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Paintings > Folk Art > Patachitra > Krishna Stealing Clothes
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Krishna Stealing Clothes

Krishna Stealing Clothes

Krishna Stealing Clothes

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Orissa's Paata Painting Water Color on Patti

1.0 ft X 1.5 ft
Item Code:
PC17
Frame
Price:
$115.00   Shipping Free - 4 to 6 days
This item can be back ordered
Time required to recreate this artwork: 6 to 8 weeks
Advance to be paid now (% of product value): 20%
Balance to be paid once product is ready: 80%
The amount to be tendered as advance to back order this artwork: $23.00
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Viewed 7548 times since 2nd Oct, 2008
The innermost circle of this complex and dense artwork illustrates the following episode from the life of Krishna:

According to tradition, unmarried girls from ten to fourteen years of age worship the Goddess Durga in order to fulfil their desire for a suitable husband. But the unmarried girls of Vrindavana were already attracted by the beauty of Krishna. Thus they daily worshipped goddess Durga early in the morning after taking a bath in the river Yamuna, and supplicated the goddess to arrange for their match with Krishna.

Each morning, the gopis would assemble together at the banks of Yamuna and, holding one another's hands, loudly sing of the wonderful pastimes of lord Krishna before entering the river. It is an old system among Indian girls and women that when they take a bath in the river they place their garments on the bank and dip into the water completely naked. The portion of the river where the girls and women bathe was strictly prohibited to any male, and this is still the system in some parts.

One day Krishna appeared on the scene with his friends. Observing the garments left on the bank by the bathing gopis, he immediately collected all the garments, climbed up a nearby tree, and with a smiling face spoke to them thus: "My dear girls, please come here one after another and pray for your garments and then take them away. I'm not joking with you, just telling the plain truth. Please don't come here all at once. Come alone one by one; I want to see each of you in your complete beauty, for you all have thin waists."

When the girls in the water heard such joking words from Krishna, they began to look at one another and smile. Though outwardly showing resentment they were joyous to hear such a request because they were already in love with him. They then addressed him : " Do not joke with us in this way, it is unjust to us. You are a very respectable boy and very dear to us, so kindly deliver our garments immediately because we are all shivering from the cold water, and end our suffering."

But all their supplications could not convince Krishna. Seeing that Krishna was strong and determined, they had no alternative but to abide by his command. One after another they came out of the water, but because they were naked, they tried to cover their nakedness with their soft hands. On observing this Krishna chided the gopis, addressing them thus: " My dear girls, you have committed a great offence by going naked in this holy river, because of this the presiding deity of this holy river is displeased with you. Therefore to please this deity touch your forehead with folded palms and ask for his forgiveness." The gopis were all simple souls, and whatever Krishna said they took to be true. They followed his command, but in doing so exposed their nakedness in all its beauty to Krishna's gaze, which was exactly what Krishna desired.

All the unmarried gopis who prayed to Goddess Durga to have Krishna as their husband were thus satisfied. A woman cannot be naked before any male except her husband. The unmarried gopis desired Krishna as their husband, and he fulfilled their desire in this way.

The India art tradition visualises the love adventures of gods and their female friends because it acknowledges that sex is the supreme fact in life, which provides the urge to procreate and maintain the species. It is concealed like lightning in a cloud, and in its glow is the birth of art, literature and science. Sex union among lovers is the most exalted experience in life, and in mutual ecstasy the liberation of the soul from the narrow 'self' takes place. This is the supreme experience of lovers as well as mystics. That is why in describing the union of God and soul, the extremely beautiful imagery of man and woman is employed by mystic saints and artists. Thus we see that the classification of love into 'carnal' and 'spiritual' is arbitrary and unwarranted for the so called 'spiritual' love has its roots in the so called 'physical' love. This art thus sanctifies human love and places it on a par with divine love. In it we find sacredness wedded to sensuous joy.

The upper and lower panels of this painting show the ten avataras (incarnations) of Vishnu, five in the upper layer, and five in the lower layer.

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