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Books > Hindu > Gods > Krishna > The Wrath of an Emperor (Krishnavatara Vol.II)
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The Wrath of an Emperor (Krishnavatara Vol.II)
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Back Of The Book

Kanaiyalal Maneklal Munshi's versatility and achievements were in a way unique. He was an eminent lawyer, one of the framers of India's Constitution and a seasoned statesman. Coming under the inspiring influence of Sri Aurobindo during his student days, Munshi had been an ardent fighter for India's freedom, working at different stages in close association with Jinnah, Tilak, Besant, Mahatma Gandhi, Sardar Patel and Pandit Nehru. His achievements as Home Minister of Bombay in 1937, as India's food Minister and as Governor of Uttar Pradesh had been characterized by rare courage and decisive energy.

Acknowledged as the foremost writer in modern Gujarati literature, he has to his credit a vast and varied literature including novels, dramas, memoirs and history in Gujarati, as also several historical and other works in English, notably Gujarat and Its Literature, Imperial Gurjaras, Creative Art of Life, To Badrinath, The End of an Era, Krishnavatara, Bhagavad Gita and Modern Life, Saga of Indian Sculpture, Bhagawan Parashurama, Tapasvini, Prithvi Vallabh and The Master of Gujarat.

Preface

The Bharatiya Vidya Bhavan-that Institute of Indian Culture in Bombay-needed a Book University, a series of books which, if read, would serve the purpose of providing higher education. Particular emphasis, however, was to be put on such literature as revealed the deeper impulsions of India. As a first step, it was decided to bring out in English 100 books, 50 of which were to be taken in hand almost at once.

It is our intention to publish the books we select, not only in English, but also in the following Indian languages: Hindi, Bengali, Gujarati, Marathi, Tamil, Telugu, Kannada and Malayalam.

This scheme, involving the publication of 900 volumes, requires ample funds and an all Indian organization. The Bhavan is exerting its utmost to supply them.

The objectives for which the Bhavan stands are the reintegration of Indian culture in the light of modern knowledge and to suit our present day needs and the resuscitation of its fundamental values in their pristine vigour.

Let me make our goal more explicit:

We seek the dignity of man, which necessarily implies the creation of social condition which would allow him freedom to evolve along the lines of his own temperament and capacities; we seek the harmony of individual efforts and social relations, not in any make-shift way, but within the frame-work of the Moral Order; we seek the creative art of life, by the alchemy of which human limitations are progressively transmuted, so that man become the instrument of God, and is able to see Him in all and all in Him.

The world, we feel, is too much with us. Nothing would uplift or inspire us so much as the beauty and aspiration which such books can teach.

In this series, therefore, the literature of India, ancient and modern, will be published in a form easily accessible to all. Books in other literatures of the world, if they illustrate the principles we stand for, will also be included.

This common pool of literature, it is hoped, will enable the reader, eastern or western, to understand and appreciate currents of world thought, as also the movements of the mind in India, which, though they flow through different linguistic channels, have a common urge and aspiration.

Fittingly, the Book University's first venture is the Mahabharat, summarised by one of the greatest living Indians, C. Rajagopalachari; the second work is on a section of it, the Gita, by H. V. Divatia, an eminent jurist and a student of philosophy. Centuries ago, it was proclaimed of the Mahabharata. "What is not in it , is nowhere." After twenty-five centuries, we can use the same words about it. He who knows it not, knows not the heights and depths of the soul; he misses the trials and tragedy and the beauty and grandeur of life.

The Mahabharata is not a mere epic; it is a romance, telling the tale of heroic men and women and of some who were divine; it is a whole literature itself, containing a code of life, a philosophy of social and ethical relations, and speculative thought on human problems that is hard to rival; but above all, it has for its core the Gita, which is, as the world is beginning to find out, the noblest of scriptures and the grandest of sagas in which the climax is reached in the wondrous apocalypse in the Eleventh Canto.

Through such books alone the harmonies under lying true culture, I am convinced, will one day reconcile the disorders of modern life.

I thank all those who have helped to make this new branch of the Bhavan's activity successful.

