Subscribe for Newsletters and Discounts
Be the first to receive our thoughtfully written
religious articles and product discounts.
Your interests (Optional)
This will help us make recommendations and send discounts and sale information at times.
By registering, you may receive account related information, our email newsletters and product updates, no more than twice a month. Please read our Privacy Policy for details.
.
By subscribing, you will receive our email newsletters and product updates, no more than twice a month. All emails will be sent by Exotic India using the email address info@exoticindia.com.

Please read our Privacy Policy for details.
|6
Sign In  |  Sign up
Your Cart (0)
Best Deals
Share our website with your friends.
Email this page to a friend
Books > Performing Arts > Carnatic > Karnatic Music Reader (Kritis of Various Composers With Notation) (Part 3)
Subscribe to our newsletter and discounts
Karnatic Music Reader (Kritis of Various Composers With Notation) (Part 3)
Karnatic Music Reader (Kritis of Various Composers With Notation) (Part 3)
Description
About the Author

The present reader in Kamatic music is a systematic introduction of the study of karnatic music. The reader in four parts covers the different musical forms in karnatic music.

In the first part starting with simple introduction and the history of south Indian music the book ventures into the teaching of fundamentals notes Sarlivarisas janta varisas Alankara gitam svarajathi and jathisvaram. The lessons have been arranged in simple notation.

The second part covers the various aspects of vamam. The introduction gives a proper evaluation of various types of Varman and a not on different composer. The notations of about 40 different vamam in adi tala ata tala and pada varma have been notated in simple form for easy rendering. The varmans have been selected to represent the best from various composers of karnatic music.

The third part covers Kirtans. A detailed introduction on Keertanas and various composers have been added. The notation of about 40 popular Kirtans have been given in simple notation. Representative compositions of important composers has been selected.

The fourth part covers the musical forms like daru Varnam pada, tillanas tans varmas javali ragamilika utsava sampradaya keetanas tirupaugazh kavadi chindu etc. These compositions portray the varied facets of karnatic music all these forms have an introduction about them.

The complete reader in 4 parts will be a compendium of musical forms of karnatic music. The notations for the compositions have been in simplest form possible so that the student learner can learn them with minimal effort. The selection of compositions have been made to cover representative composers of karnatic music.

Preface

About ten years back my father advised me to prepare graded text books in music for the use of students. Consequent on his persistent advice I started preparing my graded lessons in music in Malayalam. These books took shape in the form Karnantaka Sangeetha Pretamala and were completed in six parts covering all the aspects of karnatic music. With the persistent of my well wishers and requests from teaching and student quarters I have planned these series in English.

In this second series of Karnatic music reader I have tried to present karnatic music lessons in a systematic manner 34 adi tala varnam 14 ata tala varnam and 5 pada varnam. These lessons help in achieving a fundamental base for the learners of karnatic music. The svara notation has been kept as simple as possible so that the learner can study the lessons with the minimal help from his teacher. I have also included a description of the different forms of varnam before each section treating in detail the nuances of each type at the beginning of the chapter so that the students can understand these musical forms. This will also help them in rendering them. It is suggested that the students take the lessons in graded way and karnatic them in a regular way so that they achieve a better knowledge of the fundamentals of karnatic music. Each composition has its own merit in understanding the tala raga etc so that it will be beneficial for the students to obtain proficiency in these aspects. This will put him in good stead in mastering the advanced lessons in karnatic music.

I have tried to the minimize the number of ragas so that the student is not put to very much technicalities of the raga rendering and its intricacies.

To a great extent I have been guided by the requirements of the music students of the colleges though this has not restrained me from keeping the paramount interest of the learners and listeners of karnatic music. Though these lessons are complete in its own way it will be helpful for the student to make use of a teacher in learning the fundamentals of the raga tala etc. this will instill in him a confidence in learning karnatic.

I have planned further graded lessons for the continuous learners of karnatic music in this series. The third second series will comprise of keertans and the fourth in the series will have advanced compositions for the practicing vocalist like Tillana Javeli padas Divynamakirtans Ragamalikas etc.

I use this opportunity to thank the students and teachers and lovers of music who have extended wholehearted support for my book. Without this continuous encouragement I would not have continued to write. When all is said it is not urban theoretician had the simple unsophisticated rustic village teacher who sustains the art form and saves it from extinction.

