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Lord of Dance (Atoms, Arts and Abode)
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Indian Serpent-Lore or The Nagas in Hindu Legend and Art (An Old and Rare Book)
by J. Ph. Vogel
HARDCOVER (Edition: 1972)
PRITHIVI PRAKASHAN
Item Code: NAW378
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Puratattva: Bulletin of the Indian Archaeological Society (No. 21, 1990-91)
by k.N. Dikshit
HARDCOVER (Edition: 2005)
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Puratattva: Bulletin of the Indian Archaeological Society (No. 7, 1974)
by B.K. Thapar
HARDCOVER (Edition: 2005)
D.K.PRINTWORLD PVT.LTD.
Item Code: NAW036
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Puratattva: Bulletin of the Indian Archaeological Society (No. 9, 1977-78)
by B.K. Thapar
HARDCOVER (Edition: 2005)
D.K.PRINTWORLD PVT.LTD.
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Puratattva: Bulletin of the Indian Archaeological Society (No. 20, 1989-90)
by S.P. Gupta
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Puratattva: Bulletin of the Indian Archaeological Society (No. 4, 1970-71)
by S.P. Gupta
HARDCOVER (Edition: 2005)
D.K.PRINTWORLD PVT.LTD.
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Puratattva: Bulletin of the Indian Archaeological Society (No. 5, 1971-72)
by S.P. Gupta
HARDCOVER (Edition: 2005)
D.K.PRINTWORLD PVT.LTD.
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Vedic Roots of Hindu Iconography
by R Nagaswamy
HARDCOVER (Edition: 2012)
Kaveri Books Kaveri Books
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Kolam Tradition in South India: Rangoli in Indian Threshold Design
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by Saswati Sengupta
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D. K. Printworld Pvt. Ltd.
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Aesthetic Textures (Living Traditions of the Mahabharata)
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Nataraja in Art, Thought And Literature
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Sri Sarasvati (Saraswati)  in Indian Art and Literature
by Dr. Niranjan Ghosh
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Sri Satguru Publications
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Narrative Art in the Mahabharata – The Adi Parva
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Atharva Veda Pratisakhya
by W.D. Whitney
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Chowkhamba Sanskrit Series Office
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Books on Hindu Art
Vishnu, Shiva and Devi are the basic visual images of Hinduism. Each of these deities is worshiped in a concrete icon (murti) that can be seen and touched. The sacred compound that enshrines these images is the Hindu Temple, an auspicious enclosure for collective worship.

The image of a god or goddess in Hindu art is conceived in anthropomorphic terms but at the same time it transcends human appearance. Towards this end, with certain exceptions, the gods of Hinduism are visualized with more than two arms. Their hands, posed in definite gestures, hold the attributes that represent the deity’s power and also establish its identity.

While Hindu art is concrete in its substantiality, it is but a means of conjuring up the divine presence. This is their essential function. The Hindu image serves as a yantra, an “instrument” that allows the beholder to catch a reflection of the deity whose luminescence transcends what our physical eye can see.

The vast literature available on Hindu art includes ancient texts delineating the exact iconographic features of deities and Hindu temples. These are known as silpa sastras. Several books on the art of Hinduism delineate the iconometry of individual Hindu gods and goddesses. Also displayed here are numerous encyclopedias and reference works, providing handy, but comprehensive information on all aspects of Hindu art, including history, aesthetics, and iconography, all at one place.

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The Classical Music of North India (The Music of the Baba Allauddin Gharana as taught by Ali Akbar Khan at the Ali Akbar College of Music): Volume One The First Years Study
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