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Books > Performing Arts > Dance > Dhananjayan on Indian Classical Dance
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Dhananjayan on Indian Classical Dance
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Dhananjayan on Indian Classical Dance
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About The Book

The Dhananjayans debut in the federal capital, Bonn, was an outstanding example of their brilliant rendering of the Bharatanatyam style in which the nuances of bhava and abhinaya harmoniously merged with the devotional aspects of bhakti and divine love as interpreted through historical and mythological legends, often centered around the figure of Lord Krishna."

 

About The Author

The Dhananjayans (Shanta & Dhananjayan) have made an indelible mark in the Art & cultural map of Bhaarata. During the last five decades they have made immeasurable contributions to the performing arts in India. Especially their paths breaking aesthetic approach to Bharatanaatyam repertoire and presentations have won world acclaims. Their dance productions are trend setting milestones in the annals of Indian Dance history and often described as .. in step with tradition innovations ahead of their time ...

The Dhananjayans Bharatanaatyam technique seems as ancient as Naatya Saastra and as modern as a New Yorker... yet very communicative and heart touching expressions that surpass time and space ... " a connoisseur critic's remark on this legendary couple. They have inspired many artists and students alike. Recently awarded (2004) 'Swati Ratna' title and honour from the Malayalee Club of Madras (Estd 1897) is yet another valuable jewel in their crown of fame.

 

Foreword

In recent years several books on the dances of India, some of them written by authors of non-Indian origin, have been published with attractive colour photographs and excellent get-up and these are sold at fancy prices. Most of them, unfortunately, lack depth of understanding of the subject and often abound in mistakes.

Sri V.P. Dhananjayan, the well-known dancer of great versatility, published in 1984 his book' A Dancer on Dance' and it has proved so popular that a second edition is being published now.

'A Dancer on Dance' is not a text book on dance nor a commentary on any treatise that makes heavy reading. It is' a collection of articles written and lectures delivered by him over a period of time on different subjects connected with dance. It may be called the 'Intelligent Dancer's Guide to Indian Dance'. It contains the well-considered views of a dancer with nearly four decades of experience in the various aspects of dance.

The first volume was dedicated to the memory of Sri Rama Poduval, Dhanan- jayan's father. The author then pays homage to his Asan, Guru Chandu Panik- kar, one of the 'all time greats' in Kathakali who continued to play roles even when he was 93. This volume is being dedicated to his mentor Smt Rukmini Devi.

The article on "Natya; the essence of Hyndhava Dharma' highlights the mythological and philosophical background of dance. As a logical corollary, the next chapter deals with Rasa, the attainment of which is the ultimate goal of Natya, "the Rasa Nishpatti". This is followed by tabular statements of the eight Rasas and their manifestations like Sthayi bhavas, transitory states etc. and these will be a boon to teachers as well as students.,

Chapters IV and V are general chapters and the concept of the male dancer is explained in the latter. The next three chapters are on Kathakali and its comparison with Bharatanatyam. Chapter IX is on 'Sringaara and Bhakti in Dance'. The remaining chapters in the book are on traditional performing arts, contemporary audiences, innovative techniques etc.

The last part of the book comprises of questions frequently asked by teachers, parents and young aspirants and Dhananjayan's comprehensive replies backed by his vast experience.

The book is thus a veritable treasure to dance students and others who should be thankful to the author for bringing out a second edition.

 

Introduction to This Third Edition

The book A dancer on dance" was first released in 1984. Though it is not a scholarly or literary work on the art, it's simplicity and absolutely unpretentious nature of fact presentation was admired by the general readers on art subjects and allied topics. Copies were sold out very soon and I had to go in for a second edition. But for my good friend Musiano A.V. Ramanan and his wife Uma Ramanan the second edition (1991) with additional subject matters and new look would not have been possible, because they took over my workload of editing, proof corrections and all that goes with a book publication. This edition was received with more enthusiasm and became out of stock very soon. But due to reasons beyond my control it took almost 10 years to reprint the book in spite of demands from booksellers all around the world. Now thanks to "B.R. Rhythm" publishers assuring in to reprint the book with a new title, new look and a few more valuable articles.

