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Books > Hindu > Art > Heaven on Earth (The Universe of Kerala’s Guruvayur Temple) - A Lavishly Illustrated Book
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Heaven on Earth (The Universe of Kerala’s Guruvayur Temple) - A Lavishly Illustrated Book
Heaven on Earth (The Universe of Kerala’s Guruvayur Temple) - A Lavishly Illustrated Book
Description
From the Jacket

Every day of the year, thousands of pilgrims swarm into the sacred precincts of Kerala’s Guruvayur Temple. They come to seek the blessings of Lord Krishna, known locally as Guruvayurappan, a deity whose precious idol was, according to myth, originally worshipped by Lord Vishnu. Another belief states that the idol was eventually inherited by Lord Krishna and enshrined in Dwaraka and that, just before His death, He declared that it was to be re-installed in India’s most sacred place. The task was carried out by Brihaspathy, the Guru of the Gods, and Vayu, the Wind God, whose combined names gave the temple its name. After traveling all over India, they eventually arrived at the place where the present temple now stands, and were welcomed by siva and told that the purpose of their journey was fulfilled.

From these mythical beginnings, Guruvayur became one of India’s most important temple, the small shrine that the Lord once occupied, now a mahakshetram, a great temple. It is a temple whose elaborate poojas have survived the many vicissitudes of history, of wars and changing times, always adhering to the rules that Adi Sankaracharya is said to have laid down a thousand years ago. That the temple has not only preserved this remarkable link with its divine origins, but has also continued to respect and honour its unique customs is largely due to the presence of the hereditary families, priestly and otherwise, who continue to fulfil the duties assigned to their ancestors many centuries ago. It is also a temple where devotion to Guruvayurappan has remained undiminished by the passing centuries, where the thousands of devotees who seek His compassionate blessings still uphold the mystery of His divine presence.

Heaven on Earth: The Universe of Kerala’s Guruvayur Temple takes the reader into the heart of this complex universe, chronicling the temple’s myth and history, describing its rituals and beliefs, its traditional style of management, its festivals and patronage of Kerala’s ancient art forms, its elephants and, of course, the beliefs of all those who worship within its precincts. It is a book made possible both by the trust and willingness of people, including the temple priests, to share their knowledge, and by author-photographer Pepita Seth’s commitment to the project and her determination to represent the scope of the temple’s world.

This remarkable and unique record is the outcome of 7 years of careful research enhanced by sensitive photographs that not only portray all aspects of life within the temple, but its atmosphere of intangible divinity.

Pepita Seth was born in London and grew up on a farm in Suffolk. Her career began in the cutting rooms, editing British and American documentaries and feature films - working with such directors as Stanley Donen, Otto Preminger, Tony Richardson and Ted Kotcheff. It was the chance discovery of her soldier great-grandfather’s 1857 diary which, in 1970, inspired her to make her first visit to India. In 1972, she returned to India, more specifically, to Kerala. From then on, between work assignment, she made regular visits to Kerala, finally basing herself in Thrissur where she now lives. By 1979, she had given up all film work and, driven by her passion and respect for the region’s culture and traditions, begun seriously photographing and writing about the rituals of Kerala’s Hindus. In 1981, she received official permission to enter Kerala’s temples-including Guruvayur Temple.

She has lectured extensively on Kerala’s traditions in India, Britain-at the British Museum and the Nehru Centre, and the United States-at the Smithsonian, Columbia and Barnard Universities. Exhibitions of her photographs have been held in India through the British Council, and in Britain and the United States under the aegis of Nikon House and Barnard University.

Her novel, The Spirit Land, was published in 1994, the year she began to focus on a single subject: the Theyyam rituals of Malabar. The 5 years she spent in northern Kerala resulted both in exhibitions-in Britain and the United States-and the firm conviction that she would return for more intensive work.

In 2001, encouraged by the temple authorities, she began her research on Guruvayur Temple, Heaven on Earth: The Universe of Kerala’s Guruvayur Temple is the culmination of 7 years of research and documentation-an experience Pepita Seth acknowledges as having changed her life.

Introduction

Although from the very beginning I knew Heaven on Earth: The Universe of Kerala’s Guruvayur Temple would evolve in its own way, I determined to keep my presence in it to the barest minimum, making no personal comments unless I felt they would increase the reader’s understanding of the temple. While, 7 years later, my decision still holds, I sense that it might be helpful if I explained what drew me to the subject and the extent of my emotional involvement.

I am English and grew up on a farm in Suffolk. My parents were neither churchgoers nor in the slightest bit interested in any aspect of any religion. They did, however, adhere to the premise that God was an Englishman-a concept that seemed to absolve them from any further involvement in the matter. In any case, their generation considered that religion, like money and politics, was never to be discussed. Devoid of any outside stimulus that might arouse interest or curiosity, I should, I suppose, have adopted their attitudes and followed their example. Ironically, things began to change in 1970 when I chanced upon a diary chronicling my soldier great-grandfather’s participation in the 1857 march from Calcutta to Lucknow, and his experiences in the subsequent fighting.

