The classical iconography of Rama in His durbara (court). At the very heart of the durbara is, of course, purushottam Rama, the superlative (uttama) man (purush). His gracious wife, Devi Seeta, is seated right next to Him, directing an ardent gaze upon Her husband. Brothers Lakshmana, Bharata, and Shatrughna flank the throne of Rama, two of them with chamaras (a ritual implement) in their hands; and Hanuman lies at the feet of His victorious master.
Rama-durbara is incomplete without the holy men who are advisors to the son of Dasharatha. The vanara-sena who had come to Rama’s succour and the happy people of Ayodhya occupy pride of place in the durbara. In the foreground is a series of images: of chariots drawn by mythical creatures, plants in pots of gold, and a yajna in progress. Each of these are symbolic of the divine prevalent in the kingdom of Rama.
Most of the composition - from the templetops to the attire and adornments of the many figures spread across the canvas - features gold-layered gesso work. It is a hallmark of skill and authenticity. The glittering gold hue of the foil work is complemented by solid-coloured sections in charcoal and crimson.
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