I am thankful to Sri M. Easwaran editor for his continued support in the editing of the manuscript and Smt. M. Ginja proprietor CBH publication for undertaking the publication of this series.

Lastly I place these series before the learners and lovers of music and ask for their critical comments about this venture and expect their wholehearted support in making this series success.

Contents

Introduction 1-12
1Maha Ganapathim Natta EkkaMuthuswamy dishitar 13
2Vinayaka Ninu Hamasadhvani Adi Vina Kuppayyar14
3Gopalam Seveham Bilahari RupakaSwati Tirunal16
4Sobhilu JaganmohiniRupaka Tyagaraja18
5Devadevakalayamithe MayamalavagaulaRupaka Swami tirunal20
6Gajananeyutam ChakravokoinAdiMuthuswamy Dikshitar23
7Sree SaraswathiArabhiRupukaMuthuswamy Dikshitar25
8Nee BhakthbhagysutaJayamanohariRupaka Tyagaraja26
9KalaharanaSudhasaveriRupaka Tyagaraja28
10Sri MadhurapuriBilahariRupaka Muthuswamy Diskshitar30
11Saarasaksha ParipalayaPantuvaraliAdiSwami Tirunal32
12MamavathusriHindolamAdiVasudevachar34
13Yelara KrishnakambhojiRupukaTyagaraja37
14Sitamman MayammaVasanthaRupukaTyagaraja39
15PaaripalayaPantuvaraliAdiSwati Tirunal41
16Parvathi KumarimNattakurinjiRupukaMuthuswamy Diskshitar 43
17KamalasaniKalyaniRupukaG N Balasubramonian45
18SarasijanabhaTodiM ChapuSwami Tirunal46
19Himadrisuthe Kalyani RupukaSyama Sastri50
21SangitajnanamuDhanyasiAdiTyagaraja54
22IntakanannadamBilahariRupukaTyagaraja56
23Telisi RamaPoornachandrikaAdiTyagaraja58
24YenthanerchinaSuddha DhanyasiAdiTyagaraja60
25ParipalimsumaniSudha SaveriK. ChapuSyama Sastri63
26MaravakaveSaamaRupukaPatnam Subramanion Iyer65
27VinayakuniMadhyamavatiAdiTyagaraja67
28SaadarmavaSaraswathiAdiSwati tirunal70
29NimeneraPantuvaraliRupukaTyagaraja72
30Vatapi GanapathimHamsadhwaniAdiMuthuswami Dikshitar74
31YemayyaramaKambhojiK. ChapuBhadrachala Ramdas78
32Mahadeva SivasambhoRevathiAdiTanjore Sankaraiyer80
33Sundari nanBegadaAdiTanjore Sankaraiyer82
34NadaloludaiKalyanasanthamRupukaTyagaraja84
35MamavasadaNattakurinjiRupukaSwati Tirunal86
36Rama ramanaSankarabharanamAdiTyagaraja88
37AnandamrithakarsiniAmritavarshiniAdiMuthuswami Dikshitar90
38Deva DevaPurvikalyaniAdiSwati Tirunal91
39VisalakshimPantuvaraliM.ChapuMuthuswami Dikshitar94
40Sri RanganadhayaDhanyasiRupukaMuthuswami Dikshitar96

Karnatic Music Reader (Kritis of Various Composers With Notation) (Part 3)

Item Code:
IHL079
Cover:
Paperback
Edition:
2007
Publisher:
ISBN:
8185381488
Size:
9.5 Inch X 7.0 Inch
Pages:
97
Other Details:
a51_books
Price:
$20.00   Shipping Free
Notify me when this item is available
Notify me when this item is available
You will be notified when this item is available
Add to Wishlist
Send as e-card
Send as free online greeting card
Karnatic Music Reader (Kritis of Various Composers With Notation) (Part 3)

Verify the characters on the left

From:
Edit     
You will be informed as and when your card is viewed. Please note that your card will be active in the system for 30 days.

Viewed 12542 times since 22nd Mar, 2014
About the Author

The present reader in Kamatic music is a systematic introduction of the study of karnatic music. The reader in four parts covers the different musical forms in karnatic music.

In the first part starting with simple introduction and the history of south Indian music the book ventures into the teaching of fundamentals notes Sarlivarisas janta varisas Alankara gitam svarajathi and jathisvaram. The lessons have been arranged in simple notation.