Of course, though the diary never mentioned religion in general or Hinduism in particular, its effect was subtly subversive, for, by arousing my curiosity, it inspired me to make my first visit to India to retrace the journey it described.

Years later, an Indian friend observed that my place of birth had been a postal mistake: ‘You were addressed to India,’ he said, ‘but wrongly delivered to England.’ The diary ensured that I was re-directed. Yet, though it certainly started my relationship with India, it was my second visit that led me into something deeper and more personal-a relationship with Kerala. Kerala reached right inside me and rearranged how I looked at life, forcing me to form my own opinions of the divine, the soul, the spirit and the very nature of God. In many ways I was like a traveler who only discovers the depths of his thirst when he arrives at a well. I drank deep and experienced profound satisfaction.

The real miracle, however, was Kerala’s willingness to go on providing wells from which I could drink by allowing me access to her sacred spaces: her temples. Once I was officially permitted to enter Kerala’s temples, a right I received in 1981, I was absorbed into a world that has never ceased to amaze and satisfy me.

In the context of this book, it is undoubtedly fitting that the first photograph I took in Kerala was of Guruvayur Temple’s legendary elephant, the great tusker Guruvayur Kesavan. The irony, however, is that not once during the 3 subsequent decades I spent photographing Hindu rituals throughout Kerala did it cross my mind to consider doing so in Guruvayur. Well not until one February morning in 2001 when someone in the temple asked me why I never took photographs there ‘considering that you take them in every other temple’

The remark was like a stone dropping down the shaft of an extraordinarily deep well-it fell and fell-and kept on falling whilst I fought to resist its lure, certain the water would never be reached, that the possibility did not really exist.

An then I heard the splash, and, to change metaphors, began falling for the bait.

Perhaps there was the subconscious awareness that I was anyway looking for a project without having to undertake journeys to the back of beyond to reach ceremonies that took place in the middle of the night. A small voice began to whisper that this was it, that Guruvayur was no more than 40 minutes by bus from Thrissur where I live, and that everything would be within the confines of the temple walls.

Yet I declined, deeply conscious of the difficulties that would face me if I acquiesced, and innocently unaware that the question had been serious.

I was shouted at, roundly: ‘Who are you to disagree when the Lord has just suggested this to you?”

I know when to back down. I agreed.
And so began a truly extraordinary experience that tested every fibre of my being and touched every emotional nerve I possessed.

To begin with, I had absolutely no idea of the levels and layers of the temple’s universe.

And it was just as well. I doubt, despite the shouting, that I would have continued had I had the slightest inkling, Yet, as I began to comprehend the enormity of what I had let myself in for, I was horrified at the vastness of the chasm that yawned before me. I constantly determined to reduce the scope of what I was doing, but, somewhere along the way, I realized that regardless of the direction in which I tried to push the project, I was repeatedly being driven back into attempting a complete description of life within the temple.

It is for others to decide to what measure I have succeeded, if at all, but I do know that what kept me going was the extraordinary sense of support within the temple. Although, when I began, I knew only 2 people, I gradually came to know almost everyone, and, more importantly, to sense their acceptance.

Initially I was terrified of even taking photographs: on my first day with the cameras I did nothing but sit on the steps of the koothambalam, the temple’s theatre, convinced that there was no way I could continue. Then, just as I decided to admit defeat, someone smiled at me in a way that made me feel enveloped and comforted.

I’m not alone here, I thought.

And so, buffeted by doubts and deeply aware of the difficulties that lay ahead, I continued. If asked to name the reason I did so, I would simply say, ‘Lord Guruvayurappan,’ for, when all is said and done, everything that happened to me-all the support, encouragement and help that I received-was always channeled through Him, given by His servants and devotees. Furthermore, I clearly saw the effect He had on me, how I drew my strength from Him and felt His blessings.

Such emotions are difficult to put into words but one day when I was talking to a former Head Priest, I said: ‘Guruvayurappan is everything.

There was a slight pause before he smiled and said: ‘He is everything. That is it.’

