Tibetan Buddhist Handheld Prayer Wheel - Made in Nepal
$104
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| Specifications |
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ZEM090 |
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Copper,Brass and Wood |
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Height: 11.2 inch |
| Width: 2.2 inch | |
| Depth: 2.2 inch | |
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Weight 160 gm |
| Delivery and Return Policies |
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Usually ships in 35 days |
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Returns and Exchanges accepted within 7 days |
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Free Delivery |
Easy Returns
Fully Insured
100% Handmade
A Sacred Companion for Inner Peace
Embrace the profound spiritual traditions of Tibet with this exquisite handheld prayer wheel, meticulously crafted in the heart of Nepal. More than just an object of beauty, this prayer wheel is a tangible connection to a rich heritage of mindfulness and devotion. Each turn is believed to send prayers and mantras out into the world, accumulating merit and purifying negative karma, just as the revolving prayer wheels of monasteries do.Craftsmanship Rooted in Tradition
This prayer wheel is a testament to the skilled artistry of Nepalese craftspeople. The cylinder, a central component of the prayer wheel, is adorned with vibrant turquoise and rich red in a striking geometric pattern, bordered by intricate brass detailing. Prominently displayed on the cylinder are sacred Tibetan Om symbols, rendered in lustrous brass. These symbols are not mere decoration; they are the embodiment of divine sound and potent mantras, each one resonating with spiritual energy. The cylinder itself is expertly inlaid with precious materials, reflecting the deep respect and dedication infused into its creation. The main body of the wheel is constructed from high-quality copper and wood, ensuring its durability and resonance.The Significance of the Prayer Wheel
In Tibetan Buddhism, the Mani wheel, as it is also known, is a devotional tool used to generate positive energy and wisdom. It is said that the act of spinning a prayer wheel clockwise is equivalent to reciting the mantras contained within it. Legend tells that Guru Rinpoche, Padmasambhava, the father of Tibetan Buddhism, used prayer wheels to subdue demons and spread the Dharma. The tradition suggests that even the breath of a person who spins a prayer wheel is purified. This particular prayer wheel is designed for personal use, making it a perfect companion for meditation, travel, or to adorn a sacred space in your home. The small bell, attached by a delicate chain, adds a gentle chime with each rotation, serving as a subtle reminder of the spiritual journey.A Symbol of Peace and Enlightenment
The use of turquoise in this prayer wheel is significant, as it is believed to represent the sky and the ocean, symbolizing wisdom and peace. Red is often associated with energy, passion, and compassion. The harmonious blend of these colors, along with the burnished brass and the rich wood of the handle, creates an object that is both aesthetically pleasing and spiritually potent. The handle itself is ergonomically designed for comfortable use, featuring the same beautiful mosaic of turquoise, red, and blue, separated by bands of brass. Owning and using this prayer wheel is an invitation to cultivate a deeper sense of peace, compassion, and enlightenment in your daily life. It serves as a constant reminder of the interconnectedness of all beings and the boundless potential for spiritual growth.How are Nepalese copper statues made?
Nepalese statues and sculptures are best known for their unique
small religious figures and ritual paraphernalia for over two
thousand years. These are mainly cast in copper alloy. Nepal draws
influences from the artistic styles of Buddhism and Hinduism, and
therefore the sculptors of the country specialize in making the
icons of both these religions. Over the years, Nepalese sculptures
evolved into their own distinctive iconography. Some
characteristic features of these sculptures that differ from other
pieces are exaggerated physical postures, youthful and sensual
features, languid eyes, wider faces having serene expressions, and
ornate flourishes. The Buddhist deity icons of Nepal have
tremendous demand in countries such as China and Tibet for ritual
purposes in their temples and monasteries.
Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.
The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.
Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.
The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.
Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
At this stage, a hollow mould in the shape of the deity is
obtained.
This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
The artist works on the details of the statue using various tools.
It is then polished to get a shiny and lustrous surface.
Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
The lost-wax method of sculpting is the most preferred technique
for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
![श्रीमद्रविषेणाचार्य प्रणीत पद्मपुराण [ पद्मचरित ] द्वितीय भाग: Shrimadravishenaacharya Pranit Padmpuran [ Padmacharit ] Dvitiya Bhag](https://cdn.exoticindia.com/images/products/thumbnails/t400x300/book-10-2025/hbx580.jpg "श्रीमद्रविषेणाचार्य प्रणीत पद्मपुराण [ पद्मचरित ] द्वितीय भाग: Shrimadravishenaacharya Pranit Padmpuran [ Padmacharit ] Dvitiya Bhag")
