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Books > Philosophy > The Vedic Origins of Karma: Cosmos as Man in Ancient Indian Myth and Ritual
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The Vedic Origins of Karma: Cosmos as Man in Ancient Indian Myth and Ritual
The Vedic Origins of Karma: Cosmos as Man in Ancient Indian Myth and Ritual
Description

Introduction

J. C. Heesterman has recently observed that the Vedic sacrificial texts propose "a separate self-contained world ruled exclusively by the comprehensive and exhaustive order of the ritual." The closed world of the Vedic sacrifice recalls the larger closure of the Hindu universe, depicted from an early period as an egg "whose total contents can never increase but can only be redistributed." As Wendy O'Flaherty has noted within the world egg "the Hindu cosmos in a series of receding frames, circles within circles." This image of circles within circles leads back to the world of the Vedic sacrifice, which itself consisted of a series of concentric circles; and so articulates again the close resemblance between the world of the ritual and the larger cosmos.

The world of the sacrifice is intentionally made to resemble the larger cosmos. The Vedic ritualists sought, in their own sacrificial activity, to recreate the primordial events, which shaped the cosmos. An often-quoted passage that appears in the Satapatha Brahmana thus declares: "This [ritual act] done now is that which the gods did then [in the beginning]." What the gods did then was to create the world, an event that the late Vedic texts often depict as having occurred through the sacrifice of ananthropomorphic being, whose dismembered body was formed into the ordered cosmos.

However, the death and destruction implicit in the primordial event created an untenable situation for the sacrificer; in particular, the reenactment of the cosmogony would seem to have required the sacrificer to give up his own life. The Vedic Ritualists attempted to circumvent this actuality by employing various substitutes [ranging from grain and animals to a gold effigy] for the sacrificer's own person. Moreover, the closed world of the ritual, with its carefully delimited boundaries, seems to have been constructed to keep out the reality of death; for, just as the sacrificial arena itself represented a symbolic cosmos, so, too, the death that occurred in the ritual was only symbolically that of the sacrificer. There was one situation, however, in which the body of the sacrificer was used as the material of the offering; namely, the funeral rite, which is appropriately called the final sacrifice (antysti). This final sacrifice, in which the death of the sacrificer is a real death, moves the sacrificer from the world of the ritual to the larger cosmos.

This transition forms the subject of what is considered to be the earliest statement of the karma doctrine, a statement that appears in the Brhadaranyaka Upanisad. After discussing how the deceased enters into the various planes of the cosmos, a process that replicates the dismemberment of the primordial man, the famed Brahmanic sage Yajnavalkya is asked: "What then becomes of this person?" Yajnavalkya then enunciates the doctrine of action (karman): "Indeed one becomes good by good action, bad by bad apparently refer to a valuation of action based on ritual exactitude; good being equated with the correct performance of the rite, bad with the incorrect performance. And, since the funeral sacrifice is not performed by the sacrificer who is about to attain either a good or bad state, Yajnavalkya is apparently referring not to the funeral sacrifice but to the actions of a lifetime of sacrificial performances. The nature of that activity, which had been contained in the closed world of the ritual, now determines the conditions of the sacrificer's afterlife within the larger cosmos.

This interpretation of the karma doctrine differs from the doctrine's apparent meaning in later texts, which propose that an individual attains a specific state in the afterlife, or is reborn, according to the moral quality of all sorts of actions performed prior to death. If the context in which Yajnavalkya enunciates his doctrine of action is presumed not to be that of the Vedic ritual, then this general meaning can easily be seen in Yajnavalkya's statement, "one becomes good by good action, bad by bad [action]." And, in fact, this was precisely how nineteenth and early twentieth century Indologists tended to view this and other presentations of the karma doctrine in the Upanisads. These scholars remained curiously silent about the doctrine's attachment here to the paradigmatic event of the Vedic ritual, the sacrifice of the cosmic man, and focused instead on how, in isolation, the phrase "one becomes good by good action, bad by had [action]" seemed to express a principle of morality extending to all sorts of actions.