Contents

Introduction8
1The Temple10
2Myth and History24
3The Ooralan and the Zamorin34
4The Idol40
5The Priests52
6The Worship of the Lord64
7The Daily Poojas68
8The Dawn to Dusk Pooja94
9The Servants of the Lord98
10Devotees116
11The Arts132
12The Elephants154
13Ekadasi166
14The Temple Year184
15The Bhagavathi206
16The Sahasrakalasam224
17The Lord’s Festival240
Glossary296
Acknowledgements307
Index310

Heaven on Earth (The Universe of Kerala’s Guruvayur Temple) - A Lavishly Illustrated Book

Item Code:
IDC172
Cover:
Hardcover
Edition:
2009
Publisher:
ISBN:
9788189738365
Language:
English
Size:
12.0 inch X 12.0 inc
Pages:
316 (Illustrated Throughout In Full Color)
Other Details:
Weight of the Book: 1.8 kg
Price:
$135.00
Discounted:
$101.25   Shipping Free - 4 to 6 days
You Save:
$33.75 (25%)
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From the Jacket

Every day of the year, thousands of pilgrims swarm into the sacred precincts of Kerala’s Guruvayur Temple. They come to seek the blessings of Lord Krishna, known locally as Guruvayurappan, a deity whose precious idol was, according to myth, originally worshipped by Lord Vishnu. Another belief states that the idol was eventually inherited by Lord Krishna and enshrined in Dwaraka and that, just before His death, He declared that it was to be re-installed in India’s most sacred place. The task was carried out by Brihaspathy, the Guru of the Gods, and Vayu, the Wind God, whose combined names gave the temple its name. After traveling all over India, they eventually arrived at the place where the present temple now stands, and were welcomed by siva and told that the purpose of their journey was fulfilled.

From these mythical beginnings, Guruvayur became one of India’s most important temple, the small shrine that the Lord once occupied, now a mahakshetram, a great temple. It is a temple whose elaborate poojas have survived the many vicissitudes of history, of wars and changing times, always adhering to the rules that Adi Sankaracharya is said to have laid down a thousand years ago. That the temple has not only preserved this remarkable link with its divine origins, but has also continued to respect and honour its unique customs is largely due to the presence of the hereditary families, priestly and otherwise, who continue to fulfil the duties assigned to their ancestors many centuries ago. It is also a temple where devotion to Guruvayurappan has remained undiminished by the passing centuries, where the thousands of devotees who seek His compassionate blessings still uphold the mystery of His divine presence.

Heaven on Earth: The Universe of Kerala’s Guruvayur Temple takes the reader into the heart of this complex universe, chronicling the temple’s myth and history, describing its rituals and beliefs, its traditional style of management, its festivals and patronage of Kerala’s ancient art forms, its elephants and, of course, the beliefs of all those who worship within its precincts. It is a book made possible both by the trust and willingness of people, including the temple priests, to share their knowledge, and by author-photographer Pepita Seth’s commitment to the project and her determination to represent the scope of the temple’s world.

This remarkable and unique record is the outcome of 7 years of careful research enhanced by sensitive photographs that not only portray all aspects of life within the temple, but its atmosphere of intangible divinity.

Pepita Seth was born in London and grew up on a farm in Suffolk. Her career began in the cutting rooms, editing British and American documentaries and feature films - working with such directors as Stanley Donen, Otto Preminger, Tony Richardson and Ted Kotcheff. It was the chance discovery of her soldier great-grandfather’s 1857 diary which, in 1970, inspired her to make her first visit to India. In 1972, she returned to India, more specifically, to Kerala. From then on, between work assignment, she made regular visits to Kerala, finally basing herself in Thrissur where she now lives. By 1979, she had given up all film work and, driven by her passion and respect for the region’s culture and traditions, begun seriously photographing and writing about the rituals of Kerala’s Hindus. In 1981, she received official permission to enter Kerala’s temples-including Guruvayur Temple.

She has lectured extensively on Kerala’s traditions in India, Britain-at the British Museum and the Nehru Centre, and the United States-at the Smithsonian, Columbia and Barnard Universities. Exhibitions of her photographs have been held in India through the British Council, and in Britain and the United States under the aegis of Nikon House and Barnard University.

Her novel, The Spirit Land, was published in 1994, the year she began to focus on a single subject: the Theyyam rituals of Malabar. The 5 years she spent in northern Kerala resulted both in exhibitions-in Britain and the United States-and the firm conviction that she would return for more intensive work.

In 2001, encouraged by the temple authorities, she began her research on Guruvayur Temple, Heaven on Earth: The Universe of Kerala’s Guruvayur Temple is the culmination of 7 years of research and documentation-an experience Pepita Seth acknowledges as having changed her life.

Introduction

Although from the very beginning I knew Heaven on Earth: The Universe of Kerala’s Guruvayur Temple would evolve in its own way, I determined to keep my presence in it to the barest minimum, making no personal comments unless I felt they would increase the reader’s understanding of the temple. While, 7 years later, my decision still holds, I sense that it might be helpful if I explained what drew me to the subject and the extent of my emotional involvement.

