Communicating Not Only Through Aesthetics, But Also Material

$480
Item Code: RZ17
Specifications:
Kadamba Wood Sculpture from Jaipur
Height: 15 inch
Width: 7.5 inch
Depth: 3.6 inch
Weight: 1.51 kg
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
Shipped to 153 countries
Shipped to 153 countries
More than 1M+ customers worldwide
More than 1M+ customers worldwide
Radha, also called Radhika, Radharani and Radhikarani, is inseparable from Krishna. She is almost always depicted alongside Krishna and features prominently within the theology of today's Gaudiya Vaishnava sect, which regards Radha as the original Goddess or Shakti. Indeed, Radha Ji is the principal object of worship in nearly all the Vaishnava sects. In fact, Shri Nimbarkacharya, founder of the Vaishnav Nimbarka Sampradaya, declared that Radha and Krishna together constitute the absolute truth. Nimbarkacharya was the first Vaishnava acharya to disseminate teachings about Radha. Radha's relation with Krishna are detailed in scriptures such as the Brahma Vaivarta Purana, Garga Samhita and Brihad Gautamiya Tantra.

Devout followers prefix Radha's name with the respectful term 'Shrimati', thus calling her Shrimati Radharani. Here we see Shrimati Radharani clinging close to Krishna, with her right hand placed on his corresponding shoulder (visible at the back of the sculpture). Radharani is dressed like a typical village gopi (milk-maid), balancing a decorated milk pot on her head, supported by her left hand. But obviously there are some differences. The pot is not placed directly on her head, rather it has a flattened lotus for a base.

As for Krishna, what can be said about him. He is the beauty of all that is beautiful in this world. With his left leg crossed before the right, he charms Radha the innocent gopi with his flute. The Lord wears a long garland of flowers and a crown topped with a peacock feather, both befitting a cowherd of Vrindavan. Krishna wears a long dhoti, and the sash of his upper garment can be seen falling down his left shoulder.

The divine pair is standing on a lotus base shaped like a boat. Its petals can be seen blooming out in celebration of their mutual affection. The pedestal supporting this lotus is itself carved with beautiful flowing creepers. In fact, the carver has dexterously carved out each and every portion of the composition, whether it be the folds of Krishna's dhoti, or the ornamentation of Radha Ji's garments, making the sculpture a dense intermingling of flowing, vibrant forms, throbbing with the intensity of romance.

The material used for the sculpture is itself not without significance. The Kadamba tree is mentioned in the Bhagavata Purana. In Northern India, it is associated with Krishna, while in the south it is known as " Goddess Parvati’s tree". Radha and Krishna are supposed to have conducted their love play in the hospitable and sweet-scented shade of the Kadamba tree. Thus this sculpture, created in the city of Jaipur, communicates the divine love of Radha and Krishna not only through its aesthetics, but also its material.


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Sculpting Serenity: Unveiling the Art of Crafting Wood Statues

Wood has been a preferred material for sculptures and statues since ancient times. It is easy to work with than most metals and stones and therefore requires less effort to shape it into any desired shape or form. The texture of the wood gives an element of realism to the sculpture. The selection of an appropriate wood type is necessary for carving. Woods that are too resinous or coniferous are not considered good for carving as their fiber is very soft and thus lacks strength. On the other hand, wood such as Mahogany, Oakwood, Walnut wood, Weet cherry wood, etc., are preferred by sculptors because their fiber is harder. A wood sculptor uses various tools such as a pointed chisel in one hand and a mallet in another to bring the wood to the desired measurement and to make intricate details on it. A carving knife is used to cut and smooth the wood. Other tools such as the gouge, V-tool, and coping saw also serve as important tools in wood carving. Although the wood carving technique is not as complex and tough as stone carving or metal sculpting, nonetheless, a wood carver requires a high level of skills and expertise to create a stunning sculpture.

1. Selecting the right wood

The process of wood carving begins with selecting a chunk of wood that is required according to the type and shape of the statue to be created by the sculptor. Both hardwoods and softwoods are used for making artistic pieces, however, hardwoods are preferred more than softer woods because of their durability and longevity. But if heavy detailing is to be done on the statue, wood with fine grain would be needed as it would be difficult to work with hardwood.
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2. Shaping the wood

Once the wood type is selected, the wood carver begins the general shaping process using gouges of various sizes. A gouge is a tool having a curved cutting edge which is useful in removing large unwanted portions of wood easily without splitting the wood. The sculptor always carves the wood across the grain of the wood and not against it.
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3. Adding detailing

When a refined shape of the statue is obtained, it is time for making details on the statue using different tools. This is achieved by using tools such as a veiner to make and a V-tool to create decorative and sharp cuts.
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4. Surface finishing

Once finer details have been added, the sculptor is ready to smoothen the surface and give it a perfect finish. Tools such as rasps and rifflers are used to get a smooth surface. The finer polishing is obtained by rubbing the surface with sandpaper. If a textured surface is required, this step is skipped. Finally, to protect the statue from excessive dirt accumulation, the sculptor applies natural oils such as walnut or linseed oil all over it. This also brings a natural sheen to the statue.
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How to care for Wood Statues?


Wood is extensively used in sculpting especially in countries like China, Germany, and Japan. One feature that makes the wood extremely suitable for making statues and sculptures is that it is light and can take very fine detail. It is easier for artists to work with wood than with other materials such as metal or stone. Both hardwoods, as well as softwood, are used for making sculptures. Wood is mainly used for indoor sculptures because it is not as durable as stone. Changes in weather cause wooden sculptures to split or be attacked by insects or fungus. The principal woods for making sculptures and statues are cedar, pine, walnut, oak, and mahogany. The most common technique that sculptors use to make sculptures out of wood is carving with a chisel and a mallet. Since wooden statues are prone to damage, fire, and rot, they require proper care and maintenance.

 

  • Wood tends to expand and contract even after it has been processed, thus it is always recommended to keep the wooden sculptures in rooms with little humidity. Excess moisture can harm your masterpiece.

 

  • Periodical dusting of the finished piece is necessary to maintain its beauty as dust accumulation on the surface takes away the shine of the sculpture. You can use a clean and soft cloth or a hairbrush for this purpose.

 

  • You must avoid applying any chemical-based solutions that may damage the wood from the inside. Instead, you can apply lemon oil or coconut oil using a cotton rag to the sculpture to bring out its natural shine. Lemon oil also helps to clean any stains on the sculpture.

 

  • Applying a layer of beeswax protects the wood from sun damage and hides even the smallest imperfections on the wood.

 

It is extremely important to preserve and protect wooden sculptures with proper care. A little carelessness and negligence can lead to their decay, resulting in losing all their beauty and strength. Therefore, a regular clean-up of the sculptures is a must to prolong their age and to maintain their shine and luster. 

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