How and why scholars of an earlier generation adopted this view of the karma doctrine is discussed in the first chapter of this book. At the simplest level, this viewpoint owes much to a larger tendency among these scholars to disparage "priestcraft," a perspective rooted in the philosophy of the Enlightenment. In its application to the ancient Indian context this tendency led scholars to separate the Brahmanas, ritual texts par excellence and the exclusive possession of the Vedic sacerdotalists, from the Upanisads, discursive texts that seek to express the nature of reality. Accordingly, the karma doctrine, which is first articulated in the Upanisads, was seen as addressing itself to issues not germane to the Vedic ritual tradition. There is strong textual evidence, however, suggesting the continuity of the Brahmanas and the Upanisads: their physical contiguity; their use of a similar "idion"; their claims of a shared authorship. In the early Upanisads, the Brahdaranyaka and the Chandogya in particular, the Vedic rites represent the starting point for the disquisition into the nature of what is real: beneath increasingly greater levels of abstraction lies the concrete event of the sacrifice.

It is this ritual substratum that scholars of an earlier generation failed, or were simply unwilling, to recognize in their examination of Upanisadic thought. Such lack of recognition, I believe, was at the base of these scholars' inability to understand generally the origin of the karma doctrine, for at least certain aspects of the doctrine are clearly rooted in the conceptual context of the Vedic ritual milieu. Certainly, the notion that particular actions lead an individual after death to the attainment of a particular state ("becoming good by good action, bad by bad") reflects precisely the sort of effective action that, albeit in the closed world of the ritual, was believed to result from the sacrifice. In examining this ritual substratum I shall draw out some of the difficulties inherent to the sacrifice; in particular, those that resulted from the relationship of the officiants, who performed the ritual, to the sacrificer (yajamana), who was performed the ritual, to the sacrificer relationship affected notions of the attainments of the afterlife-that is, the transition from the world of the ritual to an existence in the larger cosmos-is clearly articulated in the formulation of the Upanisadic karma doctrine.

In moving from the world of the ritual to the larger cosmos the sacrificer becomes saloka, "one together with the world [s]." The ability to attain this state implies that the sacrificer's own existence is in some sense correlative to that of the cosmos-though perhaps this relationship could not be realized in the sacrificer's ordinary experience. The late Vedic cosmology expresses this idea of a correlation between man and cosmos in the ideology of the cosmic man [Purusa in the Rgveda, Prajapati in the Brahmanas]. The investigation of this ideology-as the notion that the cosmos arose from the sacrifice of a primordial anthropomorphic being expresses it-is the subject of Chapter 2, "The Cosmos as Man: The Image of the Cosmos in Vedic Thought." This myth's implicit notion that the cosmos has the shape of a man reflects the belief that man might potentially integrate himself with the cosmos. Here, the correlation between body and cosmos, senses and natural phenomena, that the Vedic cosmogony proposes, seems to facilitate-at least theoretically-this integration.

However, as noted earlier, the application of this cosmogonic theory would seem to have required the dismemberment and death of the individual who attempted to re-create the primordial activity of the cosmic man. Although the sacrificer may have been able to meet this requirement in the funeral rites, the "final sacrifice," the event of the sacrificer's death in the ordinary [i.e., nonfuneral] rituals creates an untenable situation. Death would keep the sacrificer from meeting a myriad of ritual obligations, obligations which could be fulfilled only through a lifetime of sacrificial performances. One particular response to this problem is seen in the Brahmanic myth of Prajapati, which modifies certain elements of the established Vedic mythology of the cosmic man. This myth, which is the subject of the second half of Chapter 2, replaces the, act of a cosmogonic dismemberment with a combination of creative activities: heating, desire, and in particular, sexual generation. Whereas in each instance the body of the cosmic man shapes the cosmos, the emphasis shifts from a disjunctive to a conjunctive model of creation: Purusa establishes the various cosmic spheres with his won dismembered body parts (he is said literally to be "divided up," vi-/dha); Prajapati puts himself into the cosmos by a process of "uniting [with it] as a pair" (mithunam sam-/bhu). The Brahmanic myth thereby proposes a model that, in its application, would seem to alleviate man of the need to die in the ritual performance.

