Subscribe for Newsletters and Discounts
Be the first to receive our thoughtfully written
religious articles and product discounts.
Your interests (Optional)
This will help us make recommendations and send discounts and sale information at times.
By registering, you may receive account related information, our email newsletters and product updates, no more than twice a month. Please read our Privacy Policy for details.
.
By subscribing, you will receive our email newsletters and product updates, no more than twice a month. All emails will be sent by Exotic India using the email address info@exoticindia.com.

Please read our Privacy Policy for details.
|6
Your Cart (0)
Share our website with your friends.
Email this page to a friend
Books > History > World Heritage Series- Ellora
Displaying 3993 of 4966         Previous  |  NextSubscribe to our newsletter and discounts
World Heritage Series- Ellora
World Heritage Series- Ellora
Description
From the Jacket

This guidebook is part of the World Heritage Series published by the Archaeological Survey of India.

Representing the three major religions of India, the ancient caves of Ellora are, in scale and detail, a breathtaking example of rock-cut architecture that stand testimony to the imagination and artistry of its creators. Located about 29 kms to the north-west of Aurangabad and about 100 kms from Ajanta, Ellora lies on an ancient trade route or the dakshinapatha, and thus has always remained in the public eye.

The Buddhist Caves differ from the Ajanta caves in their subject, arrangement and details. The Visvakarma cave (No.10), famous for its elaborate façade, is one of the finest examples of a Chaitya temple.

Among the Brahmanical Caves, one is overwhelmed by the magnificent proportion and stupendous workmanship of the Kailasa (Cave 16), regarded as one of the greatest monolithic sculptures in the world.

Of the five Jaina caves, the Indra Sabha and Jagannath Sabha stand out as imposing and intricately carved.

The caves, declared a Unesco World Heritage site in 1983, are of abiding interest both to the tourist and the connoisseur of architecture and sculpture.

Qutb Minar & adjoining monuments Humayun's Tomb & Adjacent monuments
Fatehpur Sikri
Khajuraho
Konarak
Sanchi
Ajanta
Old Goa
Mahabalipuram
Hampi
Chola Temples

ASI Team

B R Mani, Arundhati Banerji, Hoshiar Singh of ASI, New Delhi K. Veerabhadra Rao, R. Krishnaiah of Aurangabad circle, ASI.

Good Earth Publications Team

Edited by: Swati Mitra, Anupriya Roy designed by: Deepankar Bhattacharyya

Foreword

The rock-cut shrines of Ellora in Maharashtra are magnificent artistic creations, carved between the fifth and the thirteenth century. These caves with diverse details and minute carvings, representing three different faiths, Buddhist, Brahmanical and Jaina, are superb examples of Indian art. The Buddhist caves which ae profusely ornamented, carved on a large-scale, differ from the Ajanta Caves in their arrangements, subjects and details. Buddha is always shown here with six, eight or ten Bodhisattvas. The Visvakarma cave (No.10) is the great Chitya Temple, famous for its fine façade and large open courtyard, surrounded by a corridor. Among the Brahmanical Caves, Kailasa (Cave 16) is remarkable for striking proportion, elaborate workmanship, architectural content besides rich sculptural ornamentation. It is by far the most elaborate and extensive rock-temple. Of the five Jaina Caves, Indra and Jagannath Sabhas are massive, rich and extensive in execution.

Introduction

History

Despite the abundant architectural and artistic wealth of Ellora, it is not possible to precisely date the history of the region, not is it easy to assign monuments, except a few, to any particular century. This is primarily due to lack of dateable evidence. Inscriptions have been found in caves 15, 21 and 31, and these have given scholars some leads.

The inscriptions of cave 31 do not give any date, but from their palaeography, they may be dated to ninth-tenth century. The inscribed Parsvanatha image on the scarp of the hill above the Jaina caves was installed by a nobleman in 1234.

Cane 15 has an illegible inscription of the time of the Rashtrakuta king, Dantidurga (about AD 733-57) and a copper-plate grant of the sme king was obtained from her. However, these do not give any information about the monuments of the region. Historically these monuments are attributed to Krishna I (about AD 757-73). But adjuncts of this temple-complex, such as the shrines of Lankesvara and the Nadidevatas, may be dated to a slightly later period.

