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Film and Philosophy
Film and Philosophy
IDF679

by Edited By: K. Gopinathan
Hardcover (Edition: 2003)

Publication Division University of Calicut
ISBN 817748057X

Size: 8.7" X 5.6"
Pages: 344

Our Price: $25.00

 
About the Book:

This marks the beginning of dream project to blend the visions of a young art form with an age old mode of enquiry, Film and Philosophy. Here bridges are thrown across to each other to reach out and re-connect with the more challenging spaces of signs and meanings. The essays collected in this volume are those presented at the International Seminar on film & Philosophy, organized by the Dept. of Philosophy University of Calicut in association with Indian council of philosophical Research, University Grants Commission, Ministry of Cultural Affairs, Govt. of Kerala State chalashitra Academi and Kerala philosophy Association, during 26th-30th of September 2000. as adoor Gopalkrishnan and many other rightly pointed out this inter-disciplinary seminar that brought together the two disciplines, philosophy and Film- the former a realm of abstract thought reserved for eccentric minds and the latter a product of multi-billion leisure industry according to conventional wisdom-is the first of its kind in the state or in the country. The essays presented here open up a stimulating area of inter-disciplinary research and attempt to raze the Berlin Walls that divide academic disciplines and cultural practices so as to promote intellectual traffic between apparently disparate fields of enquiry.

About the Author:

He is teaching in the Dept. of Philosophy, University of Calicut. He taught Philosophy in Sree Kerala Varma College, Kerala from 1982 to 1998. After Post-Graduation from the Department of Philosophy, University of Calicut, he secured Ph. D Degree in Philosophy of Ludwing Wittgenstein from Jawaharlal Nehru University, New Delhi. Participated in appreciation course in theatre and film conducted by School of Drama, University of Calicut and Film and Television Institute Pune. Directed a single episode documentary on Prof. Joseph Mundassery of poems, both telecast by thiruvananthapuram Doordarshan. Contributes academic and popular articles on Philosophy, Film Studies and Cultural studies to research and popular journals. He was the director of International Seminar on Film and Philosophy held at University of Calicut during 26th to 30th of September 2000.

CONTENTS
Acknowledgement 9
Editor's Note 11
Foreword 15
Introduction 19
PART I
1 Constructive Realism as the Ontology of the Film World
S. G. Kukarni
35
2 Cinema and its philosophy
Satarupa Sanyal
45
3 Notes @ Jainism cine Phil Some Random Thoughts Towards Integral Filmosophy
Amrit Gangar
50
4 The Philosophy of Movement-images
K. Gopinathan
68
5 Cinema is love 24 times per second
Sunny Joseph
77
6 Technology of the Real: On Special Effects in Films
Sanil V
97
7 The Homeless Image: Preliminary Notes
Madan Gopal Singh
110
PART II
8 From Action to Meditation: An Eco-Buddhist Perspective on the Later Films of Akira Kurosawa 127
9 Reflections on Cinema and Split Identities in Moderninsing Societies: from Janakikutty
I. Shanmugha Das
144
10 Reordered Polygyny and retained Patriarchy: Recurrent Themes in Popular Telgu Cinema
A. Raghurama Raja
171
11 Disrupted Desires: Male Bonds in Mohanlal Films
Muraleedharan.T
192
12 Swayamvaram- Classic Prophecies
C. S. Venkiteswaran
213
13 Filming the Unthinkable accommodating History and Facts in the Holocaust Films 222
PART III
14 The Rule of the Visual: Media, Film and Ideology
T. K. Ramachandra
233
15 Image, ideology and Commitment-A Postmodern Rethinking
P. K. Pokker
241
16 Some Problems in theorizing gender in media Consumption
Bindu Menon
251
17 Familiar as Spectacle
Janaky
273
18 Convention and form in Indian Popular Cinema
Raghavendra
280
19 Literature, cinema and the Language of Scenario
Buddhadeb Das Gupta
306
20 Narrative Art as Revelation of Human Condition
Satya Gautam
323
21 Sexuality in Indian cinema
Ramachandran
330
After word 339
Notes on Contributors 343