Hope this will also meet the same enthusiasm from artists, connoisseurs and general readers.

A lot of valuable suggestions have been made to the Government Departments, Cultural Organizations and general public interested in performing arts. Plenty of information regarding the performing arts scene in our country with contemporary relevance may be of value to the concerned people and they may kindle the interests of research scholars on the subject and go deeper into those areas. Being a performing artist myself, my practical applications to the art are true to human nature and I did not attempt to push to the readers a scholarly and theoretical analysis and reinterpret the ancient text for the sake of authenticity. I have tried to put foreword my own contentions, and convictions and many a time my own theory evolved out of practical experience.

I am sure discerning people will welcome this new edition titled "Dhananjayan on Indian Classical Dance".

Contents

Foreword IV
Dedication V
Introduction to this Third Edition VII
Introduction VIII
Guru Chandu Panikkar 1
Natya-The Essence of Hyndhyava-Dharma 4
Rasa 9
Seminar on Bharatha Natyam 1966 21
The concept of the Male Dancer 23
Kathakali-The Poor Man'sRich Art 25
Similarities and Dissimilarties between Kathakali and Bharata natyam 32
Sringaara and Bhakti in Dance 39
Ideal Stage for Better Performance 43
Dance in the Process of Progress 48
Innovative Techniques in Traditional Creativity 52
Questions answered I 58
Questions Answered II 61
Perfrming Arts of the Sothern Region and their Inter Relationship 65
Culture Explosion 70
Odisha 75
Innovations in Bharatanatyam 78
Art Criticism is as divine as the Art Itself 81
Future of the Arts in India 84
The Dhananjayans contributions to the Performing Arts Scene 85
East India - North-Eastern Provinces, Odisha 90
Awards and After 115
The Evolution of Dance 118
Sample Pages

Dhananjayan on Indian Classical Dance

Item Code:
NAL251
Cover:
Hardcover
Edition:
2004
ISBN:
9788188827046
Language:
English
Size:
11.0 inch x 8.5 inch
Pages:
117 (Throughout Color and B/W Illustrations)
Other Details:
Weight of the Book: 750 gms
Price:
$45.00   Shipping Free
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About The Book

The Dhananjayans debut in the federal capital, Bonn, was an outstanding example of their brilliant rendering of the Bharatanatyam style in which the nuances of bhava and abhinaya harmoniously merged with the devotional aspects of bhakti and divine love as interpreted through historical and mythological legends, often centered around the figure of Lord Krishna."

 

About The Author

The Dhananjayans (Shanta & Dhananjayan) have made an indelible mark in the Art & cultural map of Bhaarata. During the last five decades they have made immeasurable contributions to the performing arts in India. Especially their paths breaking aesthetic approach to Bharatanaatyam repertoire and presentations have won world acclaims. Their dance productions are trend setting milestones in the annals of Indian Dance history and often described as .. in step with tradition innovations ahead of their time ...

The Dhananjayans Bharatanaatyam technique seems as ancient as Naatya Saastra and as modern as a New Yorker... yet very communicative and heart touching expressions that surpass time and space ... " a connoisseur critic's remark on this legendary couple. They have inspired many artists and students alike. Recently awarded (2004) 'Swati Ratna' title and honour from the Malayalee Club of Madras (Estd 1897) is yet another valuable jewel in their crown of fame.

 

Foreword

In recent years several books on the dances of India, some of them written by authors of non-Indian origin, have been published with attractive colour photographs and excellent get-up and these are sold at fancy prices. Most of them, unfortunately, lack depth of understanding of the subject and often abound in mistakes.

Sri V.P. Dhananjayan, the well-known dancer of great versatility, published in 1984 his book' A Dancer on Dance' and it has proved so popular that a second edition is being published now.