To meet the demands of the ritual theory-that is, the notion that the sacrificer reenacts the cosmic man's primordial activity-these modifications required a complex ceremonial. The ritual of constructing the fire altar (agnicayana), as it is presented in the Satapatha Brahmana, is considered to be the greatest practical expression of this modified cosmogony. The complexity of the Agnicayana, like the complexity of the Prajapati mythology, derives from its attempt to circumvent the problem of death. The Vedic sacrifice, accurately described by J. C. Heesterman as "a controlled act of death and destruction," by its nature would seem to oppose this attempt. How the Agnicayana ritualists responded to the problem of death in the sacrifice and how their response allowed the human sacrificer to replicate the events of the cosmogony forms the subject of Chapter 3, "The Fire Altar as Man and Cosmos."

Chapter 4 returns to the nature of the sacrificer's transition, through his death, from the self-contained world of the ritual to the larger cosmos. How the ritual events prepares the sacrificer for the afterlife, and how it facilitates his transition into the larger cosmos on the event of his funeral forms the particular subject of this chapter. The relationship between the Agnicayana and the funeral rite for one who in life performed the Agnicayana, exemplifies this relationship. For, the funeral rite for one who in life performed the Agnicayana replicates the Agnicayana, with the apparent intention of ensuring that the same attainments experienced in the ritual event are attained again in the sacrificer's transition into the larger cosmos. Along with this specific relationship between rites performed in life and the funeral rite there are certain general ritual theories that express how the sacrificial oblation-which, at the funeral rite, was the sacrificer-moved from this world to the other planes of the cosmos. One prevalent theory explains this event through the model of a cycle of generation and regeneration; thus, the smoke from the sacrifice forms clouds in the other would, which then return to this world in the form of rain, which nourishes the plants and creatures, which again from the objects of the sacrifice. These theories lead us back to the karma doctrine, as they represent an essential aspect of the theory of rebirth as it appears in the earliest expressions of this doctrine.

From the Jacket:

"To anyone interested in the Vedic literature or the idea of karma, this book is fascinating. The prose is crisp and clear, well-ordered and lively. The arguments are clearly presented. Tull shows convincingly that the beginnings of karma theory are to be found in the Brahmanas. And he helps us to see the logic of these texts more clearly than anyone else". - John M. Koller

"In this book, the author seeks access to Karma's origins by following several clues suggested by the doctrines earliest formulation in the Upanisad texts (circa 600-500 B.C.) These clues lead back to the mythical and ritual structures firmly established in the Brahmana texts, texts concerned with the rituals that chronologically and conceptually precede the Upanisads. The rise of the karma doctrine is tied to the increasing dominance in late Vedic thought of the cosmic man (Purusa/Prajapati) mythology and its ritual analogue the "building of the fire altar" (agnicayana).

"The book is clearly written and organized. He uses primary materials intelligently and raises questions of significance. The author discusses some of the central areas in the study of Hinduism: the idea of karma, the relationship of the Upanisads to the rest of the Veda, the interpretation of the Vedic rites. He also challenges a number of received views, especially concerning the arguments and evidence in a way that allows his readers to evaluate them" - Joel P. Brereton

About the Author:

Herman W. Tull is Assistant Professor of Religion at Rutgers University.