The inscriptions on the pedestal of the bracket-figures in cave 21 are in old Kannada characters of about sixth-seventh centuries and afford indirect evidence for the history of the region under the early Chalukyas of Badami.

It is rather curious that not a shred of evidence exists for the history of the Buddhist monuments in the absence of royal patronage after the eclipse of the Vakatakas. Those responsible for the Buddhist excavations were perhaps commoners or small traders who left no record of their donations. A pillar in cave 10 has a short inscription, but it is of little use in dating the monument. The inscription in the balcony of cave 10 is the 'only inscription at all of an early date found among the Buddha caves here'. According to J. Burgess (Report on the Elura cave Temples, Archaeological survey of western India, V) it is ascribable to eighth-ninth century. This proves that the Buddhist were active in the region long after the cave was actually excavated. The style of architecture, sculpture and the stages of development of iconography provide clues to the approximate date of the monuments.

The tentative chronology of the monuments of Ellora given below is based on such a study. An overview of their general layout shows that a majority of the caves are located in separate and concentrated groups such as caves 1 to 12, 14 and 15, 16 to 19, 20 to 24, 25 to 28, 32 to 34 and the group of caves upstream from Sita ki nahani. There are large individual monuments, for instance, caves 16 and 29.

Of the twelve Buddhist excavations, Caves 1 to 10 form a definite group. Even here, caves 1 to 3 and 5 are simple and may be said to be from an earlier period. From the style of the dvarapalas and the pillars, Caves 2 and 3 appear to belong to sixth century AD, while caves 1 and 5 may have been built somewhat earlier. Cave 4 and caves 6 to 10 may be assigned to the sixth-seventh century, although cave 9 may be of a somewhat later date. Cave 10 displays distinctly post-Gupta architectural designs and sculptural details, and probably the only novel iconographic features to be see in Ellora.

The Brahmanical excavations may be divided into a number of sub-groups. Cave 12 and those situated nearby belong to sixth-seventh century as is evident from inscriptions on the bases of the bracket-figures of cave 12 and the style of its façade and pillars. Caves 14, 17 to 19, 25 to 27 and 29 may belong to seventh century. The style of the pillars and sculptures of 29 seem to anticipate those of the Elephant caves. Cave 15 was excavated after caves 11 and 12. On the basis of the seated Buddha-like figures carved on a frieze above the first row of pillars of the second storey, it is said that cave 15 was originally intended to be a Buddhist excavation, but was subsequently appropriated by the Brahmanists. An inscription dating to the reign of the Rashtrakuta king, Dantidurga, and the style of sculpture of this cave are sufficient proof to date the major part of the work of the cave to the early half of eighth century.

Cave 16 displays architectural features belonging to two or three phases. While the main temple belongs to the middle of eighth century, the Nadidevata shrine, the Lankesvara and the gallery of icons in the rear may be assigned to-eighth-ninth century.

Cave 30 is perhaps the earliest of the Jaina caves and may be dated to the first half of ninth century cave 32 seems to be either contemporaneous with or slightly later than cave 30. Cave 33 closely follows cave 32 and may be dated to ninth-tenth century. The other minor excavations of this group belong to a much later period.

General Information

Ellora, also called Verul and Elura ia the corrupted form of the ancient name Elapura. The group of canes at Ellora, in Maharashtra which include 'a few largest, most varied and finest examples of the three religions- Buddhism, Hinduism and Jainism, is of absorbing interest both to the student and the connoisseur of architecture, sculpture and painting. The wealth of sculptures here is both of aesthetic interest as well as of iconographic importance. It was probably the incredible scenic beauty of the place which induced the Jainas of ancient times to name the hill on which the caves are excavated as Charanadri, that is, the hill of Charanas, the denizens of celestial regions.

Ellora is about 29 kms to the north-west of Aurangabad on the Manmad-Kacheguda section of the central Railway and can be reached by a good motorable road from there. It is about 5 kms from Khuldabad. The world famous Buddhist caves of Ajanta are 105 kms from Aurangabad. There is a regular bus-service between Aurangabad and Ellora and taxis are easily available from Aurangabad for journeys to and fro. Visitors to the monuments can stay in the guest house and Travellers' Bungalow at Khuldabad and in the Travellers' Bungalow at Ellora village. Accommodation has to be reserved by previous application to the collector, Local engineer or executive engineer, public works department, Aurangabad. Visitors can also stay at the guest house by previous arrangement with the keeper of the guest house. It is advised that visitors carry torches for examining the sculptures and paintings in the dark interior of the monuments.