Introduction

Who has not heard of Sri Krishna who delivered the .message of the Bhagavad Gita and whom the Bhagavata calls God Himself'’ ?

From the earliest days that my memories can go back to, Sri Krishna has been, in a sense, dominating my imagina- tion. In my childhood, I heard his adventures with breath- less amazement. Since then I have read of him, sung of him, admired him, worshipped him in a hundred temples and every year on his birthday at home. And day after day, for years and years, his message has been the strength of my life.

Unfortunately, his fascinating personality, which could be glimpsed in what may be called the original Mahabharata, .has been overlaid with legends, myths, miracles and adora- tions for about three thousand years.

Wise and valorous, he was, loving and loved, far-seeing .and yet living for the moment, gifted with sage-like detach- .ment and yet intensely human; the diplomat, the sage and •the man of action with a personality as luminous as that of 'a divinity.

The urge, therefore, came upon me, time and again, to -embark upon a reconstruction of his life and adventures by 'weaving a romance around him.

It was an impossible venture, but. like hundreds of authors in all parts of India for centuries, I could not help -offering him whatever little of imagination and creative power I possessed, feeble though they were.

I have called the whole work Krishnavatara, The Descent of the Lord. The First Part, which ends with the death of kamsa, has been named “ The Magic Flute ", for it deals with his boyhood associated with the flute, which hypnotised men, animals and birds alike, sung with such loving tender- ness by innumerable poets.

I have named this, the Second Part, which ends with Rukmini Haran, as “ The Wrath of an Emperor ", as the central theme is the successful defiance by Sri Krishna of Jarasandha, the Emperor of Magadha.

The Third Part, which is now being serially published in the" Bhavan's Journal ", is entitled “ The Five Brothers" which, I hope, will end with Draupadi's swayamvara.

In portraying Sri Krishna's life and adventures, I bad; like many predecessors, to create episodes in order to bring out his character, attitudes and outlook in the perspective which has appeared natural to me. I have also had to give• flesh and blood to the various shadowy characters referred to in the Mahabharata. I have, therefore, had to take un- forgivable liberties with the accepted images which, I trust; the devout would forgive.

C O N T E N T S
Chapter   page
  Introduction ix
  Prologue xiii
1. A Crown Rejected 1
2. Guru Sandipani 7
3. In the vortex 12
4. The Five Brothers 18
5. As a Brahmachari 24
6. The Wandering School of Sandipani 29
7. The Punyajan Ship 34
8. Securing the Panchajanya coach 41/td>
9. The City of Light 49
10. A Nagakanya Belongs to Her Mother 56
11. 'Asika, Come Back' 62
12. The Flight 70
13. On the way 76
14. Bhargava Rama of the Battle Axe 82
15. Brihadbala Plays the Diplomat 88
16. 'Stand up, Garuda' 98
17. Gomantaka Hill 106
18. Balaram's Plough 115
19. Uddhava in 'Hell' 122
20. Shvetaketu's Fall 131
21. Krishna at the Gate 140
22. Shaibya's Wrath 146
23. Jarasandha's New Straategy 152
24. Rukmini on the War-path 158
25. A Warrior Princess 164
26. Bakarana Embanks on an Adventure 168
27. Uddhava's Trials 173
28. Balarama on the High Seas 182
29. Bakarama Wins a Bride 186
30. "He is Coming" 192
31. The Triumphant March 201
32. The Honour of the Yadavas 210
33. Brihadbala's difficulties 217
34. Shaibya Spurns Shvetaketu 225
35. Shaibya's Revenge 233
36. Conquest of Hate 239
37. Women conspire 247
38. Rukmini on 'The Bater of Cows' 253
39. Shvetaketu's Pledge 258
40. Arrival in Kundinapura 265
41. How Rukmini Wooed Krishna 270
42. Now What ? 279
43. The Yadavas Lose Faith 286
44. The Fateful Decision 292
45. The Exodus 301
46. The Caves of Muchukunda 306
47. Rukmini's Grim Resolve 316
48. He Came and Gave Her Life 322
  Epilogue 327
  Notes 337
  Appendices 341
  Glossary 345
Sample Pages



The Wrath of an Emperor (Krishnavatara Vol.II)