 

CONTENTS

 

Acknowledgements ix
Introduction 1
  The Vedic Origins of the Karma Doctrine 5
  A Note on Texts, Method, Terms, and Translations 7
Chapter 1. The Problem of Karma and the Textual Sources 12
  The Brahmanas and Upanisads in the Veiw of Nineteenth Century Indology 14
  The Upanisads and the Vedic Origins of the Karma Doctrine 21
  The Earliest Notice of the Doctrine of Karma and Rebirth in the Brhadaranyaka and Chandogya Upanisads 28
  Conclusion: The Karma Doctrine in the Context of Brahmanic Thought 41
Chapter 2. The Cosmos as Man: The Image of the Cosmos in Vedic Thought 44
  The Cosmic Image and its Vicissitudes in Vedic Thought 47
  Purusa and the Creation of the Cosmos 50
  The Reenactment of the Cosmogony 54
  Prajapati and the Creation of the Cosmos 57
  Conclusion: The Reenactment of the Cosmogony 69
Chapter 3. The Fire Altar [Agnicayana] as Man and Cosmos 72
  The Problem of Sacrifice 72
  The Problem of Sacrifice and the Agnicayana 77
  The Construction of the Fire Altar 81
  Conclusion: Man and Cosmos in the Fire Altar 95
Chapter 4. From Death and Rebirth 103
  The Agnicayana and the Smasanacayana 108
  Conclusion: The Karma Doctrine in the Context of Brahmanic Thought 119
Abbreviations of Vedic Texts 123
Notes 124
Bibliography 161
Index 175

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Introduction

J. C. Heesterman has recently observed that the Vedic sacrificial texts propose "a separate self-contained world ruled exclusively by the comprehensive and exhaustive order of the ritual." The closed world of the Vedic sacrifice recalls the larger closure of the Hindu universe, depicted from an early period as an egg "whose total contents can never increase but can only be redistributed." As Wendy O'Flaherty has noted within the world egg "the Hindu cosmos in a series of receding frames, circles within circles." This image of circles within circles leads back to the world of the Vedic sacrifice, which itself consisted of a series of concentric circles; and so articulates again the close resemblance between the world of the ritual and the larger cosmos.

The world of the sacrifice is intentionally made to resemble the larger cosmos. The Vedic ritualists sought, in their own sacrificial activity, to recreate the primordial events, which shaped the cosmos. An often-quoted passage that appears in the Satapatha Brahmana thus declares: "This [ritual act] done now is that which the gods did then [in the beginning]." What the gods did then was to create the world, an event that the late Vedic texts often depict as having occurred through the sacrifice of ananthropomorphic being, whose dismembered body was formed into the ordered cosmos.

However, the death and destruction implicit in the primordial event created an untenable situation for the sacrificer; in particular, the reenactment of the cosmogony would seem to have required the sacrificer to give up his own life. The Vedic Ritualists attempted to circumvent this actuality by employing various substitutes [ranging from grain and animals to a gold effigy] for the sacrificer's own person. Moreover, the closed world of the ritual, with its carefully delimited boundaries, seems to have been constructed to keep out the reality of death; for, just as the sacrificial arena itself represented a symbolic cosmos, so, too, the death that occurred in the ritual was only symbolically that of the sacrificer. There was one situation, however, in which the body of the sacrificer was used as the material of the offering; namely, the funeral rite, which is appropriately called the final sacrifice (antysti). This final sacrifice, in which the death of the sacrificer is a real death, moves the sacrificer from the world of the ritual to the larger cosmos.

This transition forms the subject of what is considered to be the earliest statement of the karma doctrine, a statement that appears in the Brhadaranyaka Upanisad. After discussing how the deceased enters into the various planes of the cosmos, a process that replicates the dismemberment of the primordial man, the famed Brahmanic sage Yajnavalkya is asked: "What then becomes of this person?" Yajnavalkya then enunciates the doctrine of action (karman): "Indeed one becomes good by good action, bad by bad apparently refer to a valuation of action based on ritual exactitude; good being equated with the correct performance of the rite, bad with the incorrect performance. And, since the funeral sacrifice is not performed by the sacrificer who is about to attain either a good or bad state, Yajnavalkya is apparently referring not to the funeral sacrifice but to the actions of a lifetime of sacrificial performances. The nature of that activity, which had been contained in the closed world of the ritual, now determines the conditions of the sacrificer's afterlife within the larger cosmos.

