Marble Images of Radha and Krishna

$2075
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Time required to recreate this artwork
6 to 8 weeks
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$415 (20%)
Balance to be paid once product is ready
$1660
Item Code: XF21
Specifications:
White Marble Sculpture
Dimensions 18.3 inch X 7.5 inch X 3.2 inch - Krishna
17.3 inch X 7.2 inch X 3.2 inch - Radha
Weight: 10.65 kg
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
Shipped to 153 countries
Shipped to 153 countries
More than 1M+ customers worldwide
More than 1M+ customers worldwide
The timeless images of the timeless deities, chiseled independent but bound one to other with immortal ties – metaphysical and mythical, out of the finest quality of white marble not revealing a discolouring grain, or a knot or vein in the stone’s texture, represent the divine lovers Radha and Krishna. Metaphysically the Creation consists of ‘matter’ and the ‘enlivening self’ often defined as ‘prakriti’ and ‘purusha’ perceived in Vaishnava tradition manifesting as Radha and Krishna, and in Shaivite, as Shakti and Shiva. In the entire body of Vaishnava mythology Radha and Krishna are celebrated as the ultimate models of love – sensuous or spiritual but essentially divine, a large section of medieval texts – Puranic or literary, thriving with annals of their love. Almost in the entire medieval art : painting or sculptures, the joint representations of Radha and Krishna portray the divine couple in one of the amorous modes usually Krishna, as seated or standing, holding in his left arm Radha, enthralled in his love, seeking support in his bosom.

Far different from above, completely puritan these images of Radha and Krishna, conceived on votive lines, are essentially transcendental. Revealing a different kind of divine aura they are obviously meant for a shrine : domestic or public. Radha, conceived in Vaishnava tradition for representing the amorous aspect of primordial female energy, has been portrayed in this marble image standing in Lakshmi-like formal posture, revealing grace but not amour, sustaining by her benevolence the entire creation. Hence, like Lakshmi she is holding her right hand in ‘abhaya’, a posture of protection and thereby to sustain, and is carrying in the left, a lotus, Lakshmi’s essential attribute. Her towering crown with a large ruby in the centre, style of ensemble, especially the sash laid as in the iconography of Lakshmi and great queens, first over the arms and then flanking on either side trailing down to the ground, its saffron dye with borders defined in gold and a rich waist-band in lustrous purple, all are close to Lakshmi’s form.

The posture of the eyes as supervising the earth essentially links the represented image with Radha portraying her concern for the earth and its inhabitants. The tradition perceives Radha as the sojourning self striving to unite with the Supreme Self that is Krishna. Thus, not merely concerned, Radha represents the earth and every self sojourning on it. Contrarily, Krishna’s eyes are upwards raised underlining Krishna’s distinction as the unearthly entity : Supreme Self. The artist by so blending with his form of Radha the aspect of Lakshmi seems to have aimed at multiplying the image’s divine aura for in her form as Radha she is essentially the ultimate model of love, and in her Lakshmi-like aspect she is the benevolent sustainer. Krishna is in his usual 'tri-bhang’, a three curved body posture, which is interpreted as his form pervading all three cosmic regions, the earth, the sky and the netherworld. In his hands he is carrying his most loved flute by the melody of which he drags the minds away from worldly temptations and lead to the path of redemption but the rapture that reflects on the faces of his images emitting the divine melody from their flutes is missing in this statue. Here his form is rather stoical.

These images, exceptional in their meaning, contextual breadth and divine aura, are outstanding also in their finesse, plasticity, modeling, precision, figural balance, artistic merit and worth. An example of rare skill, not only the deity-figures have been laid and balanced on relatively small pedestals but as skillfully are annexed to them the end-parts, usually mere corners, of the sashes of the two figures flanking on sides. Not like reliefs with back-support, all parts, even the thinly conceived sashes, crown-rings – ‘prabha’, Krishna’s peacock-feather and Radha’s crest, are chiseled by themselves without a base to hold and support, something like a metal-cast. The peacock feather comprising the crest of Krishna’s crown has been not only beautifully chiseled but as beautifully painted. With large eyes, round faces, fine features, tall necks and broad foreheads the figures have a highly balanced iconography; however what imparts to the statues rare quality and accomplishment is their painting part which attributes to stone the transparence, lustre and a touch of delicacy that are the properties of the finest silks and the gold-like rich metals.

This description by Prof. P.C. Jain and Dr. Daljeet. Prof. Jain specializes on the aesthetics of literature and is the author of numerous books on Indian art and culture. Dr. Daljeet is the curator of the Miniature Painting Gallery, National Museum, New Delhi. They have both collaborated together on a number of books.

