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"Rigveda acclaims that 'he who is described as male is as much the female....When invoking her in her entirety, describing her beauty, limb to limb, these hymns did not stop short of anything....Devi Bhagavata is the foremost of scriptures that consider Devi as the Adishakti, the divine power that preceded all things, all beings and all gods....Devi Mahatmya in the Markandeya Purana and other texts relate her origin to the elimination of Mahishasura, a mighty demon who once ruled the earth.....She also created her 'shaktis', subordinate powers.....As Kali she was ferocious, as Durga, valorous, and as Parvati, Uma or Gauri, lovable and incomparably beautiful."
"In classical mythology the raison d'кtre of Parvati's birth is to lure Shiva into marriage and thus into the wider circle of married life from which he is aloof as a lone ascetic, living in the wilds of the mountains. The goddess represents the complementary pole to the ascetic, world-denying tradition in the Hindu ethos. In her role as maiden, wife, and later as a mother, she extends Shiva's circle of activity into the realm of the householder, where his stored-up energy is released in positive ways."
"providence has blessed women with the primary responsibility of the perpetuation of the human race. Understandably her physical body has been richly endowed for this glorious function To the connoisseur of Indian aesthetics, the profusion of voluptuous women dominating its canvas comes as no surprise But while celebrating the female body in glorious images the artist never loses sight of the fact that whatever nature creates, it creates with a purpose. No form is accidental and every natural form must have a divinely ordained function. Whatever be the artistic representation, it must glorify this inherent natural function "
"people all over India will say approvingly for someone: "He is a Rama like son, a Rama like brother, or a Rama like king. " It is rare however to hear the following as a compliment "Rama like husband or son-in-law."... All of Sita's miseries in the confinement of Ravana pale in comparison...to the emotional trauma and humiliation she was subjected to by Rama himself. In a bitter irony, what was to be her moment of deliverance, turned out to be the beginning of another trial... Sita sets a high standard as an ideal wife who stays unswerving in her loyalty and righteousness, no matter how undesirable her husband's response... She emerges as a woman that even Agni - who has the power to reduce to ashes everything he touches - dare not touch or harm..."
"Ganga is...(the) divine grace flowing on to our material world, as is visible in the prosperity of the fertile and rich crop-yielding regions adjacent to her banks... The intense devotion and love which her devotees feel for Ganga is no small measure due to the fact that she is the only accessible physical entity that flows both in the heavens and on the earth... Ganga is a river that has been at the core of sacred Hindu lore and tradition... As a mother, Ganga is tangible, approachable, and all accepting... Ganga's icon at the (temple) doorway... implies her status as a remover of pollution..."
ஸ்ரீ ராமானுஜர் வழக்கை வரலாறு: Sri Ramanuja Vazhkai Varalaru (Tamil)
My Father, The Villain (The Life and Times of Madan Puri)
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Nandita Krishna HARDCOVER
कवितावली (श्री तुलसीदास रचित): Kavitawali (With Hindi Translation)