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Manuushri – The Buddhist God of Wisdom and Knowledge

Manuushri – The Buddhist God of Wisdom and Knowledge
$475.00
Item Code: XR08
Specifications:
Copper Sculpture Gilded with 24 Karat Gold
12.5 inch x 9.5 inch x 5 inch
3.2 kg
This copper sculpture from Nepal represents one of the early forms of Manjushri, the Buddhist god who stands for wisdom and knowledge, more particularly the knowledge of linguistics and grammar. The image of the deity, with its two arms and the book – Prajnaparmita, carried over a lotus, pursues initial idiom of Manjushri imagery. One of the would-be Buddhas, Manjushri also symbolised, like other Boddhisattvas Avalokiteshvara, Metreya, Padmapani, etceteras, different stages of soul's attainment of Buddhattva. In early innovations, Manjushri images had normal two arms, and only rarely four, carrying in one of them a 'khadaga', sword, and in the other the book –Prajnaparmita. Sometimes the book was carried over a lotus, and the arm other than the one, which carried 'khadaga', had a diamond – Ratna-mani or Chintamani, which symbolised truth, as like truth, it neither rusted nor defaced or eroded. With the sword, Manjushri is conceived as eliminating darkness, and with the book, as spreading true knowledge.

Later, when Manjushri emerged as one of the main Tantrika deities, particularly in Tibetan Buddhism widely pursued in the northern regions of Himalayan hills, the anatomical and iconographic perception of the image underwent a radical change. Now the image was multi-armed, the number of arms varying from four to eighteen. 'Khadaga' and the book were still the essentials of Manjushri iconography, but now it also carried many other attributes– 'Ratna-mani', 'abhaya', 'varada', 'vajra', 'danda', mace, battle-axe, pot, rosary, noose, flames of fire, and many others. They symbolised his multifarious role, which as the Tantrika deity Manjushri was invoked to accomplish.

This exquisitely executed and exceptionally bejewelled image has been rendered with a broad forehead, as broad face but narrowing down to chin with an angular thrust, and wide open vigilant eyes. The iconography, adornment and costume are characteristically Tibetan.

The deity is seated on a lotus 'pitha'. He is in padmasana. The image is carrying in his right hand the 'khadaga'. Its handle consists of 'vajra', and the point of the blade, of the flames of fire, obviously because fire and 'vajra' are other usual elements of Manjushri iconography. From under the other hand, there rises a lotus stalk with a lotus on its apex. The lotus carries on it the book.

This sculpture was created in city of Patan (Kathmandu, Nepal).

This description by Prof. P.C. Jain and Dr Daljeet. Prof. Jain specializes on the aesthetics of ancient Indian literature. Dr Daljeet is the chief curator of the Visual Arts Gallery at the National Museum of India, New Delhi. They have both collaborated on numerous books on Indian art and culture.

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