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Oil on Canvas 35.5 inches X 44.5 inches
The Tantrik Sadhana of Mahavidya Chinnamasta
Watercolor On Paper Artist Kailash Raj 7.0 inches X 10.5 inches
Navadurga - The Nine Forms of Goddess Durga - KUSHMANDA
Watercolor on Cotton Artist Manohar Saini 17.5" X 27.5"
Santoshi Mata - The Goddess of Contentment
Water Color On Silk Artist Manohar Saini 1.6 ft x 2.4 ft
Mother Goddess Durga
Oil on Canvas 36 inches X 36 inches
Mahadevi's Emergence from Cosmic Void
Watercolor On Paper Artist Kailash Raj 10.75" X 9.5"
Kali's fierce appearances have been the subject of extensive descriptions in several earlier and modern works. Though her fierce form is filled with awe- inspiring symbols, their real meaning is not what it first appears
"Rigveda acclaims that 'he who is described as male is as much the female....When invoking her in her entirety, describing her beauty, limb to limb, these hymns did not stop short of anything....Devi Bhagavata is the foremost of scriptures that consider Devi as the Adishakti, the divine power that preceded all things, all beings and all gods....Devi Mahatmya in the Markandeya Purana and other texts relate her origin to the elimination of Mahishasura, a mighty demon who once ruled the earth.....She also created her 'shaktis', subordinate powers.....As Kali she was ferocious, as Durga, valorous, and as Parvati, Uma or Gauri, lovable and incomparably beautiful."
"...The Great Goddess Durga was born from the energies of the male divinities...The awesome three-eyed Goddess was adorned with the crescent moon...seas trembled as the Goddess engaged the Great Demon Mahisasura...Thus the reveries of Mahisa are exterminated..."
"Iconographically, they (Mahavidyas) are individually shown dominating male deities. Kali and Tara are shown astride Shiva, while others like Shodashi sit on the body of Shiva... By subverting... conventional social norms, the adept seeks to liberate his or her consciousness from the... inhibiting categories of proper and improper, good and bad, polluted and pure."
"In classical mythology the raison d'кtre of Parvati's birth is to lure Shiva into marriage and thus into the wider circle of married life from which he is aloof as a lone ascetic, living in the wilds of the mountains. The goddess represents the complementary pole to the ascetic, world-denying tradition in the Hindu ethos. In her role as maiden, wife, and later as a mother, she extends Shiva's circle of activity into the realm of the householder, where his stored-up energy is released in positive ways."
वेद पारायण यज्ञ का विधि विधान: Method for Veda Parayan Yajna
ब्रह्मर्षि कृष्ण दत्त (Brahmarishi Krishna Datta) Paperback
Abhinavagupta's Commentary on the Bhagavad Gita: Gitartha Samgraha
डॉ. भोजराज द्विवेदी (Dr. Bhojraj Dwivedi) Paperback
सौरसंहिता: Saura Samhita
प्रो.. उ. शङ्करभट्ट (Prof. U. Shankara Bhatta) Hardcover
Shree Shree Sadguru Sanga (In The Company of Sadguaru) (Set of 2 Volumes)
Debkumar Bhattacharya Hardcover
Acarya Kundakunda's Pancastikaya-Sara (The Building of the Cosmos) Prakrit Text, Sanskrit Caya, English Commentary etc. along with Philosophical and Historical Introduction by Prof. A. Chakravarti Nayanar