Contents
|
Talks |
|
|
favouring modernity |
11 |
|
a matter of choice |
21 |
|
facts are but fiction |
29 |
|
practical dreams’ |
37 |
|
creativity and commerce |
47 |
|
point counterpoint |
53 |
|
the future of languages |
57 |
|
teaching plurality |
65 |
|
the idea of plurality |
73 |
|
the absurdity of reality |
81 |
|
a storyteller’s canvas |
87 |
|
memory and myth |
95 |
|
frame by frame |
101 |
|
the power of story |
107 |
|
Essays |
|
|
the way of breath |
119 |
|
rancour |
133 |
|
the translatability of culture |
145 |
|
indian muslims and modernity |
157 |
|
fables of home |
163 |
|
the art of narration and the art of listening |
179 |
|
picture showmen of Gujarat |
185 |
|
|
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|
Contents
|
Talks |
|
|
favouring modernity |
11 |
|
a matter of choice |
21 |
|
facts are but fiction |
29 |
|
practical dreams’ |
37 |
|
creativity and commerce |
47 |
|
point counterpoint |
53 |
|
the future of languages |
57 |
|
teaching plurality |
65 |
|
the idea of plurality |
73 |
|
the absurdity of reality |
81 |
|
a storyteller’s canvas |
87 |
|
memory and myth |
95 |
|
frame by frame |
101 |
|
the power of story |
107 |
|
Essays |
|
|
the way of breath |
119 |
|
rancour |
133 |
|
the translatability of culture |
145 |
|
indian muslims and modernity |
157 |
|
fables of home |
163 |
|
the art of narration and the art of listening |
179 |
|
picture showmen of Gujarat |
185 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |