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Jewelry > Buddhist > Gau Box Turquoise Pendant with Fine Filigree
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Gau Box Turquoise Pendant with Fine Filigree

Gau Box Turquoise Pendant with Fine Filigree

Gau Box Turquoise Pendant with Fine Filigree

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Sterling Silver

1.5 inches Height
1.1 inches Width
15 gms
Item Code:
$100.00   Shipping Free - 4 to 6 days
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Gau Box Turquoise Pendant with Fine Filigree

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Viewed 4563 times since 16th Sep, 2010
Scrolls or scripts containing mantras or excerpts from scriptures were (and still are) considered extremely powerful. Such sacred written treasures naturally required equally beautiful receptacles to hold them. Thus was born the unique box container, the skilled craftsmanship of which was taken to dazzling heights by the Tibetans, where it was called the 'gau'.

The gau is used widely throughout the western and eastern sub-Himalayan area by tribes which follow Buddhism. The origin of this container-pendant can be traced to the often inhospitable environment of Tibet. Violent natural phenomena, such as seasonal floods, hail, winds and sandstorms, affect the success of the crops upon which the people's very existence depends. An ancient, animistic Tibetan iconography shared by most people in this region provides them with a means of coping with such natural disasters. Elemental in this system is the belief that the physical elements in the environment possess power attributed to the presence of natural spirits, some benevolent (trinchhem-po) and others malignant (sem ngem-po). The former must be propitiated, and magical protection secured against the latter. It is either of these two functions, which influences the choice of the gau's contents.

The gau combines in itself form and function. Since it is a container to hold and protect various charms placed within, it consists of two basic parts that fit together, so that access to its inner space is possible. Most generally the gau is made of silver (nga), which is used for the visible front, and the removable back half can be copper, brass, or silver itself.

In addition to being a functional object, the gau is also a decorative one, often of considerable artistic merit - with the flat surface ornamented with wire work, stamped units, and often, turquoise and coral stones. The main space may be filled with filigree (cha-ku le-ka) in scrolling and tendril patterns, that symbolize the ever-flowing essence of nature.

In the jewelry of Tibetan peoples, turquoise (Nepalese: tuto; Tibetan: yu) is visually the most outstanding material and distinguishes Tibetans readily from their neighbors who use turquoise only sparingly or not at all. The main source of this stone has been the Tibetan plateau. In Tibet, turquoise has been in use since ancient times: in the regalia of the first Tibetan kings; as propitiatory offerings to gods and demons; and as a tribute to other nations. Never having lost its prominent place in precious jewelry, it is still worn by the Lhasa nobility. For the Tibeto-Nepalese, who have imported most of their jewelry from Tibet, turquoise occupies a similarly important place.

Various beliefs about turquoise are shared by Tibetans and Tibeto-Nepalese. In many Asian societies the color blue is considered auspicious and protective; blue turquoise, therefore, possesses these qualities. Worn in a ring, it assures a safe journey; worn in the ear it prevents reincarnation as a donkey; appearing in a dream, it is auspicious; when found, it brings the best of luck and gives new life (in contrast, it is not considered lucky to find gold or coral); when changing its color to green, it indicates hepatitis, yet at the same time it draws out jaundice. Most importantly it can absorb sin. Strings of prayer beads should include turquoise. In fact, when worshipping the popular goddess Tara in her green form, because of the color association, it is desirable to do so with a rosary entirely composed of turquoise beads.

There exists as well the concept of living and dead turquoise. Living turquoise has a healthy blue color, whereas dead turquoise has turned either white or black. In the natural aging process of turquoise, exposure to light and body oils darkens the color, eventually turning it black. Tibetans compare this to human aging and death. Wearing "living" turquoise is therefore very desirable, as it will give long life to the wearer.

In general terms turquoise is a symbol of the blue of the sea and the sky. Infinity in the sky speaks of the limitless heights of ascension. The stone is opaque as the earth, yet it lifts the spirit high, laying bare to us the wisdom of both the earth and the sky. It is old, yet young.

Turquoise has also been held as a sacred stone by ancient cultures other than the Tibetan. It was sacred in Egypt along with malachite and lapis lazuli. It was sacred to the Persian culture, where it symbolized purity. American Indians believe it to be a protector and guardian of the body and soul. Gypsies wear this stone in their navels, believing it to be good for everything.

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