This interpretation of the karma doctrine differs from the doctrine's apparent meaning in later texts, which propose that an individual attains a specific state in the afterlife, or is reborn, according to the moral quality of all sorts of actions performed prior to death. If the context in which Yajnavalkya enunciates his doctrine of action is presumed not to be that of the Vedic ritual, then this general meaning can easily be seen in Yajnavalkya's statement, "one becomes good by good action, bad by bad [action]." And, in fact, this was precisely how nineteenth and early twentieth century Indologists tended to view this and other presentations of the karma doctrine in the Upanisads. These scholars remained curiously silent about the doctrine's attachment here to the paradigmatic event of the Vedic ritual, the sacrifice of the cosmic man, and focused instead on how, in isolation, the phrase "one becomes good by good action, bad by had [action]" seemed to express a principle of morality extending to all sorts of actions.

How and why scholars of an earlier generation adopted this view of the karma doctrine is discussed in the first chapter of this book. At the simplest level, this viewpoint owes much to a larger tendency among these scholars to disparage "priestcraft," a perspective rooted in the philosophy of the Enlightenment. In its application to the ancient Indian context this tendency led scholars to separate the Brahmanas, ritual texts par excellence and the exclusive possession of the Vedic sacerdotalists, from the Upanisads, discursive texts that seek to express the nature of reality. Accordingly, the karma doctrine, which is first articulated in the Upanisads, was seen as addressing itself to issues not germane to the Vedic ritual tradition. There is strong textual evidence, however, suggesting the continuity of the Brahmanas and the Upanisads: their physical contiguity; their use of a similar "idion"; their claims of a shared authorship. In the early Upanisads, the Brahdaranyaka and the Chandogya in particular, the Vedic rites represent the starting point for the disquisition into the nature of what is real: beneath increasingly greater levels of abstraction lies the concrete event of the sacrifice.

It is this ritual substratum that scholars of an earlier generation failed, or were simply unwilling, to recognize in their examination of Upanisadic thought. Such lack of recognition, I believe, was at the base of these scholars' inability to understand generally the origin of the karma doctrine, for at least certain aspects of the doctrine are clearly rooted in the conceptual context of the Vedic ritual milieu. Certainly, the notion that particular actions lead an individual after death to the attainment of a particular state ("becoming good by good action, bad by bad") reflects precisely the sort of effective action that, albeit in the closed world of the ritual, was believed to result from the sacrifice. In examining this ritual substratum I shall draw out some of the difficulties inherent to the sacrifice; in particular, those that resulted from the relationship of the officiants, who performed the ritual, to the sacrificer (yajamana), who was performed the ritual, to the sacrificer relationship affected notions of the attainments of the afterlife-that is, the transition from the world of the ritual to an existence in the larger cosmos-is clearly articulated in the formulation of the Upanisadic karma doctrine.

In moving from the world of the ritual to the larger cosmos the sacrificer becomes saloka, "one together with the world [s]." The ability to attain this state implies that the sacrificer's own existence is in some sense correlative to that of the cosmos-though perhaps this relationship could not be realized in the sacrificer's ordinary experience. The late Vedic cosmology expresses this idea of a correlation between man and cosmos in the ideology of the cosmic man [Purusa in the Rgveda, Prajapati in the Brahmanas]. The investigation of this ideology-as the notion that the cosmos arose from the sacrifice of a primordial anthropomorphic being expresses it-is the subject of Chapter 2, "The Cosmos as Man: The Image of the Cosmos in Vedic Thought." This myth's implicit notion that the cosmos has the shape of a man reflects the belief that man might potentially integrate himself with the cosmos. Here, the correlation between body and cosmos, senses and natural phenomena, that the Vedic cosmogony proposes, seems to facilitate-at least theoretically-this integration.

