It contains the names of sixty - four Arts, Music as a remedial agent to cure diseases, A chart giving the variety of svaras taken and the application of Katapayadi formula for all the 72 melakartas, Classification of Janya ragas in detail, A table illustrating all the varieties of vakra ragas, Ragalaksanas illustrating graha svaras (the starting note) and nyasa svaras (ending note) through phrases pertaining to the ragas, and sancaras for the ragas, Characteristic features of the musical forms belonging to technical group and melodic group, Symbols used to represent a song in notation, biographies and contribution of eminent vaggeyakaras,
Dr. M. B. Vedavalli took her M.A. degree in Music, from Madras University in the year 1962. She was awarded Doctoral degree for her thesis on "Mysore as a seat of Music" in the year 1983 and D. Litt. degree in the year 2004.
She has handled both Theory of Music and Practical classes for both undergraduate and post - graduate courses for about 33 years in various institutions imparting Music education.
She was a Lecturer in Stella Maris College, Madras, for seven years, Head of the Department of Music in Seethalakshmi Ramaswami College, Trichy, for six years and in the Music Department of Madras University, for 20 years and retired as Professor and Head in the year 1995.
Her training under pallavi exponents and her vast experience as Lecturer in colleges and university has enabled her to write an elaborate work dealing with the evolution, structure and procedure followed in singing Ragam, Tanam and Pallai for which she was awarded D. Litt. degree.
She has authored several books on music and has presented research papers and Lecture - demonstrations in many seminars organized by the universities and sabhas.
This book titled 'Sangita Sastra Sangraha' deals with all the fundamental aspects of theory of Karnatic music viz. Sruti, Svara, Raga, Tala Musical forms, Notation, Ragalaksana and a few biographies of composers. Almost all the aspects dealt with in this book have been illustrated with tables and practical aspects with notation, to enable the students as well as readers to understand them easily.
Moreover, the book covers the Theory portion of the syllabus prescribed for the Lower Grade Examination in Indian Music conducted by the Government of Tamil Nadu. The relevant syllabus and a sample question paper has been printed for reference. It has also included almost all the topics prescribed for Theory of Music for the First Year of the Higher Secondary Education for Indian Music under Group (B) of Part III (optionals) for Vocational Education by the Government of Tamil Nadu and the topics prescribed by the Government of Karnataka for Junior Grade Examination in Music for the theory of Music.
I hope this book will satisfy the requirements of Music teachers, students of Music, aspirants of Music and Music lovers.
I take this opportunity to thank Dr.N.Ramanathan, Professor and Head, Department of Indian Music, University of Madras (Retd.), for his valuable suggestions and also for providing valuable books of the Library of the Department of Indian Music for consultation.
I am thankful to Mrs. R.S. Jayalakshmi, Lecturer, Department of Music, University of Madras (Retd.), for her useful suggestions and other help rendered.
I express my sincere thanks to U.Ve. T.E. Ranganathachariar, Sanskrit Scholar, for the help rendered to me in the translation of Sanskrit works.
My thanks are due to my brother, Mr. M.B. Sriman Narayan, M.A., for providing materials for the preparation of the book.
My profuse thanks are due to my husband, Mr.G.R.Srinviasan, and my brothers, Mr. M. B. Ramaswamy, Mr. M. B. Sampathkumar for the help rendered by them at different stages in the preparation of the book. I express my SIncere gratitude to my Sister - in - law, Mr.Lalitha Sampathkumar, for the efforts taken by her for type - setting this book with all diacritic marks and special symbols pertaining to music within a short time and for the neat execution of the job.
|Music as a Fine Art - Music as the Finest of the Fine Arts||1|
|Greatness of Music||3|
|Power of Music||6|
|Music as a remedial agent to cure diseases||6|
|Cultural Value of Music||7|
|Intellectual Value of Music||7|
|The Place of Music in Life||8|
|Names of the 64 arts||9|
|Nada - Causation of Nada - Classification of Nada||11|
|Sruti - Sruti as the fundamental pitch||15|
|Svara - Svarasthana||17|
|Vadi, Sarnvadi, Vivadi, Anuvadi||20|
|Raga - Classification of Ragas||23|
|Janaka Ragas - The Scheme of the 72 Melakartas||25|
|Vivadi and Non-vivadi Melas||39|
|Nisadantya, Dhaivatantya and Pancamantya Ragas||51|
|The Scheme of the 35 talas||55|
|Art Musical Forms||59|
|Technical Forms - Sarali varisas, Janta varisas, Datu varisas||61|
|Heccusthayi varisas, Taggusthayi varisas, Alankaras|
|Gitas - Samanya gitas - Laksana gitas||64|
|Varna - Tana varna and Pada varna||72|
|Melodic Forms - Kirtana||81|
|Krti - Angas of a Krti||82|
|Notation used in Indian Music||100|
|Notation and its uses||100|
|Signs and Symbols pertaining to the melodic aspect of||101|
|Signs and Symbols used to represent tala in notation||108|
|Biography - Purandara Dasa||143|
|Syllabus of the Lower grade Examination||185|
|Question Paper (Model)||187|
The book deals with almost all the topics which are very essential for the students of music at various levels. Biography and contribution of 14 eminent composers inclusive of three lakshanakaras viz., Ramamatya, somanatha and Venkatamakhi have been presented. The other topics dealt with are classification Musical forms, their special features, Mudras used in them, Musical Prosody, Musical Appreciation, Classification of Musical Instruments, their structure, Seats of Music, Talas and their angas, Physics of music, Gamakas, Ancient Tamil Music and their special features and lakshanas of 25 ragas. Regarding raga lakshanas, besides Graha, Amsa and Nyasa svaras occurring in the compositions their usage in the various forms of Manoodharma Sangita have been added.
