Upon a several-tiered pedestal stands Garuda, with his palms folded together and raised to his chest. Upon the face of a vulture, with a sharp, curving beak, he wears a karandamukuta (high crown). His feathered wings arise from his shoulders to spread horizontally. With his body slightly bent forward, he stands reverently in attendance. Ornaments befitting his semi-divine status decorate his body. His lower garment is more akin to Roman costumes than Indian. Neck downwards, the body is tall and sleek; the hands and feet are flat showing no traces of the fine modeling present on rest of the body.
The image as well as the pedestal boast of triple effect polish i.e. silver, bronze and brass. The three tones are used in a way neither to clash with each other or overshadow the grace of the other. Fine carving and chiselling can be seen. All these finer aspects get together to make it an outstanding piece.
This description by Kiranjyot.