The second part covers the various aspects of vamam. The introduction gives a proper evaluation of various types of Varman and a not on different composer. The notations of about 40 different vamam in adi tala ata tala and pada varma have been notated in simple form for easy rendering. The varmans have been selected to represent the best from various composers of karnatic music.

The third part covers Kirtans. A detailed introduction on Keertanas and various composers have been added. The notation of about 40 popular Kirtans have been given in simple notation. Representative compositions of important composers has been selected.

The fourth part covers the musical forms like daru Varnam pada, tillanas tans varmas javali ragamilika utsava sampradaya keetanas tirupaugazh kavadi chindu etc. These compositions portray the varied facets of karnatic music all these forms have an introduction about them.

The complete reader in 4 parts will be a compendium of musical forms of karnatic music. The notations for the compositions have been in simplest form possible so that the student learner can learn them with minimal effort. The selection of compositions have been made to cover representative composers of karnatic music.

Preface

About ten years back my father advised me to prepare graded text books in music for the use of students. Consequent on his persistent advice I started preparing my graded lessons in music in Malayalam. These books took shape in the form Karnantaka Sangeetha Pretamala and were completed in six parts covering all the aspects of karnatic music. With the persistent of my well wishers and requests from teaching and student quarters I have planned these series in English.

In this second series of Karnatic music reader I have tried to present karnatic music lessons in a systematic manner 34 adi tala varnam 14 ata tala varnam and 5 pada varnam. These lessons help in achieving a fundamental base for the learners of karnatic music. The svara notation has been kept as simple as possible so that the learner can study the lessons with the minimal help from his teacher. I have also included a description of the different forms of varnam before each section treating in detail the nuances of each type at the beginning of the chapter so that the students can understand these musical forms. This will also help them in rendering them. It is suggested that the students take the lessons in graded way and karnatic them in a regular way so that they achieve a better knowledge of the fundamentals of karnatic music. Each composition has its own merit in understanding the tala raga etc so that it will be beneficial for the students to obtain proficiency in these aspects. This will put him in good stead in mastering the advanced lessons in karnatic music.

I have tried to the minimize the number of ragas so that the student is not put to very much technicalities of the raga rendering and its intricacies.

To a great extent I have been guided by the requirements of the music students of the colleges though this has not restrained me from keeping the paramount interest of the learners and listeners of karnatic music. Though these lessons are complete in its own way it will be helpful for the student to make use of a teacher in learning the fundamentals of the raga tala etc. this will instill in him a confidence in learning karnatic.

I have planned further graded lessons for the continuous learners of karnatic music in this series. The third second series will comprise of keertans and the fourth in the series will have advanced compositions for the practicing vocalist like Tillana Javeli padas Divynamakirtans Ragamalikas etc.

I use this opportunity to thank the students and teachers and lovers of music who have extended wholehearted support for my book. Without this continuous encouragement I would not have continued to write. When all is said it is not urban theoretician had the simple unsophisticated rustic village teacher who sustains the art form and saves it from extinction.

I am thankful to Sri M. Easwaran editor for his continued support in the editing of the manuscript and Smt. M. Ginja proprietor CBH publication for undertaking the publication of this series.

Lastly I place these series before the learners and lovers of music and ask for their critical comments about this venture and expect their wholehearted support in making this series success.

