Lord Shiva Enshrined as Linga

$165
Item Code: ZJ45
Specifications:
Brass Statue
Height: 10 inch
Width: 7.5 inch
Depth: 5.5 inch
Weight: 2.50 kg
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
Shipped to 153 countries
Shipped to 153 countries
More than 1M+ customers worldwide
More than 1M+ customers worldwide
In this ten inch tall fine brass Shiva-linga the 'Linga' or phallus motif has been replaced by a Shiva-head. It is a common phenomenon of Shiva iconography that the 'Linga' and His human form, His bust or head, usually alternate each other. In this manifestation of Him, however, this common iconographic practice has become an exceptional and highly skilled artistic endeavor. The Shiva-head here despite that it has been well defined by human features imparts to the viewers the impact of 'Linga' and at the same time despite that it is endowed with proportions and perspectives characteristic to 'Linga' iconography it gives a feeling of representing the Sublime Being. In addition it enhances its votive sanctity for in several Shaivite cults it is in the 'Linga', that is, Shiva's essential apparent form, that the 'Anga', or His sublime being, is perceived and realized.

The actual Shiva-head enshrining the 'yoni' as 'Linga' is some four and a half inch tall but despite in facial details and depiction of thoughtfulness it is unique. The large meditating eyes, eye-lids rounded like lotus-buds, broad forehead with prominent 'tripunda' mark, well defined nose and lips, beautifully dressed hair, a heavy neck coil like rising in three folds from chest to chin and the manipulation of light and shade are features which only a master-icon of this size might rival. The actual face size is not larger than that of a postal stamp but despite it is not only packed with several artistic merits but also has its stylistic distinction. The influence of the Buddhist and Jain iconography is wide writ on it.

The tradition of phallus worship in India recedes back to Indus days, that is, some 3000 BC The excavations at various Indus sites have revealed to view a number of 'linga' motifs which are essentially votive. The Rigveda, by alluding to non-Aryan 'shishna-pujaka' or the worshippers of phallus, affirms the pre-Vedic prevalence of the cult of phallus worship. Later after Shiva had been accommodated in Brahmanical pantheon against the Vedic Rudra, not only the cult of phallus worship but also a number of legends as to its origin cropped up. It is said that Brahma and Vishnu, the other two gods of Indian Trinity, once while strolling in leisure along the earth, saw a massive column of column of dazzling light rising from below the earth to high skies. In quest of unveiling its source Vishnu proceeded to 'Patala', the netherworld and Brahma to sky but none of them was able to discover its end. Brahma, just to establish his superiority over Vishnu, lied. He claimed to have reached its upper end. But he had to pay for it by losing his fifth head as a penalty for lying.

Another legend has it differently. Lamenting over the death of his beloved wife Sati Shiva was roaming around the world. When around Vindhyanchala he saw several great saints living there with their wives. He saluted them and asked them for some food but the saints ignored him. Shiva's bewitching charms, however, drew to him their wives and except Arundhati and Anasuya all ran after him to have sex. The annoyed sages pronounced that Shiva's phallus would drop from his body and it did but it instantly turned into a massive column of fire weighing so heavy that the earth could not bear it. It rent the earth, penetrated into it, reached the netherworld and rose to sky. It branched and cleft the earth at least at twelve places. The horrified gods with Brahma and Vishnu rushed to Shiva and prayed to relieve the world. Shiva agreed but on condition that they would first worship the phallus. Accordingly all gods worshipped it and established 'Jyotirlinga-peetha' at all the twelve places where its branches had pierced the earth.

This description by Prof. P.C. Jain. Prof. Jain specializes in the aesthetics of literature and is the author of numerous books on Indian art and culture.


Free Shipping. Delivered by to all international destinations within 3 to 5 days, fully insured.

Of Related Interest:

Mukhalinga (Brass Statue)

Naga Natha (Brass Statue)

Shiva Linga (Black Marble Stone Sculpture)

Shiva Linga (White Marble Sculpture)

Shiva - The Sensuous Yogi (Article)

Shiva An Introduction (Book)

Exploring the Symbolism and Significance of Parvati in Hinduism

Goddess Parvati, the consort of Lord Shiva, is one of the principal deities of Goddesses in Hinduism. She appeared in the material world as the daughter of Himavan, king of the Himalayan mountains. The Vedic scriptures describe her as a young, beautiful woman who is chaste and faithful to her husband, Lord Shiva. She is always engaged in the loving service of her family; her two sons Ganesha and Kartikeya. Goddess Parvati is the embodiment of devotion, love, power, and beauty. The followers of the Shakta tradition (Shaktism) describe her as Adi Shakti or the energy behind the creation of material nature. She is very merciful toward all living entities like a mother who cares for her children and manifests many forms to protect them from miscreants. Her most venerated and important powerful forms are Durga and Kali that she took to vanquish demons who created havoc in the material world.