Item Code:
IDI872
Cover:
Paperback
Edition:
2009
ISBN:
8172763778
Size:
7.0" X 4.6"
Pages:
348
Other Details:
Weight of the Book: 360 gms
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$16.00   Shipping Free
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Back Of The Book

Kanaiyalal Maneklal Munshi's versatility and achievements were in a way unique. He was an eminent lawyer, one of the framers of India's Constitution and a seasoned statesman. Coming under the inspiring influence of Sri Aurobindo during his student days, Munshi had been an ardent fighter for India's freedom, working at different stages in close association with Jinnah, Tilak, Besant, Mahatma Gandhi, Sardar Patel and Pandit Nehru. His achievements as Home Minister of Bombay in 1937, as India's food Minister and as Governor of Uttar Pradesh had been characterized by rare courage and decisive energy.

Acknowledged as the foremost writer in modern Gujarati literature, he has to his credit a vast and varied literature including novels, dramas, memoirs and history in Gujarati, as also several historical and other works in English, notably Gujarat and Its Literature, Imperial Gurjaras, Creative Art of Life, To Badrinath, The End of an Era, Krishnavatara, Bhagavad Gita and Modern Life, Saga of Indian Sculpture, Bhagawan Parashurama, Tapasvini, Prithvi Vallabh and The Master of Gujarat.

Preface

The Bharatiya Vidya Bhavan-that Institute of Indian Culture in Bombay-needed a Book University, a series of books which, if read, would serve the purpose of providing higher education. Particular emphasis, however, was to be put on such literature as revealed the deeper impulsions of India. As a first step, it was decided to bring out in English 100 books, 50 of which were to be taken in hand almost at once.

It is our intention to publish the books we select, not only in English, but also in the following Indian languages: Hindi, Bengali, Gujarati, Marathi, Tamil, Telugu, Kannada and Malayalam.

This scheme, involving the publication of 900 volumes, requires ample funds and an all Indian organization. The Bhavan is exerting its utmost to supply them.

The objectives for which the Bhavan stands are the reintegration of Indian culture in the light of modern knowledge and to suit our present day needs and the resuscitation of its fundamental values in their pristine vigour.

Let me make our goal more explicit:

We seek the dignity of man, which necessarily implies the creation of social condition which would allow him freedom to evolve along the lines of his own temperament and capacities; we seek the harmony of individual efforts and social relations, not in any make-shift way, but within the frame-work of the Moral Order; we seek the creative art of life, by the alchemy of which human limitations are progressively transmuted, so that man become the instrument of God, and is able to see Him in all and all in Him.

The world, we feel, is too much with us. Nothing would uplift or inspire us so much as the beauty and aspiration which such books can teach.

In this series, therefore, the literature of India, ancient and modern, will be published in a form easily accessible to all. Books in other literatures of the world, if they illustrate the principles we stand for, will also be included.

This common pool of literature, it is hoped, will enable the reader, eastern or western, to understand and appreciate currents of world thought, as also the movements of the mind in India, which, though they flow through different linguistic channels, have a common urge and aspiration.

Fittingly, the Book University's first venture is the Mahabharat, summarised by one of the greatest living Indians, C. Rajagopalachari; the second work is on a section of it, the Gita, by H. V. Divatia, an eminent jurist and a student of philosophy. Centuries ago, it was proclaimed of the Mahabharata. "What is not in it , is nowhere." After twenty-five centuries, we can use the same words about it. He who knows it not, knows not the heights and depths of the soul; he misses the trials and tragedy and the beauty and grandeur of life.

The Mahabharata is not a mere epic; it is a romance, telling the tale of heroic men and women and of some who were divine; it is a whole literature itself, containing a code of life, a philosophy of social and ethical relations, and speculative thought on human problems that is hard to rival; but above all, it has for its core the Gita, which is, as the world is beginning to find out, the noblest of scriptures and the grandest of sagas in which the climax is reached in the wondrous apocalypse in the Eleventh Canto.

Through such books alone the harmonies under lying true culture, I am convinced, will one day reconcile the disorders of modern life.

I thank all those who have helped to make this new branch of the Bhavan's activity successful.