However, as noted earlier, the application of this cosmogonic theory would seem to have required the dismemberment and death of the individual who attempted to re-create the primordial activity of the cosmic man. Although the sacrificer may have been able to meet this requirement in the funeral rites, the "final sacrifice," the event of the sacrificer's death in the ordinary [i.e., nonfuneral] rituals creates an untenable situation. Death would keep the sacrificer from meeting a myriad of ritual obligations, obligations which could be fulfilled only through a lifetime of sacrificial performances. One particular response to this problem is seen in the Brahmanic myth of Prajapati, which modifies certain elements of the established Vedic mythology of the cosmic man. This myth, which is the subject of the second half of Chapter 2, replaces the, act of a cosmogonic dismemberment with a combination of creative activities: heating, desire, and in particular, sexual generation. Whereas in each instance the body of the cosmic man shapes the cosmos, the emphasis shifts from a disjunctive to a conjunctive model of creation: Purusa establishes the various cosmic spheres with his won dismembered body parts (he is said literally to be "divided up," vi-/dha); Prajapati puts himself into the cosmos by a process of "uniting [with it] as a pair" (mithunam sam-/bhu). The Brahmanic myth thereby proposes a model that, in its application, would seem to alleviate man of the need to die in the ritual performance.

To meet the demands of the ritual theory-that is, the notion that the sacrificer reenacts the cosmic man's primordial activity-these modifications required a complex ceremonial. The ritual of constructing the fire altar (agnicayana), as it is presented in the Satapatha Brahmana, is considered to be the greatest practical expression of this modified cosmogony. The complexity of the Agnicayana, like the complexity of the Prajapati mythology, derives from its attempt to circumvent the problem of death. The Vedic sacrifice, accurately described by J. C. Heesterman as "a controlled act of death and destruction," by its nature would seem to oppose this attempt. How the Agnicayana ritualists responded to the problem of death in the sacrifice and how their response allowed the human sacrificer to replicate the events of the cosmogony forms the subject of Chapter 3, "The Fire Altar as Man and Cosmos."

Chapter 4 returns to the nature of the sacrificer's transition, through his death, from the self-contained world of the ritual to the larger cosmos. How the ritual events prepares the sacrificer for the afterlife, and how it facilitates his transition into the larger cosmos on the event of his funeral forms the particular subject of this chapter. The relationship between the Agnicayana and the funeral rite for one who in life performed the Agnicayana, exemplifies this relationship. For, the funeral rite for one who in life performed the Agnicayana replicates the Agnicayana, with the apparent intention of ensuring that the same attainments experienced in the ritual event are attained again in the sacrificer's transition into the larger cosmos. Along with this specific relationship between rites performed in life and the funeral rite there are certain general ritual theories that express how the sacrificial oblation-which, at the funeral rite, was the sacrificer-moved from this world to the other planes of the cosmos. One prevalent theory explains this event through the model of a cycle of generation and regeneration; thus, the smoke from the sacrifice forms clouds in the other would, which then return to this world in the form of rain, which nourishes the plants and creatures, which again from the objects of the sacrifice. These theories lead us back to the karma doctrine, as they represent an essential aspect of the theory of rebirth as it appears in the earliest expressions of this doctrine.

From the Jacket:

"To anyone interested in the Vedic literature or the idea of karma, this book is fascinating. The prose is crisp and clear, well-ordered and lively. The arguments are clearly presented. Tull shows convincingly that the beginnings of karma theory are to be found in the Brahmanas. And he helps us to see the logic of these texts more clearly than anyone else". - John M. Koller

"In this book, the author seeks access to Karma's origins by following several clues suggested by the doctrines earliest formulation in the Upanisad texts (circa 600-500 B.C.) These clues lead back to the mythical and ritual structures firmly established in the Brahmana texts, texts concerned with the rituals that chronologically and conceptually precede the Upanisads. The rise of the karma doctrine is tied to the increasing dominance in late Vedic thought of the cosmic man (Purusa/Prajapati) mythology and its ritual analogue the "building of the fire altar" (agnicayana).

