Lord Shiva in His Ardhanarishvara Form

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Name: Lord Shiva in His Ardhanarishvara Form
Brand: Exotic India
SKU: PY93
Price: 105.00 USD
Availability: InStock

$105

In the Ardhanarishvara representations, the great god’s body is shown as a complete whole divided vertically into two halves: the left half shows him as a male, while the right half represents his Shakti (power) in the female form of his consort, the goddess Parvati. Shiva is both male and female, spirit and matter, the seed and the womb of the universe; so great is the god that he encompasses and transcends all dualities.

Shiva’s body is divided following standard iconographic conventions, in this watercolor painting on Patti folk art from the temple town Puri. The left/male side shows him as a Hindu man, his hair tied in the style of an Indian ascetic. Leopard skin is wrapped around his waist and a snake is coiled around his neck. In contrast, the right/female side is the goddess half of Ardhanarishvara, with the body and accoutrements of an Indian woman with pleated costume and elaborate precious jewelry. She is painted yellow and her palms have been dipped in henna. She has long black hair, much of it concealed by an opulent diadem.

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Item Code:	PY93
Artist:	Rabi Behera
Specifications:	Water Color Painting on Patti Folk Art From The Temple Town Puri (Orissa) Artist: Rabi Behera
Dimensions	12.6 inches x 18.5 inches

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The male part holds a trident in one hand and the other hand is held in the abhaya mudra. The female side holds a lotus in one hand and holds the other hand in the varada mudra. The union of god and goddess, male and female in the form of Ardhanarishvara is echoed and strengthened by the presence of the deities; animal vehicles or mounts (vahans). Parvati’s tiger and Shiva’s bull Nandi looks to the glorious figure of Ardhanarishvara. The figure stands on a decorated plinth and the surrounding also reflects a royal atmosphere with elaborate embellishments.

Mastering the Ancient Technique: Exploring the Meticulous Creation of Pattachitra Paintings

The traditional Pattachitra is a scroll painting that is done on cloth. This is revealed in the name; Pattachitra is a Sanskrit term made from two words i.e. Patta meaning cloth and Chitra meaning picture. The main subject of this painting is portraying Hindu mythological narratives, scenes from religious texts, and folktales. Pattachitra paintings are especially practiced in eastern Indian states such as West Bengal and Odisha, and also in some parts of Bangladesh. This art form is closely related to Shri Jagannath and the tradition of the Vaishnava sect. It is believed that Pattachitra art originated in the 11th century and the people of Odisha practice it even today without any discrepancy. Bengalis use these scroll paintings for ritual purposes (as a visual device) during the performance of a song or Aarti.

Pattachitra paintings are characterized by creative and traditional motifs/designs, decorative borders, and bright colorful applications. The outline of the figure and motifs are bold and sharp. Some common shapes and motifs seen in these paintings are trees, flowers, leaves, elephants, and other creatures. The artists of Odisha and Bengal still use the traditional method of painting which gives a unique look to it altogether.

1. Canvas is prepared

The process of painting a Pattachitra begins by preparing the canvas (patta). Generally, cotton cloth is used for making the canvas. The local artists dip the cotton cloth in a mixture of tamarind seeds and water for a few days. The cloth is then taken out and dried in the sun. Now natural gum is applied over it to stick another layer of cotton cloth on it. Thus a thick layer of cotton cloth is formed. This layered cotton is sun-dried and a paste of chalk powder, tamarind, and gum is applied on both sides. The surface of the cloth is then rubbed with two different stones for smoothening and it is again dried. This process gives the cloth a leathery finish and it is now ready to be painted.

2. Natural colors are made using traditional method

The painters prepare and use vegetable and mineral colors for application in the painting. White color is made from conch shells, black is made by burning coconut shells, Hingula is used for red color, Ramaraja for blue, and Haritala for yellow.

3. Colors are filled in

The artist now makes a double-lined border on all four sides of the canvas. The local artists are so expert in painting that they do not draw figures and motifs with pencil but directly draw them with a brush. The paint brushes that the painters use are made of the hair of domestic animals, a bunch of which is tied to the end of a bamboo stick. The figures are now painted with natural colors using the indigenous brushes. The outline is thickened with black color.

4. Painting is given a finishing

Finally, the painting is varnished/glazed to protect it from any damage and to get a glossy shine on the surface.

The making of a Pattachitra is laborious work and therefore, one painting may sometimes take over a month to complete. Due to their classical look, these paintings are admired by people from all over the world. The artistic skills used in Pattachitra are passed down from one generation to another and thus are preserved to date.