The energied movement of the two brothers is symbolized by their flowing scarves, and the mountainous forms of the two wrestlers seem to succumb to the pressure being applied to their necks by the two heroes. The villains bleed profusely and it is obvious that life is slowly deserting them. The stark background heightens the action packed composition.
This painting is achieved in the Basohli style. The Basohli style of painting, characterized by vigorous use of primary colors and a peculiar facial formula, prevailed in the seventeenth and early eighteenth centuries in the foothills of the Western Himalayas in the Jammu and Punjab States. The earliest paintings in this style have been dated to the time of Raja Kirpal Pal (1678-93).
This episode occurs in detail in the Shrimad Bhagavata Purana, X.44.