Nepalese Jambhala (Kubera) Deity Sculpture
$3807
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| Specifications |
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CAA073 |
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Copper With Gold |
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Height: 25 inch |
| Width: 19 inch | |
| Depth: 10 inch | |
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Weight 13 kg |
| About the Item |
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| Delivery and Return Policies |
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Usually ships in 6 days |
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Returns and Exchanges accepted within 7 days |
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Free Delivery |
Easy Returns
Fully Insured
100% Handmade
Warning the
forces of inauspiciousness with his right hand in Tarjani mudra and showering
riches with his jewel-spewing mongoose in the left hand, Jambhala or Kubera in
this Nepalese statue made from gilded copper presents Kubera in his twin roles-
as a guardian deity and Buddhist Lord of divine wealth. The snow lion serving
as his seat in the composition looks at his rider’s ethereal form in an
awe-struck pose. His hair is matched with Kubera’s alluring three eyes and
facial hair. The distinctive Nepalese aureole adds splendor to the superb
artwork.
Embodiment of Prosperity and Wisdom: Jambhala from Nepal
This magnificent sculpture captures the essence of Jambhala, also known as Kubera, the celestial deity associated with wealth, fortune, and abundance in Buddhist traditions. Hailing from the revered artisan workshops of Nepal, this deity is rendered in lustrous copper with exquisite gold embellishments, reflecting the divine radiance and opulent nature of the deity he represents. The artistry and spiritual depth embedded in this piece make it a truly exceptional addition to any sacred space or collection. Jambhala is not merely a deity of material riches; he is also revered as a protector of the Dharma and a dispenser of wisdom. In various Buddhist narratives, he is depicted as a benevolent figure who bestows not only worldly prosperity but also the inner wealth of spiritual understanding and liberation. His presence is said to remove obstacles to spiritual progress and to cultivate a generous and compassionate heart. The vibrant, almost alive portrayal of Jambhala in this sculpture speaks to his active role in showering blessings upon his devotees. ––––––––––Iconographic Details and Symbolism
The deity's form is rendered with meticulous attention to detail, showcasing the rich iconographic traditions of Tibetan Buddhism. Jambhala is shown seated in a regal posture, his body adorned with elaborate jewelry and a crown, signifying his status as a king and guardian. His powerful visage, with piercing eyes and a determined expression, conveys his authority and his ability to overcome any impediments to prosperity. The presence of a third eye on his forehead is a classic attribute, symbolizing his profound insight and wisdom, capable of seeing beyond the mundane. The deity's mount, a magnificent lion-like creature with a vibrant green mane, adds to the dynamism and grandeur of the sculpture. This creature symbolizes power, courage, and the conquering of ignorance. Jambhala's right hand is often depicted holding a mongoose spewing jewels, a potent symbol of inexhaustible wealth. While not explicitly visible in every angle, the implied presence of such wealth-generating iconography underscores the deity's role as a bestower of fortune. The intricate detailing of the ornate aureole behind the deity further enhances the sacred aura, with its swirling patterns suggesting cosmic energy and divine grace. The base, designed as a lotus pedestal, signifies purity and spiritual awakening, grounding the celestial deity in a context of spiritual growth. ––––––––––
Craftsmanship and Cultural Heritage
Crafted from high-quality copper and meticulously gilded with gold, this sculpture possesses a breathtaking luminescence that captures and reflects light, imbuing it with a sense of divine presence. The artisans of Nepal, renowned for their centuries-old tradition of thangka painting and metal casting, have poured their skill and devotion into this piece. The intricate sculpting, the delicate application of paint to accent facial features and adornments, and the overall harmonious composition are testaments to their mastery. Each curve, each detail, has been shaped with reverence, ensuring that the sculpture is not just an object of beauty but also a powerful conduit for spiritual energy and devotion. This piece embodies the rich cultural heritage of Nepal, a land steeped in spirituality and artistic excellence, offering a tangible connection to ancient traditions and divine aspirations.How are Nepalese copper statues made?
Nepalese statues and sculptures are best known for their unique
small religious figures and ritual paraphernalia for over two
thousand years. These are mainly cast in copper alloy. Nepal draws
influences from the artistic styles of Buddhism and Hinduism, and
therefore the sculptors of the country specialize in making the
icons of both these religions. Over the years, Nepalese sculptures
evolved into their own distinctive iconography. Some
characteristic features of these sculptures that differ from other
pieces are exaggerated physical postures, youthful and sensual
features, languid eyes, wider faces having serene expressions, and
ornate flourishes. The Buddhist deity icons of Nepal have
tremendous demand in countries such as China and Tibet for ritual
purposes in their temples and monasteries.
Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.
The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.
Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.
The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.
Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
At this stage, a hollow mould in the shape of the deity is
obtained.
This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
The artist works on the details of the statue using various tools.
It is then polished to get a shiny and lustrous surface.
Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
The lost-wax method of sculpting is the most preferred technique
for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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