I am English and grew up on a farm in Suffolk. My parents were neither churchgoers nor in the slightest bit interested in any aspect of any religion. They did, however, adhere to the premise that God was an Englishman-a concept that seemed to absolve them from any further involvement in the matter. In any case, their generation considered that religion, like money and politics, was never to be discussed. Devoid of any outside stimulus that might arouse interest or curiosity, I should, I suppose, have adopted their attitudes and followed their example. Ironically, things began to change in 1970 when I chanced upon a diary chronicling my soldier great-grandfather’s participation in the 1857 march from Calcutta to Lucknow, and his experiences in the subsequent fighting.

Of course, though the diary never mentioned religion in general or Hinduism in particular, its effect was subtly subversive, for, by arousing my curiosity, it inspired me to make my first visit to India to retrace the journey it described.

Years later, an Indian friend observed that my place of birth had been a postal mistake: ‘You were addressed to India,’ he said, ‘but wrongly delivered to England.’ The diary ensured that I was re-directed. Yet, though it certainly started my relationship with India, it was my second visit that led me into something deeper and more personal-a relationship with Kerala. Kerala reached right inside me and rearranged how I looked at life, forcing me to form my own opinions of the divine, the soul, the spirit and the very nature of God. In many ways I was like a traveler who only discovers the depths of his thirst when he arrives at a well. I drank deep and experienced profound satisfaction.

The real miracle, however, was Kerala’s willingness to go on providing wells from which I could drink by allowing me access to her sacred spaces: her temples. Once I was officially permitted to enter Kerala’s temples, a right I received in 1981, I was absorbed into a world that has never ceased to amaze and satisfy me.

In the context of this book, it is undoubtedly fitting that the first photograph I took in Kerala was of Guruvayur Temple’s legendary elephant, the great tusker Guruvayur Kesavan. The irony, however, is that not once during the 3 subsequent decades I spent photographing Hindu rituals throughout Kerala did it cross my mind to consider doing so in Guruvayur. Well not until one February morning in 2001 when someone in the temple asked me why I never took photographs there ‘considering that you take them in every other temple’

The remark was like a stone dropping down the shaft of an extraordinarily deep well-it fell and fell-and kept on falling whilst I fought to resist its lure, certain the water would never be reached, that the possibility did not really exist.

An then I heard the splash, and, to change metaphors, began falling for the bait.

Perhaps there was the subconscious awareness that I was anyway looking for a project without having to undertake journeys to the back of beyond to reach ceremonies that took place in the middle of the night. A small voice began to whisper that this was it, that Guruvayur was no more than 40 minutes by bus from Thrissur where I live, and that everything would be within the confines of the temple walls.

Yet I declined, deeply conscious of the difficulties that would face me if I acquiesced, and innocently unaware that the question had been serious.

I was shouted at, roundly: ‘Who are you to disagree when the Lord has just suggested this to you?”

I know when to back down. I agreed.
And so began a truly extraordinary experience that tested every fibre of my being and touched every emotional nerve I possessed.

To begin with, I had absolutely no idea of the levels and layers of the temple’s universe.

And it was just as well. I doubt, despite the shouting, that I would have continued had I had the slightest inkling, Yet, as I began to comprehend the enormity of what I had let myself in for, I was horrified at the vastness of the chasm that yawned before me. I constantly determined to reduce the scope of what I was doing, but, somewhere along the way, I realized that regardless of the direction in which I tried to push the project, I was repeatedly being driven back into attempting a complete description of life within the temple.

It is for others to decide to what measure I have succeeded, if at all, but I do know that what kept me going was the extraordinary sense of support within the temple. Although, when I began, I knew only 2 people, I gradually came to know almost everyone, and, more importantly, to sense their acceptance.

Initially I was terrified of even taking photographs: on my first day with the cameras I did nothing but sit on the steps of the koothambalam, the temple’s theatre, convinced that there was no way I could continue. Then, just as I decided to admit defeat, someone smiled at me in a way that made me feel enveloped and comforted.

I’m not alone here, I thought.

And so, buffeted by doubts and deeply aware of the difficulties that lay ahead, I continued. If asked to name the reason I did so, I would simply say, ‘Lord Guruvayurappan,’ for, when all is said and done, everything that happened to me-all the support, encouragement and help that I received-was always channeled through Him, given by His servants and devotees. Furthermore, I clearly saw the effect He had on me, how I drew my strength from Him and felt His blessings.

Such emotions are difficult to put into words but one day when I was talking to a former Head Priest, I said: ‘Guruvayurappan is everything.

There was a slight pause before he smiled and said: ‘He is everything. That is it.’

Contents

Introduction8
1The Temple10
2Myth and History24
3The Ooralan and the Zamorin34
4The Idol40
5The Priests52
6The Worship of the Lord64
7The Daily Poojas68
8The Dawn to Dusk Pooja94
9The Servants of the Lord98
10Devotees116
11The Arts132
12The Elephants154
13Ekadasi166
14The Temple Year184
15The Bhagavathi206
16The Sahasrakalasam224
17The Lord’s Festival240
Glossary296
Acknowledgements307
Index310
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