Introduction

Who has not heard of Sri Krishna who delivered the .message of the Bhagavad Gita and whom the Bhagavata calls God Himself'’ ?

From the earliest days that my memories can go back to, Sri Krishna has been, in a sense, dominating my imagina- tion. In my childhood, I heard his adventures with breath- less amazement. Since then I have read of him, sung of him, admired him, worshipped him in a hundred temples and every year on his birthday at home. And day after day, for years and years, his message has been the strength of my life.

Unfortunately, his fascinating personality, which could be glimpsed in what may be called the original Mahabharata, .has been overlaid with legends, myths, miracles and adora- tions for about three thousand years.

Wise and valorous, he was, loving and loved, far-seeing .and yet living for the moment, gifted with sage-like detach- .ment and yet intensely human; the diplomat, the sage and •the man of action with a personality as luminous as that of 'a divinity.

The urge, therefore, came upon me, time and again, to -embark upon a reconstruction of his life and adventures by 'weaving a romance around him.

It was an impossible venture, but. like hundreds of authors in all parts of India for centuries, I could not help -offering him whatever little of imagination and creative power I possessed, feeble though they were.

I have called the whole work Krishnavatara, The Descent of the Lord. The First Part, which ends with the death of kamsa, has been named “ The Magic Flute ", for it deals with his boyhood associated with the flute, which hypnotised men, animals and birds alike, sung with such loving tender- ness by innumerable poets.

I have named this, the Second Part, which ends with Rukmini Haran, as “ The Wrath of an Emperor ", as the central theme is the successful defiance by Sri Krishna of Jarasandha, the Emperor of Magadha.

The Third Part, which is now being serially published in the" Bhavan's Journal ", is entitled “ The Five Brothers" which, I hope, will end with Draupadi's swayamvara.

In portraying Sri Krishna's life and adventures, I bad; like many predecessors, to create episodes in order to bring out his character, attitudes and outlook in the perspective which has appeared natural to me. I have also had to give• flesh and blood to the various shadowy characters referred to in the Mahabharata. I have, therefore, had to take un- forgivable liberties with the accepted images which, I trust; the devout would forgive.

C O N T E N T S
Chapter   page
  Introduction ix
  Prologue xiii
1. A Crown Rejected 1
2. Guru Sandipani 7
3. In the vortex 12
4. The Five Brothers 18
5. As a Brahmachari 24
6. The Wandering School of Sandipani 29
7. The Punyajan Ship 34
8. Securing the Panchajanya coach 41/td>
9. The City of Light 49
10. A Nagakanya Belongs to Her Mother 56
11. 'Asika, Come Back' 62
12. The Flight 70
13. On the way 76
14. Bhargava Rama of the Battle Axe 82
15. Brihadbala Plays the Diplomat 88
16. 'Stand up, Garuda' 98
17. Gomantaka Hill 106
18. Balaram's Plough 115
19. Uddhava in 'Hell' 122
20. Shvetaketu's Fall 131
21. Krishna at the Gate 140
22. Shaibya's Wrath 146
23. Jarasandha's New Straategy 152
24. Rukmini on the War-path 158
25. A Warrior Princess 164
26. Bakarana Embanks on an Adventure 168
27. Uddhava's Trials 173
28. Balarama on the High Seas 182
29. Bakarama Wins a Bride 186
30. "He is Coming" 192
31. The Triumphant March 201
32. The Honour of the Yadavas 210
33. Brihadbala's difficulties 217
34. Shaibya Spurns Shvetaketu 225
35. Shaibya's Revenge 233
36. Conquest of Hate 239
37. Women conspire 247
38. Rukmini on 'The Bater of Cows' 253
39. Shvetaketu's Pledge 258
40. Arrival in Kundinapura 265
41. How Rukmini Wooed Krishna 270
42. Now What ? 279
43. The Yadavas Lose Faith 286
44. The Fateful Decision 292
45. The Exodus 301
46. The Caves of Muchukunda 306
47. Rukmini's Grim Resolve 316
48. He Came and Gave Her Life 322
  Epilogue 327
  Notes 337
  Appendices 341
  Glossary 345
Sample Pages



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