Photographs of the caves and sculptures can be obtained from the superintending Archaeologist, Archaeological survey of India, Aurangabad circle. Aurangabad or from the director general of Archaeology in India, Janpath Road, New Delhi-110011. Picture postcards of select items of caves are available in the booking office near cave 16.

The caves of Ellora run approximately in the north-south direction for almost 2 kms. At the southern end are twelve Buddhist caves while in the north are six Jaina caves. In between lie seventeen Brahmanical caves. Apart from these there are the unnumbered caves of the Ganesa-lena group and the Jagesvari group, several of which have local names. The caves are described in an order commencing with the Buddhist caves at the southern end. Visitors who cannot see all the monuments should see at least Caves 6, 10, 11, 12, 14, 15, 16, 21, 29, 30, 30A, 31, 32, 33, 34 and the Siva-Ghrishnesvara temple in the village. The present structure of the temple of Siva-Ghrishnesvara was built in the late seventeenth century by Ahilyabai Holkar.

Table of Contents

General Information 6
Introduction8
History9
Religions15
Architecture16
Sculpture21
Iconography25
Painting29
Buddhist Caves30
Caves 1-1230-46
Brahmanical Caves47
Caves 13-2947-78
The Ganesa-lena group79
Jaina Caves80
Caves 30-3480-87
Parsvanatha shrine87
Other Monuments88
Do-Khamba88
Siva-Grishnesvara temple88
Malik Amber's tomb89
Excavations at Ellora90
Glossary92
Bibliography96

World Heritage Series- Ellora

Item Code:
IHG022
Cover:
Paperback
Edition:
2007
ISBN:
8187780436
Size:
9.2 inch X 4.6 inch
Pages:
96 (Illustrated Throughout In B/W & Colour)
Other Details:
a50_books
Price:
$16.50   Shipping Free
Notify me when this item is available
Notify me when this item is available
You will be notified when this item is available
Add to Wishlist
Send as e-card
Send as free online greeting card
World Heritage Series- Ellora

Verify the characters on the left

From:
Edit     
You will be informed as and when your card is viewed. Please note that your card will be active in the system for 30 days.

Viewed 6894 times since 2nd Mar, 2011
From the Jacket

This guidebook is part of the World Heritage Series published by the Archaeological Survey of India.

Representing the three major religions of India, the ancient caves of Ellora are, in scale and detail, a breathtaking example of rock-cut architecture that stand testimony to the imagination and artistry of its creators. Located about 29 kms to the north-west of Aurangabad and about 100 kms from Ajanta, Ellora lies on an ancient trade route or the dakshinapatha, and thus has always remained in the public eye.

The Buddhist Caves differ from the Ajanta caves in their subject, arrangement and details. The Visvakarma cave (No.10), famous for its elaborate façade, is one of the finest examples of a Chaitya temple.

Among the Brahmanical Caves, one is overwhelmed by the magnificent proportion and stupendous workmanship of the Kailasa (Cave 16), regarded as one of the greatest monolithic sculptures in the world.

Of the five Jaina caves, the Indra Sabha and Jagannath Sabha stand out as imposing and intricately carved.

The caves, declared a Unesco World Heritage site in 1983, are of abiding interest both to the tourist and the connoisseur of architecture and sculpture.

Qutb Minar & adjoining monuments Humayun's Tomb & Adjacent monuments
Fatehpur Sikri
Khajuraho
Konarak
Sanchi
Ajanta
Old Goa
Mahabalipuram
Hampi
Chola Temples

ASI Team

B R Mani, Arundhati Banerji, Hoshiar Singh of ASI, New Delhi K. Veerabhadra Rao, R. Krishnaiah of Aurangabad circle, ASI.