"The book is clearly written and organized. He uses primary materials intelligently and raises questions of significance. The author discusses some of the central areas in the study of Hinduism: the idea of karma, the relationship of the Upanisads to the rest of the Veda, the interpretation of the Vedic rites. He also challenges a number of received views, especially concerning the arguments and evidence in a way that allows his readers to evaluate them" - Joel P. Brereton

About the Author:

Herman W. Tull is Assistant Professor of Religion at Rutgers University.

 

CONTENTS

 

Acknowledgements ix
Introduction 1
  The Vedic Origins of the Karma Doctrine 5
  A Note on Texts, Method, Terms, and Translations 7
Chapter 1. The Problem of Karma and the Textual Sources 12
  The Brahmanas and Upanisads in the Veiw of Nineteenth Century Indology 14
  The Upanisads and the Vedic Origins of the Karma Doctrine 21
  The Earliest Notice of the Doctrine of Karma and Rebirth in the Brhadaranyaka and Chandogya Upanisads 28
  Conclusion: The Karma Doctrine in the Context of Brahmanic Thought 41
Chapter 2. The Cosmos as Man: The Image of the Cosmos in Vedic Thought 44
  The Cosmic Image and its Vicissitudes in Vedic Thought 47
  Purusa and the Creation of the Cosmos 50
  The Reenactment of the Cosmogony 54
  Prajapati and the Creation of the Cosmos 57
  Conclusion: The Reenactment of the Cosmogony 69
Chapter 3. The Fire Altar [Agnicayana] as Man and Cosmos 72
  The Problem of Sacrifice 72
  The Problem of Sacrifice and the Agnicayana 77
  The Construction of the Fire Altar 81
  Conclusion: Man and Cosmos in the Fire Altar 95
Chapter 4. From Death and Rebirth 103
  The Agnicayana and the Smasanacayana 108
  Conclusion: The Karma Doctrine in the Context of Brahmanic Thought 119
Abbreviations of Vedic Texts 123
Notes 124
Bibliography 161
Index 175

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Pat Demaret
This is the second time I am ordering kurta. The first time it was in July of 2015. The whole transaction was very smooth, and I received my order in USA within a week's tme from India. it was faster than some of the local orders that I have placed. Thank you for your efficiency.
Prabha, USA
I like Exotic India and have had a great experience so far with your books / shipping etc. Please keep it up!
Sriram, USA
Thanks to all the staff at Exotic Art for helping me acquire these wonderful books from the holy land of Bharata Varsha. Happy new year to you all and all glories to Sri Krsna, peace...
J. Idehen, UK
Exotic India is a fine organization to do business with. I have had the best trading experience and the very best customer service. The communication I have had with Vipin K. is of the highest quality; my questions and requests were quickly and professionally answered and fulfilled. A special thanks to the artist Kailash Raj for the beautiful art he produces; I have certainly been enriched by the way his art exemplifies the stories they tell. Many Thanks to all concerned.
W. J. Barnett, USA
My beautiful shawl arrived today. Thank you so much for this lovely shawl. Really, it is nicer than the photograph. I hope you and yours have a very Happy New Year and much prosperity in the New Year. With gratitude
Tom Anderson, Canada
An excellent website, as always. I do not even mention its content, which is beautiful beyond words, but I am merely referring to the great functionality and optimal design of your website. Links always work, the information is accurate and complete, images are very clear, including scanned content of your books. A pleasure to purchase from you.
Oreste, USA
I just wanted to extend my profound thanks to you for expediting my order. It was so well packaged and all import processes taken care of so the beautiful statue arrived in fabulous condition. It looks truly wonderful and I am so happy to have Lord Ganesh take pride of place in my home. Thank you again for your superb service. Best regards
Nikki Grainger
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