In his left hand he holds a begging bowl.
He sits in a calm and lordly grandeur. His full but gracefully delineated golden body is garbed in robes of red, with golden motifs all over, and bordered with silver.
Buddha is represented with extended earlobes, empty of adornment, but which were once stretched out of shape by the weight of the costly jewelry he wore before renouncing his princely status.
In Mahayana Buddhist art, the Buddha is typically represented as a young, ideally proportioned man dressed in simple monk's robes. But he is distinguished from ordinary humans by thirty-two sacred identifying features, or Lakshana. Among the most frequently observed are: the Ushnisha, a cranial bump on the head of the Buddha symbolizing wisdom; the Urna, an auspicious tuft of hair between the eyebrows of the Buddha which looks very much like a third eye on his forehead, and which represents his power to illuminate the world.
The central figure of the Buddha dominates the composition. To his lower left and right can be seen his two great disciples, Shariputra and Maudgalyayana, who are famous for their intellectual and mystical powers, respectively.
This description by Nitin Kumar, Executive Editor, Exotic India.
References:
Beer, Robert. The Encyclopedia of Tibetan Symbols and Motifs. Boston: Shambhala Publications, 1999.
Chakraverty, Anjan. Sacred Buddhist Painting. New Delhi: Roli Books, 1998
Fisher, Robert E. Art of Tibet. London: Thames and Hudson, 1997.
Getty, Alice. The Gods of Northern Buddhism. New Delhi: Munshiram Manoharlal, 1978.
Lipton, Barbara, and Ragnubs, Nima Dorjee. Treasures of Tibetan Art: Collection of the Jacques Marchais Museum of Tibetan Art. New York: Oxford University Press, 1996.
Pal, Pratapaditya. Art of Tibet. Los Angeles: The Los Angeles County Museum of Art, 1990.
Rhie, Marylin M. & Thurman, Robert A.F. Wisdom and Compassion: The Sacred Art of Tibet. London: Thames and Hudson, 1996.
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