Good Earth Publications Team

Edited by: Swati Mitra, Anupriya Roy designed by: Deepankar Bhattacharyya

Foreword

The rock-cut shrines of Ellora in Maharashtra are magnificent artistic creations, carved between the fifth and the thirteenth century. These caves with diverse details and minute carvings, representing three different faiths, Buddhist, Brahmanical and Jaina, are superb examples of Indian art. The Buddhist caves which ae profusely ornamented, carved on a large-scale, differ from the Ajanta Caves in their arrangements, subjects and details. Buddha is always shown here with six, eight or ten Bodhisattvas. The Visvakarma cave (No.10) is the great Chitya Temple, famous for its fine façade and large open courtyard, surrounded by a corridor. Among the Brahmanical Caves, Kailasa (Cave 16) is remarkable for striking proportion, elaborate workmanship, architectural content besides rich sculptural ornamentation. It is by far the most elaborate and extensive rock-temple. Of the five Jaina Caves, Indra and Jagannath Sabhas are massive, rich and extensive in execution.

Introduction

History

Despite the abundant architectural and artistic wealth of Ellora, it is not possible to precisely date the history of the region, not is it easy to assign monuments, except a few, to any particular century. This is primarily due to lack of dateable evidence. Inscriptions have been found in caves 15, 21 and 31, and these have given scholars some leads.

The inscriptions of cave 31 do not give any date, but from their palaeography, they may be dated to ninth-tenth century. The inscribed Parsvanatha image on the scarp of the hill above the Jaina caves was installed by a nobleman in 1234.

Cane 15 has an illegible inscription of the time of the Rashtrakuta king, Dantidurga (about AD 733-57) and a copper-plate grant of the sme king was obtained from her. However, these do not give any information about the monuments of the region. Historically these monuments are attributed to Krishna I (about AD 757-73). But adjuncts of this temple-complex, such as the shrines of Lankesvara and the Nadidevatas, may be dated to a slightly later period.

The inscriptions on the pedestal of the bracket-figures in cave 21 are in old Kannada characters of about sixth-seventh centuries and afford indirect evidence for the history of the region under the early Chalukyas of Badami.

It is rather curious that not a shred of evidence exists for the history of the Buddhist monuments in the absence of royal patronage after the eclipse of the Vakatakas. Those responsible for the Buddhist excavations were perhaps commoners or small traders who left no record of their donations. A pillar in cave 10 has a short inscription, but it is of little use in dating the monument. The inscription in the balcony of cave 10 is the 'only inscription at all of an early date found among the Buddha caves here'. According to J. Burgess (Report on the Elura cave Temples, Archaeological survey of western India, V) it is ascribable to eighth-ninth century. This proves that the Buddhist were active in the region long after the cave was actually excavated. The style of architecture, sculpture and the stages of development of iconography provide clues to the approximate date of the monuments.

The tentative chronology of the monuments of Ellora given below is based on such a study. An overview of their general layout shows that a majority of the caves are located in separate and concentrated groups such as caves 1 to 12, 14 and 15, 16 to 19, 20 to 24, 25 to 28, 32 to 34 and the group of caves upstream from Sita ki nahani. There are large individual monuments, for instance, caves 16 and 29.

Of the twelve Buddhist excavations, Caves 1 to 10 form a definite group. Even here, caves 1 to 3 and 5 are simple and may be said to be from an earlier period. From the style of the dvarapalas and the pillars, Caves 2 and 3 appear to belong to sixth century AD, while caves 1 and 5 may have been built somewhat earlier. Cave 4 and caves 6 to 10 may be assigned to the sixth-seventh century, although cave 9 may be of a somewhat later date. Cave 10 displays distinctly post-Gupta architectural designs and sculptural details, and probably the only novel iconographic features to be see in Ellora.

The Brahmanical excavations may be divided into a number of sub-groups. Cave 12 and those situated nearby belong to sixth-seventh century as is evident from inscriptions on the bases of the bracket-figures of cave 12 and the style of its façade and pillars. Caves 14, 17 to 19, 25 to 27 and 29 may belong to seventh century. The style of the pillars and sculptures of 29 seem to anticipate those of the Elephant caves. Cave 15 was excavated after caves 11 and 12. On the basis of the seated Buddha-like figures carved on a frieze above the first row of pillars of the second storey, it is said that cave 15 was originally intended to be a Buddhist excavation, but was subsequently appropriated by the Brahmanists. An inscription dating to the reign of the Rashtrakuta king, Dantidurga, and the style of sculpture of this cave are sufficient proof to date the major part of the work of the cave to the early half of eighth century.

