Tibetan Buddhist Deity Yamantaka Copper Statue - Made in Nepal

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Tibetan Buddhist Deity Yamantaka Copper Statue - Made in Nepal

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Name: Tibetan Buddhist Deity Yamantaka Copper Statue - Made in Nepal
Brand: Exotic India
SKU: ZEM656
Price: 1540.00 USD
Availability: InStock

$1328.25

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Specifications

	ZEM656
	COPPER STATUE FROM NEPAL
	Height: 13.5 inch
	Width: 4.2 inch
	Depth: 9 inch
	Weight 4.50 kg

Delivery and Return Policies

	Ships in 1-3 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

By assuming such a horrific form, Yamantaka eliminates the fear of death from the devotee's heart and takes her closer to Enlightenment. Standing over a terrifying animal with a human trapped underneath, Yamantaka in this statue from Nepal carries a stunning realism in his representation, whose visual effect is amplified by the brilliantly flaming aureole around him, the swaying ornaments of skulls worn by him, and the aesthetic balance of copper with silver tones.

The Victorious Conqueror of Death

This powerful and evocative copper statue embodies the fierce aspect of Yamantaka, one of the most formidable wrathful deities in Tibetan Buddhism. Crafted with exquisite detail in Nepal, this deity is a protector and a destroyer of obstacles, particularly the ultimate obstacle of death itself. The statue depicts Yamantaka in his iconic form, a manifestation of compassion in wrathful guise, designed to overcome delusion and ignorance. His terrifying visage, with bared fangs and a roaring mouth, symbolizes his ability to conquer the forces that bind sentient beings to the cycle of suffering and rebirth.

Mythological Significance and Iconography

Yamantaka is a wrathful emanation of Manjushri, the Bodhisattva of wisdom. His name literally translates to "Conqueror of Death." In Tibetan mythology, he is revered for his power to overcome the god of death, Yama, and thus liberate beings from the fear and dominion of mortality. This statue captures the dynamic energy of Yamantaka, standing in a vigorous posture, ready to vanquish negativity. He is often depicted with multiple heads, arms, and legs, and here we see his fearsome head, adorned with a crown of skulls, and the fierce expression that inspires awe and respect. The flames emanating from his body represent the fiery wisdom that burns away ignorance and illusion. He is shown trampling a bull and a human, symbolizing his dominion over the forces of greed, hatred, and delusion that lead to suffering and death. The intricate silver accents highlight the divine power and sacred essence of this formidable protector.

Artistry and Craftsmanship

Each element of this statue, from the muscular form of the deity to the intricately carved base, speaks of the masterful craftsmanship of Nepalese artisans. The use of high-quality copper, imbued with a deep patina, gives the statue a sense of ancient power and spiritual depth. The details are meticulously rendered, showcasing the serene yet terrifying expression of Yamantaka, the divine ornaments, and the dynamic swirling flames that encapsulate him. The contrasting silver inlays bring the divine and fearsome attributes to life, drawing the eye to the powerful symbolism. This statue is not merely an object of devotion but a work of art, a testament to the enduring traditions of Buddhist iconography and metalwork. Its substantial size makes it a commanding presence in any sacred space or art collection.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.