Milarepa - The Great Yogi and Mystic Poet of Tibet

$360
Item Code: RU46
Specifications:
Copper Statue Gilded with 24 Karat Gold
Height: 6.5 inch
Width: 6 inch
Depth: 4.5 inch
Weight: 1.82 kg
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
Shipped to 153 countries
Shipped to 153 countries
More than 1M+ customers worldwide
More than 1M+ customers worldwide
A typical aspect of Milarepa's iconography is his slender, well-formed arms and legs and his boyish face, all of which are incongruously juxtaposed with the flaccid flesh below his breasts and his rotund belly. His right hand cups his ear, and the left is placed naturalistically in his lap. This is the most intriguing feature in the portrayals of Milarepa. In a general way, this gesture is appropriate for a Buddhist adept who is a shravaka, or listener. Specifically relevant to Milarepa is the fact that he was a master of the esoteric teachings of Tantra, which were only orally transferred from guru to disciple. This gesture, therefore, signifies Milarepa's capacity to retain those doctrines and teachings in his ear. As he himself said: "Unless the secret teachings be retained within one's ear, what gain is it to suffer sorrow?"

This sculpture is not merely a hieratic portrait of the most famous saint of Tibet, but it also has a narrative content. The stag in the forefront of the base of this statue embodies the following episode from Milarepa's life:

When Milarepa was living in a high mountain near the border between Nepal and Tibet, the serenity of his retreat was disturbed one day by the barking of a dog. It was a hunter's bitch on trail of a deer. On emerging from his cave, Milarepa noticed the frightened deer. Out of compassion, Milarepa sang a song for him. This proved to be much soothing to the deer. As the deer sat by Milarepa's side, the bitch approached and she too became docile on hearing Milarepa's sermon. Finally arrived the hunter as well, who, incensed at Milarepa, attempted to kill him with his bow and arrow. But the arrow missed Milarepa. Even after this had transpired, the compassionate and sympathetic Milarepa preached to the hunter as well and converted him. The reformed hunter came to be known as Cirarepa.


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How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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