Cave 16 displays architectural features belonging to two or three phases. While the main temple belongs to the middle of eighth century, the Nadidevata shrine, the Lankesvara and the gallery of icons in the rear may be assigned to-eighth-ninth century.

Cave 30 is perhaps the earliest of the Jaina caves and may be dated to the first half of ninth century cave 32 seems to be either contemporaneous with or slightly later than cave 30. Cave 33 closely follows cave 32 and may be dated to ninth-tenth century. The other minor excavations of this group belong to a much later period.

General Information

Ellora, also called Verul and Elura ia the corrupted form of the ancient name Elapura. The group of canes at Ellora, in Maharashtra which include 'a few largest, most varied and finest examples of the three religions- Buddhism, Hinduism and Jainism, is of absorbing interest both to the student and the connoisseur of architecture, sculpture and painting. The wealth of sculptures here is both of aesthetic interest as well as of iconographic importance. It was probably the incredible scenic beauty of the place which induced the Jainas of ancient times to name the hill on which the caves are excavated as Charanadri, that is, the hill of Charanas, the denizens of celestial regions.

Ellora is about 29 kms to the north-west of Aurangabad on the Manmad-Kacheguda section of the central Railway and can be reached by a good motorable road from there. It is about 5 kms from Khuldabad. The world famous Buddhist caves of Ajanta are 105 kms from Aurangabad. There is a regular bus-service between Aurangabad and Ellora and taxis are easily available from Aurangabad for journeys to and fro. Visitors to the monuments can stay in the guest house and Travellers' Bungalow at Khuldabad and in the Travellers' Bungalow at Ellora village. Accommodation has to be reserved by previous application to the collector, Local engineer or executive engineer, public works department, Aurangabad. Visitors can also stay at the guest house by previous arrangement with the keeper of the guest house. It is advised that visitors carry torches for examining the sculptures and paintings in the dark interior of the monuments.

Photographs of the caves and sculptures can be obtained from the superintending Archaeologist, Archaeological survey of India, Aurangabad circle. Aurangabad or from the director general of Archaeology in India, Janpath Road, New Delhi-110011. Picture postcards of select items of caves are available in the booking office near cave 16.

The caves of Ellora run approximately in the north-south direction for almost 2 kms. At the southern end are twelve Buddhist caves while in the north are six Jaina caves. In between lie seventeen Brahmanical caves. Apart from these there are the unnumbered caves of the Ganesa-lena group and the Jagesvari group, several of which have local names. The caves are described in an order commencing with the Buddhist caves at the southern end. Visitors who cannot see all the monuments should see at least Caves 6, 10, 11, 12, 14, 15, 16, 21, 29, 30, 30A, 31, 32, 33, 34 and the Siva-Ghrishnesvara temple in the village. The present structure of the temple of Siva-Ghrishnesvara was built in the late seventeenth century by Ahilyabai Holkar.

Table of Contents

General Information 6
Introduction8
History9
Religions15
Architecture16
Sculpture21
Iconography25
Painting29
Buddhist Caves30
Caves 1-1230-46
Brahmanical Caves47
Caves 13-2947-78
The Ganesa-lena group79
Jaina Caves80
Caves 30-3480-87
Parsvanatha shrine87
Other Monuments88
Do-Khamba88
Siva-Grishnesvara temple88
Malik Amber's tomb89
Excavations at Ellora90
Glossary92
Bibliography96
Post a Comment
 