The book titled Sangita Sastra Sangraha covering the syllabus prescribed for Lower Grade Examination conducted by the Government of Tamil Nadu was published in 2001 and the second edition was brought out in 2006. In continuation of the above book the second book titled Theory of Music covering the syllabus of Higher Grade Examination in Music is being released.
In this book besides topics on Musical Prosody, Mudras used in musical compositions, Musical Appreciation, Prominent seats of Music, Manodharma Sangita, Physics of Music, Musical Instruments, their classification and construction, Talas, their angas and varieties, Ancient Tamil Music and their special features, Biography and contribution of 14 composers inclusive of three great Lakshanakaras viz., Ramamatya, Somanatha, Venkatamakhi and Raga lakshanas of 25 ragas have been presented. Regarding raga lakshanas, besides Graha, Amsa and Nyasa svaras used in compositions, their usage in manodharma sangita have been added to enable the students to have deeper knowledge about the raga. The relevant syllabus and a model question paper has been printed for reference.
Many of the topics dealt with in this book are included in the syllabus of B.A. degree course conducted by the Madras University and other universities and also for diploma courses conducted in various institutions.
I hope that this book will satisfy the requirements of music teachers and aspirants of music.
I take this opportunity to thank Dr. N. Ramanathan, Retd. Professor & Head, Department of Indian. Music University of Madras and Dr. R. S. Jayalakshmi, Lecturer, (Retd.) Department of Indian Music, University of Madras for their useful suggestions in the preparation of this book.
I express my sincere thanks to Dr.G.R. Padmanabhan, Professor of Physics, R.E.C. Trichy, (Retd.) for the help rendered.
My thanks are due to my brother Mr. Sriman Narayan, for providing useful materials for the preparation of the book.
My profuse thanks are due to my husband Dr. G.R. Srinivasan and my brother M.B. Ramaswamy for the help rendered by them at different stages in the preparation of the book.
I express my sincere gratitude to my Sister-in-law, Mrs. Lalitha Sampathkumar, for the efforts taken by her for type setting this book with all diacritic marks and special symbols pertaining to music and for the neat execution of the job.
|CHAPTER I||Principles of s r g m notation||1|
|CHAPTER II||Musical Prosody, Prasa, Yati, Antya Prasa||5|
|CHAPTER III||Musical Appreciation.||15|
|CHAPTER IV||Gayaka qunas and d6shas.||20|
|CHAPTER V||Mudras figuring in Musical Compositions.||22|
|CHAPTER VI||Biography and contribution of the|
|8||Paidala GurumOrthy Sastri||59|
|12||Mysore Sadasiva Rao||67|
|13||Patnarn Subrahmanya Iyer||69|
|CHAPTER VII||Seats of Music|
|CHAPTER VIII||Classification of Musical Instruments||84|
|CHAPTER IX||Structure of the Musical Instruments|
|CHAPTER XI||Musical Sound and Noise||103|
|CHAPTER XII||Musical Intervals - Vadi, sarnvadt,||108|
|CHAPTER XIII||Graha bhedarn||110|
|CHAPTER XIV||A) Gramophone||113|
|CHAPTER XV||A) Open Air Theatre||119|
|B) Acoustics of Concert Halls||119|
|Theory of Music Paper II|
|CHAPTER XVI||Raga takshanas|
|CHAPTER XVII||Manodharma Sangita and its Forms||181|
|CHAPTER XVIII||Shadangas and Shodasangas||190|
|CHAPTER XIX||A) Chapu tala and its varieties||193|
|B) Desadi and Madhyadi talas||193|
|CHAPTER XX||Taladasa pranas||195|
|CHAPTER XXI||A) Musical Forms and their classification||198|
|B) Lakshana of the following forms:|
|CHAPTER XXII||Forms figuring in Geyanatakas||208|
|CHAPTER XXIII||Dasavidha gamakas||211|
|CHAPTER XXIV||Folk Music and its characteristics||214|
|CHAPTER XXV||Ancient Tamil Music||216|
|CHAPTER XXVI||Yazh and its construction||221|
|Syllabus of the Higher grade Examination|
|Question Paper (Model)|
Item Code: NAL767 Author: Dr. M. B. Vedavalli Cover: Paperback Edition: 2011 Publisher: The Karnatic Music Book Centre, Chennai Language: English Size: 8.5 inch x 5.5 inch Pages: 446 Other Details: Weight of the Book: 480 gms