How to clean and maintain marble statues?


Marble has been a preferred material for sculptors and artists for more than a thousand years. It is a rock that undergoes metamorphism which causes recrystallization of the original carbonate mineral grains. Marble comes in various colors, designs, and dimensions. Pure white marble is the most preferred type of marble for making sculptures and statues since time immemorial. White marble is especially used for sculpting stone monumental sculptures since ancient times. The natural shine and luster of the carbonate crystals of white marble give a lavish and beautiful appearance to the statue.

 

Marble stone statues are highly durable and can even withstand harsh weather conditions without getting corroded, therefore, they can be kept indoors or outdoors without getting damaged or weathered. Although these statues can last for many decades, their regular care and cleaning are essential to increase their longevity and beautiful appearance.


  • The simplest and basic way of cleaning a marble stone statue is to clear away dirt accumulated on the surface. Outdoor statues are especially prone to biological growth and dirt build-up that may take away their natural beauty. You may rinse the statue with warm water and mild soap to clean the dirt as much as possible. You can use a sponge or cotton cloth to scrape off dirt accumulated in crevices and cracks.

 

  • You must never allow water to stand on the surface of the statue for a long time. Standing water gets absorbed by the marble’s porous surface which results in its discoloration. Therefore, it is always recommended to dry-clean the statue with a towel or damp cloth.

 

  • Applying beeswax, a non-toxic product, on the surface of the marble statue offers protection against staining, dirt, and pollutants. It also polishes the surface and gives a natural shine to the statue.

 

Marble statues need periodical cleaning to maintain their flawless look. However, harsh and deep cleaning can result in making the statue look dull. If your marble statue is withering away, it is recommended to take the help of a professional cleaner. Marble is a delicate material and therefore needs proper care.

Marble Mastery Unveiled: The Artisan's Symphony in Sculpting Timeless Beauty

Marble is a soft and delicate metamorphic rock derived from limestone. It is composed mainly of recrystallized carbonate minerals. The appealing appearance of marble gives rise to the making of beautiful sculptures and statues. Jaipur city of Rajasthan, India, is considered the capital of marble carving where various marble idols of Hindu Gods and Goddesses are made. These magnificent statues are carved by skilled sculptors out of the purest white marble. The slight softness of white marble makes it easier to be carved and chiseled into any desirable form or shape. Another impressive feature of marble is that the calcite has a low refractive index that allows light to penetrate the stone before getting scattered out. This results in bringing a translucent appearance and luster to the marble sculpture. This is the reason why most sculptors prefer to work with marble for sculpting life-size statues that require intricate details, evoking a certain realism to the work.

There is a detailed or step-by-step process of developing the desired structure of a sculpture from marble stone. These steps are:

1. Clay mould

Most sculptors prefer to sculpt a preliminary model out of clay or wax to translate its complex and intricate details into the final stone sculpture with the use of calipers or a pointing machine. The plasticity of the clay mould helps sculptors capture the success of the final sculpture before carving the stone. The clay is moulded into the desired shape or form and this acts as a rough
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2. Roughing out

The second step of carving or sculpting is to remove large portions of unwanted marble stone. This task is done by using a special tool known as a point chisel. The pointed end of this tool is useful for splitting the large stone and removing big chunks that are not wanted. Usually, a mallet (a tool similar to a hammer) is used to transfer energy through the chisel to shatter the stone evenly and accurately.
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3. Refining the figure

Once the sculptors have determined the general shape of the sculpture, a toothed chisel or claw chisel is used to refine the stone. These tools create parallel lines in the stone to add texture to the figure. During this stage, the rough block of stone has now changed into the general shape of the sculpture.
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4. Adding the details

The sculptor is now ready to carry out detailed work to develop a more refined form of the sculpture. Tools such as rasps and rifflers are then used to enhance the shape into its final form. These tools finely create details such as frills or folds of clothing or locks of hair.
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5. Polishing

This is the last step in marble sculpting in which the sculptor uses materials such as sandpaper to bring out a natural sheen to the sculpture. The sandpaper is rubbed against the surface to make it smoother and flawless. Sometimes, tin oxide is also used to make the sculpture appear glossy and more translucent.
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Marble sculptures are highly durable and can last for many decades if maintained and taken care of properly. They are also extremely weather-resistant and therefore, can be kept outdoors or indoors. The exquisite beauty of marble statues elevates the aura of the space and emanates positivity all around.
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