ceases to have any kind of ties, even with oneself.

This magnificent image of Lord Buddha represents him in ‘Yoga-mudra'. The position of his lotus-like looking feet placed upwards is often defined in divine iconography as 'padmasana' – lotus posture. His well composed face, largely shut eyes and sublimity enshrining his entire being – Yoga-murti, the image of ‘yoga’, represent him as one beyond oneself, beyond all things and all bonds. A pot in his lap is unusual, though unlike the images of Hindu or even Buddhist deities that hold one attribute or other in their hands, in this Buddha image the ‘pattra’ – pot, is placed on his palms, not held in them. A fire-pot, it symbolises absolute sacrifice and hence complete cessation, not merely of worldly desires but also all experiences and bonds – an artistic addition to the Yoga-murti form. In the Buddhist tradition a ‘pattra’, if carried by a seated monk in his lap, signified his supreme rank in the Order. Maybe, the artist conceived the Yoga-murti form of Buddha with a pot for suggesting his attainment of absolute Buddhahood, the highest rank in the Order.

The body-garments of the seated image lay scattered in fine surges all over the top of this 'pitha'. A broad sash is tied around his waist. As fine is his 'Uttariya', a large shawl, suspending from his shoulder. Both, the body garments and 'uttariya' have a rich border and are elegantly embroidered with a motif looking like ‘tri-ratna’ mark. The left one is covered up to the wrist with the 'uttariya'. The shoulders are wide and broad and there rise upon them a well defined neck. The recessed belly and broad chest are in conformity to the norms of Indian iconography and further add to the aesthetic beauty of the figure.

This description by Prof. P.C. Jain and Dr. Daljeet. Prof. Jain specializes on the aesthetics of literature and is the author of numerous books on Indian art and culture. Dr. Daljeet is the curator of the Miniature Painting Gallery, National Museum, New Delhi. They have both collaborated together on a number of books.

 


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How to keep a Brass statue well-maintained?


Brass statues are known and appreciated for their exquisite beauty and luster. The brilliant bright gold appearance of Brass makes it appropriate for casting aesthetic statues and sculptures. Brass is a metal alloy composed mainly of copper and zinc. This chemical composition makes brass a highly durable and corrosion-resistant material. Due to these properties, Brass statues and sculptures can be kept both indoors as well as outdoors. They also last for many decades without losing all their natural shine.

 

Brass statues can withstand even harsh weather conditions very well due to their corrosion-resistance properties. However, maintaining the luster and natural beauty of brass statues is essential if you want to prolong their life and appearance.

 

  • The best and simplest way to maintain a brass statue is to clean it at least twice a week using a soft cloth or cotton rag. This will prevent dust from accumulating on the surface. Dusting is especially important for outdoor statues since it is prone to dust accumulation much more than indoors.

 

 

  • To give a natural shine and luster to the statue, you may apply coconut or olive oil using cotton on every portion. You can use a toothbrush to get to the small crevices but do not be too harsh. This will make the brass statue appear fresh and new with a polished look.


  • In case you have a colored brass statue, you may apply mustard oil using a soft brush or clean cloth on the brass portion while for the colored portion of the statue, you may use coconut oil with a cotton cloth. 

 

Brass idols of Hindu Gods and Goddesses are especially known for their intricate and detailed work of art. Nepalese sculptures are famous for small brass idols portraying Buddhist deities. These sculptures are beautified with gold gilding and inlay of precious or semi-precious stones. Religious brass statues can be kept at home altars. You can keep a decorative brass statue in your garden or roof to embellish the area and fill it with divinity. 

Frequently Asked Questions
  • Q. Is the statue hollow or solid ?
    A. Brass statues are made through a process of clay casting, hence are hollow. Whereas, panchaloha bronze statues are made through a process of lost wax casting, hence they are solid.
  • Q. Can I see the original photo of the product ?
    A. For original pictures of the statue, kindly email us at help@exoticindia.com.
  • Q. Can I return the statue ?
    A. All returns must be postmarked within seven (7) days of the delivery date. All returned items must be in new and unused condition, with all original tags and labels attached. To know more please view our return policy.
  • Q. Can you customise the statue for me ?
    A. For any customisation, kindly email us at help@exoticindia.com.
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