'A Dancer on Dance' is not a text book on dance nor a commentary on any treatise that makes heavy reading. It is' a collection of articles written and lectures delivered by him over a period of time on different subjects connected with dance. It may be called the 'Intelligent Dancer's Guide to Indian Dance'. It contains the well-considered views of a dancer with nearly four decades of experience in the various aspects of dance.

The first volume was dedicated to the memory of Sri Rama Poduval, Dhanan- jayan's father. The author then pays homage to his Asan, Guru Chandu Panik- kar, one of the 'all time greats' in Kathakali who continued to play roles even when he was 93. This volume is being dedicated to his mentor Smt Rukmini Devi.

The article on "Natya; the essence of Hyndhava Dharma' highlights the mythological and philosophical background of dance. As a logical corollary, the next chapter deals with Rasa, the attainment of which is the ultimate goal of Natya, "the Rasa Nishpatti". This is followed by tabular statements of the eight Rasas and their manifestations like Sthayi bhavas, transitory states etc. and these will be a boon to teachers as well as students.,

Chapters IV and V are general chapters and the concept of the male dancer is explained in the latter. The next three chapters are on Kathakali and its comparison with Bharatanatyam. Chapter IX is on 'Sringaara and Bhakti in Dance'. The remaining chapters in the book are on traditional performing arts, contemporary audiences, innovative techniques etc.

The last part of the book comprises of questions frequently asked by teachers, parents and young aspirants and Dhananjayan's comprehensive replies backed by his vast experience.

The book is thus a veritable treasure to dance students and others who should be thankful to the author for bringing out a second edition.

 

Introduction to This Third Edition

The book A dancer on dance" was first released in 1984. Though it is not a scholarly or literary work on the art, it's simplicity and absolutely unpretentious nature of fact presentation was admired by the general readers on art subjects and allied topics. Copies were sold out very soon and I had to go in for a second edition. But for my good friend Musiano A.V. Ramanan and his wife Uma Ramanan the second edition (1991) with additional subject matters and new look would not have been possible, because they took over my workload of editing, proof corrections and all that goes with a book publication. This edition was received with more enthusiasm and became out of stock very soon. But due to reasons beyond my control it took almost 10 years to reprint the book in spite of demands from booksellers all around the world. Now thanks to "B.R. Rhythm" publishers assuring in to reprint the book with a new title, new look and a few more valuable articles.

Hope this will also meet the same enthusiasm from artists, connoisseurs and general readers.

A lot of valuable suggestions have been made to the Government Departments, Cultural Organizations and general public interested in performing arts. Plenty of information regarding the performing arts scene in our country with contemporary relevance may be of value to the concerned people and they may kindle the interests of research scholars on the subject and go deeper into those areas. Being a performing artist myself, my practical applications to the art are true to human nature and I did not attempt to push to the readers a scholarly and theoretical analysis and reinterpret the ancient text for the sake of authenticity. I have tried to put foreword my own contentions, and convictions and many a time my own theory evolved out of practical experience.

I am sure discerning people will welcome this new edition titled "Dhananjayan on Indian Classical Dance".

Contents

Foreword IV
Dedication V
Introduction to this Third Edition VII
Introduction VIII
Guru Chandu Panikkar 1
Natya-The Essence of Hyndhyava-Dharma 4
Rasa 9
Seminar on Bharatha Natyam 1966 21
The concept of the Male Dancer 23
Kathakali-The Poor Man'sRich Art 25
Similarities and Dissimilarties between Kathakali and Bharata natyam 32
Sringaara and Bhakti in Dance 39
Ideal Stage for Better Performance 43
Dance in the Process of Progress 48
Innovative Techniques in Traditional Creativity 52
Questions answered I 58
Questions Answered II 61
Perfrming Arts of the Sothern Region and their Inter Relationship 65
Culture Explosion 70
Odisha 75
Innovations in Bharatanatyam 78
Art Criticism is as divine as the Art Itself 81
Future of the Arts in India 84
The Dhananjayans contributions to the Performing Arts Scene 85
East India - North-Eastern Provinces, Odisha 90
Awards and After 115
The Evolution of Dance 118
Sample Pages

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