Tales of Krishna provide the lyrical mood and background for many of Madhubani paintings. The pictorial scheme here is interesting. The seat of the family deity being the house, the entire scene is placed inside a frame in the shape of a house. As always, Krishna here is represented with a flute, enchanting and enticing.
Like most Madhubani paintings, the body is frontal but the face is shown in profile. His dark tresses are knotted on the top of his head which is also adorned with a crown. Not only the birds but even the flowers seem to come alive, expressing the effect of the music his flute is playing. The parrot atop the flute is the mount and hence the symbol of Kama, the god of the erotic. This points to the phallic connotations of Krishna's flute. The peacocks on the upper edge of the painting are no less significant. The peacock is not only the mount of Lord Krishna, but a symbol of eternity.
Subject matter for Madhubani paintings are generally drawn from folklore, mythology, religion or social rituals, most of which are allegorical. But here the mode of expression is imagist- with Krishna standing in all his glory and eminence.
This description by Renu Rana.
References:
Thakur, Upendra. Madhubani Painting. New Delhi: Abhinav Publications.
Jain, Jyotindra. Ganga Devi: Tradition and Expression in Mithila Painting. Ahmedabad: Mapin Publishing Pvt. Ltd.
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