Contents

Introduction 1-12
1Maha Ganapathim Natta EkkaMuthuswamy dishitar 13
2Vinayaka Ninu Hamasadhvani Adi Vina Kuppayyar14
3Gopalam Seveham Bilahari RupakaSwati Tirunal16
4Sobhilu JaganmohiniRupaka Tyagaraja18
5Devadevakalayamithe MayamalavagaulaRupaka Swami tirunal20
6Gajananeyutam ChakravokoinAdiMuthuswamy Dikshitar23
7Sree SaraswathiArabhiRupukaMuthuswamy Dikshitar25
8Nee BhakthbhagysutaJayamanohariRupaka Tyagaraja26
9KalaharanaSudhasaveriRupaka Tyagaraja28
10Sri MadhurapuriBilahariRupaka Muthuswamy Diskshitar30
11Saarasaksha ParipalayaPantuvaraliAdiSwami Tirunal32
12MamavathusriHindolamAdiVasudevachar34
13Yelara KrishnakambhojiRupukaTyagaraja37
14Sitamman MayammaVasanthaRupukaTyagaraja39
15PaaripalayaPantuvaraliAdiSwati Tirunal41
16Parvathi KumarimNattakurinjiRupukaMuthuswamy Diskshitar 43
17KamalasaniKalyaniRupukaG N Balasubramonian45
18SarasijanabhaTodiM ChapuSwami Tirunal46
19Himadrisuthe Kalyani RupukaSyama Sastri50
21SangitajnanamuDhanyasiAdiTyagaraja54
22IntakanannadamBilahariRupukaTyagaraja56
23Telisi RamaPoornachandrikaAdiTyagaraja58
24YenthanerchinaSuddha DhanyasiAdiTyagaraja60
25ParipalimsumaniSudha SaveriK. ChapuSyama Sastri63
26MaravakaveSaamaRupukaPatnam Subramanion Iyer65
27VinayakuniMadhyamavatiAdiTyagaraja67
28SaadarmavaSaraswathiAdiSwati tirunal70
29NimeneraPantuvaraliRupukaTyagaraja72
30Vatapi GanapathimHamsadhwaniAdiMuthuswami Dikshitar74
31YemayyaramaKambhojiK. ChapuBhadrachala Ramdas78
32Mahadeva SivasambhoRevathiAdiTanjore Sankaraiyer80
33Sundari nanBegadaAdiTanjore Sankaraiyer82
34NadaloludaiKalyanasanthamRupukaTyagaraja84
35MamavasadaNattakurinjiRupukaSwati Tirunal86
36Rama ramanaSankarabharanamAdiTyagaraja88
37AnandamrithakarsiniAmritavarshiniAdiMuthuswami Dikshitar90
38Deva DevaPurvikalyaniAdiSwati Tirunal91
39VisalakshimPantuvaraliM.ChapuMuthuswami Dikshitar94
40Sri RanganadhayaDhanyasiRupukaMuthuswami Dikshitar96
Post a Comment
 
Post Review
Post a Query
For privacy concerns, please view our Privacy Policy
Based on your browsing history
Loading... Please wait

Items Related to Karnatic Music Reader (Kritis of Various Composers With Notation)... (Performing Arts | Books)

Karnatic Music Reader
by Dr. S. Bhagyalekshmy
Paperback (Edition: 2004)
CBH Publications
Item Code: IHL073
$20.00
Add to Cart
Buy Now
Music and Musical Thought in Early India
Item Code: IMD23
$39.50
Add to Cart
Buy Now
Testimonials
Thank you for existing and sharing India's wonderful heritage and legacy to the world.
Angela, UK
Dear sir/sirs, Thanks a million for the two books I ordered on your website. I have got both of them and they are very much helpful for my paper writing.
Sprinna, China
Exotic India has excellent and speedy service.
M Sherman, USA
Your selection of books is impressive and unique in USA. Thank you.
Jaganath, USA
Exotic India has the best selection of Hindu/Buddhist Gods and Goddesses in sculptures and books of anywhere I know.
Michael, USA
Namaste, I received my package today. My compliments for your prompt delivery. The skirts I ordered are absolutely beautiful! Excellent tailoring and the fit is great. I will be ordering from you again. Best Regards.
Eileen
I’ve received the package 2 days ago. The painting is as beautiful as I whished! I’m very interesting in history, art and culture of India and I’m studing his civilization; so I’ve visited Rajasthan, Gujarat, Tamil Nadu and Kerala in theese years. I’m a draftwoman , so I like collect works of extraordinary arts and crafts of villages, that must be protected and helped. In a short time I’ll buy some others folk painting, as Madhubani , Kalamkari and – if it’s possible – Phad. In the meanwhile, I’m very happy to have in my home a work of your great artist. Namaste, Namaskara.
Laura, Italy.
I must compliment you on timely delivery for this order. I was very impressed. Consequently, I have just placed another large order of beads and look forward to receiving these on time as well.
Charis, India
Bonjour, je viens de recevoir ma statue tête de Bouddha en cuivre. elle est magnifique et correspond exactement à la photo. Emballage très épais et protecteur, arrivé intact. Délai de livraison de 8 jours, parfait. Votre service commercial est très réactif et courtois. Je suis donc très satisfait et je tiens à le dire. Merci.
Yves, France
I was thrilled with the Tribal Treasure Box. Your customer service is outstanding. Shopping with you is like being back in India.
Yvonne, USA
TRUSTe
Language:
Currency:
All rights reserved. Copyright 2018 © Exotic India