This painting therefore depicts the Buddha's face next to the form of a conch. It is a graceful, curvaceous conch; its body ornamented with engravings to enhance the natural beauty of its shape. Its rightward spirals are in tandem with the celestial motions of the heavenly bodies as well as the whorls the Buddha's tresses are arranged in, His conch-esque navel, and the urna (the third eye indicative of divine vision) on His brow. In this painting the Buddha's eyes are shapely and shut, the curve of His brow resembling the wings of the free albatross in motion. A long slender nose ends right above a lotus-like mouth, which are set against a full countenance bearing a composure of tranquility. The tips of His lengthened lobes almost graze His shoulders, on which is draped a robe of gold. While the background is occupied with cloud formations, a shower of gorgeous red petals dominates the foreground. Both these symbolisms are drawn from the rich thangka tradition of Tibet. Note the gentle glow of the halo that lines the silhouette of the Buddha, almost like it surrounds the conch itself.