The Vedic scriptures talk of her beautiful form in detail. She wears a red saree and is generally seated, having two or four arms, beside Lord Shiva. Her younger son Ganesha sits on her knee, while Kartikeya sits or stands near Lord Shiva. Goddess Parvati is typically decorated with gold ornaments and a crown on her head and also carries a lotus flower in one of her hands.
Image

What does Parvati symbolize?

Goddess Parvati is gentle and loving toward everyone. She never fails to help and guide those who approach her out of helplessness. Just as a mother is always kind toward her children, Goddess Parvati, being mother nature, is forgiving to all living entities. But when the time comes, she assumes different terrible forms such as Durga and Kali to defeat demons in order to protect the material world. She took the form of Durga and killed the demon Mahishasura. Kali, the most ferocious form, slayed the demon Raktabija. Thus, Goddess Parvati not only symbolizes love, fertility, motherhood, and harmony, but is also the Goddess of power, energy, and destruction.
Image

Can we keep Shiv Parvati statue at home?

It is stated in Srimad Bhagavatam, the most glorious Vedic literature, that Lord Shiva is the topmost Vaishnava (devotee of Lord Vishnu): vaiṣṇavānāṁ yathā śambhuḥ. In order to get the mercy of the Supreme Lord Vishnu, it is important for us to serve His pure devotees. Thus, worshiping Lord Shiva along with his consort Goddess Parvati at home is the way to the heart of Lord Vishnu. But you must also know the standards of worshiping them so that no offense is committed at their lotus feet. If Lord Shiva and Goddess Parvati are pleased with your devotional service, you will easily get the causeless mercy of Lord Vishnu and thus the ultimate goal of your life will be achieved.
Image

How to keep a Brass statue well-maintained?


Brass statues are known and appreciated for their exquisite beauty and luster. The brilliant bright gold appearance of Brass makes it appropriate for casting aesthetic statues and sculptures. Brass is a metal alloy composed mainly of copper and zinc. This chemical composition makes brass a highly durable and corrosion-resistant material. Due to these properties, Brass statues and sculptures can be kept both indoors as well as outdoors. They also last for many decades without losing all their natural shine.

 

Brass statues can withstand even harsh weather conditions very well due to their corrosion-resistance properties. However, maintaining the luster and natural beauty of brass statues is essential if you want to prolong their life and appearance.

 

  • The best and simplest way to maintain a brass statue is to clean it at least twice a week using a soft cloth or cotton rag. This will prevent dust from accumulating on the surface. Dusting is especially important for outdoor statues since it is prone to dust accumulation much more than indoors.

 

 

  • To give a natural shine and luster to the statue, you may apply coconut or olive oil using cotton on every portion. You can use a toothbrush to get to the small crevices but do not be too harsh. This will make the brass statue appear fresh and new with a polished look.


  • In case you have a colored brass statue, you may apply mustard oil using a soft brush or clean cloth on the brass portion while for the colored portion of the statue, you may use coconut oil with a cotton cloth. 

 

Brass idols of Hindu Gods and Goddesses are especially known for their intricate and detailed work of art. Nepalese sculptures are famous for small brass idols portraying Buddhist deities. These sculptures are beautified with gold gilding and inlay of precious or semi-precious stones. Religious brass statues can be kept at home altars. You can keep a decorative brass statue in your garden or roof to embellish the area and fill it with divinity. 

Frequently Asked Questions
  • Q. Is the statue hollow or solid ?
    A. Brass statues are made through a process of clay casting, hence are hollow. Whereas, panchaloha bronze statues are made through a process of lost wax casting, hence they are solid.
  • Q. Can I see the original photo of the product ?
    A. For original pictures of the statue, kindly email us at help@exoticindia.com.
  • Q. Can I return the statue ?
    A. All returns must be postmarked within seven (7) days of the delivery date. All returned items must be in new and unused condition, with all original tags and labels attached. To know more please view our return policy.
  • Q. Can you customise the statue for me ?
    A. For any customisation, kindly email us at help@exoticindia.com.
Add a review
Have A Question

For privacy concerns, please view our Privacy Policy