This is a compilation of special articles and papers read at the music symposia arranged by All India Radio from 1955 to 1963. The book presents before the readers those distinguishing and fascinating aspects of Indian music which are vital to the rich cultural heritage of India. The articles, touching virtually all aspects of Indian music, make a resounding statement that the inherent ingredients of Indian music are the surest means and medium for bringing unto us transcendental harmony and peace. This book is a treasure trove for students of Indian music as well as the general reader.
| KARNATAK MUSIC | 1 |
| G.N. Balasubramanyam | |
| EXPERIMENTS INI ORCHESTRATION OF INDIAN MUSIC | |
| D. T. Joshi | 5 |
| PLACE OF GAMAKAS | |
| N.N. Shukla | 9 |
| HARMONY OF POETIC COMPOSITION WITH MOOD OF RASA | |
| D. G. Vyas | 12 |
| RAGA AND RASA | |
| Govinda S. Tembe | 14 |
| EVOLUTION OF INDIAN MUSIC | |
| Sumati Mutatkar | 20 |
| ETERNAL PARADOX IN INDIAN MUSIC-THE SHRUTIS | |
| G. H. Ranade | 26 |
| MULTIPLE FUNCTIONS OF VADI AND SAMVADI | |
| Antsher Lobo | 32 |
| INDIVIDUAL NOTES AND SPECIFIC RASAS | |
| S. N. Ratanjankar | 42 |
| THE CONCEPT OF RASA | |
| Jaideva Singh | 47 |
| DEVELOPMENT OF RHYTHM AND TEMPO | |
| Swami Prajnanananda | 53 |
| RHYTHM AND TEMPO IN THE PURANAS | |
| Alain Danielou | 62 |
| THE ORIGIN OF THUMARI | |
| Prem Lata Sharma | 68 |
| THE EVOLUTION OF KHAYAL | |
| Jaideva Singh | 82 |
| THE IMPACT OF A.I.R. ON INDIAN MUSIC | |
| J.C. Mathur | 93 |
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This is a compilation of special articles and papers read at the music symposia arranged by All India Radio from 1955 to 1963. The book presents before the readers those distinguishing and fascinating aspects of Indian music which are vital to the rich cultural heritage of India. The articles, touching virtually all aspects of Indian music, make a resounding statement that the inherent ingredients of Indian music are the surest means and medium for bringing unto us transcendental harmony and peace. This book is a treasure trove for students of Indian music as well as the general reader.
| KARNATAK MUSIC | 1 |
| G.N. Balasubramanyam | |
| EXPERIMENTS INI ORCHESTRATION OF INDIAN MUSIC | |
| D. T. Joshi | 5 |
| PLACE OF GAMAKAS | |
| N.N. Shukla | 9 |
| HARMONY OF POETIC COMPOSITION WITH MOOD OF RASA | |
| D. G. Vyas | 12 |
| RAGA AND RASA | |
| Govinda S. Tembe | 14 |
| EVOLUTION OF INDIAN MUSIC | |
| Sumati Mutatkar | 20 |
| ETERNAL PARADOX IN INDIAN MUSIC-THE SHRUTIS | |
| G. H. Ranade | 26 |
| MULTIPLE FUNCTIONS OF VADI AND SAMVADI | |
| Antsher Lobo | 32 |
| INDIVIDUAL NOTES AND SPECIFIC RASAS | |
| S. N. Ratanjankar | 42 |
| THE CONCEPT OF RASA | |
| Jaideva Singh | 47 |
| DEVELOPMENT OF RHYTHM AND TEMPO | |
| Swami Prajnanananda | 53 |
| RHYTHM AND TEMPO IN THE PURANAS | |
| Alain Danielou | 62 |
| THE ORIGIN OF THUMARI | |
| Prem Lata Sharma | 68 |
| THE EVOLUTION OF KHAYAL | |
| Jaideva Singh | 82 |
| THE IMPACT OF A.I.R. ON INDIAN MUSIC | |
| J.C. Mathur | 93 |
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