Post Review
Post a Query
For privacy concerns, please view our Privacy Policy

Related Items

Lady from Ajanta
Batik Painting On Cotton Fabric
2.8 ft x 2.8 ft
Item Code: BJ82
$35.00
Add to Cart
Buy Now
Ravana Shaking Mount Kailash
Water Color Painting On Paper
Artist: Kailash Raj
7.5 inch x 13.5 inch
Item Code: HN46
$570.00
 With Frame (Add $105.00)
Add to Cart
Buy Now
Two Royal Damsels Playing Chaupara
Oil on Canvas
47.0 inches X 35.0 inches
Item Code: OS51
$585.00
Backorder
Backorder
Cave Temples of Ajanta and Ellora
by Dr. Dulari Qureshi
Hardcover (Edition: 2012)
Bharatiya Kala Prakashan
Item Code: NAF453
$70.00
Add to Cart
Buy Now
Ellora Concept and Style
by Carmel Berkson
Hardcover (Edition: 1992-2004)
Abhinav Publications
Item Code: IDK314
$65.00
Add to Cart
Buy Now
Ellora Caves (The Glory of The Rashtrakootas)
by H. Atmaram
Paperback (Edition: 2010)
Amar Chitra Katha Pvt. Ltd.
Item Code: NAD599
$7.00
Add to Cart
Buy Now
Ellora: Monumental Legacy
by M.K. Dhavalikar
Paperback (Edition: 2003)
Oxford University Press
Item Code: IDE256
$17.00
Add to Cart
Buy Now
Cave Temples of The Deccan
Item Code: IDD740
$65.00
Add to Cart
Buy Now
The Light of Wisdom (Life and Works of Swami Pranvananda Saraswati)
by Brig. G.D. Bakshi
Hardcover (Edition: 2003)
Sharada Publishing House
Item Code: NAL181
$35.00
Add to Cart
Buy Now
Studies in Indian Sculpture (Two Volumes)
by Ratan Parimoo
Hardcover (Edition: 2000)
Books & Books, New Delhi
Item Code: NAC079
$275.00
Add to Cart
Buy Now
The Temple In South Asia: Archaeology and Text
by Himanshu Prabha Ray
Hardcover (Edition: 2010)
Oxford University Press
Item Code: IHG075
$50.00
Add to Cart
Buy Now
Cultural History of Early South Asia (A Reader)
by Shonaleeka Kaul
Hardcover (Edition: 2014)
Orient Blackswan Pvt. Ltd
Item Code: NAG491
$35.00
Add to Cart
Buy Now

Testimonials

Very grateful for this service, of making this precious treasure of Haveli Sangeet for ThakurJi so easily in the US. Appreciate the fact that notation is provided.
Leena, USA.
The Bhairava painting I ordered by Sri Kailash Raj is excellent. I have been purchasing from Exotic India for well over a decade and am always beyond delighted with my extraordinary purchases and customer service. Thank you.
Marc, UK
I have been buying from Exotic India for years and am always pleased and excited to receive my packages. Thanks for the quality products.
Delia, USA
As ever, brilliant price and service.
Howard, UK.
The best and fastest service worldwide - I am in Australia and I put in a big order of books (14 items) on a Wednesday; it was sent on Friday and arrived at my doorstep early on Monday morning - amazing! All very securely packed in a very strong cardboard box. I have bought several times from Exotic India and the service is always exceptionally good. THANK YOU and NAMASTE!
Charles (Rudra)
I just wanted to say that this is I think my 3rd (big) order from you, and the last two times I received immaculate service, the books arrived well and it has been a very pleasant experience. Just wanted to say thanks for your efficient service.
Shantala, Belgium
Thank you so much EXOTIC INDIA for the wonderfull packaging!! I received my order today and it was gift wrapped with so much love and taste in a beautiful golden gift wrap and everything was neat and beautifully packed. Also my order came very fast... i am impressed! Besides selling fantastic items, you provide an exceptional customer service and i will surely purchase again from you! I am very glad and happy :) Thank you, Salma
Salma, Canada.
Artwork received today. Very pleased both with the product quality and speed of delivery. Many thanks for your help.
Carl, UK.
I wanted to let you know how happy we are with our framed pieces of Shree Durga and Shree Kali. Thank you and thank your framers for us. By the way, this month we offered a Puja and Yagna to the Ardhanarishwara murti we purchased from you last November. The Brahmin priest, Shree Vivek Godbol, who was visiting LA preformed the rites. He really loved our murti and thought it very paka. I am so happy to have found your site , it is very paka and trustworthy. Plus such great packing and quick shipping. Thanks for your service Vipin, it is a pleasure.
Gina, USA
My marble statue of Durga arrived today in perfect condition, it's such a beautiful statue. Thanks again for giving me a discount on it, I'm always very pleased with the items I order from you. You always have the best quality items.
Charles, Tennessee
TRUSTe
Language:
Currency:
All rights reserved. Copyright 2017 © Exotic India