Nepalese Statue of Vajrasattva: Serene Copper Deity Art
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| Specifications |
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CAA132 |
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Copper With Gold |
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Height: 10 inch |
| Width: 7.5 inch | |
| Depth: 4 inch | |
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Weight 2.10 kg |
| About the Item |
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| Delivery and Return Policies |
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Usually ships in 6 days |
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Returns and Exchanges accepted within 7 days |
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Free Delivery |
Easy Returns
Fully Insured
100% Handmade
The very name
"Vajrasattva"
encapsulates his essence, signifying a "diamond being" or a
"thunderbolt being." Depicted as a serene, white deity seated in the
padmasana on a lotus throne, Vajrasattva's presence is synonymous with
purification and the dispelling of negative karma. His statue elegantly holds a
vajra in his right hand, a symbol of ultimate reality, close to his chest. In
his left hand, an inward-facing bell resonates with wisdom's essence.
Â
With an ornate
crown gracing his head, Vajrasattva is a masterpiece of aesthetic detail. From
the intricately engraved clothing to the adorned lotus base adorned with floral
motifs, the statue's visual allure resonates with its spiritual significance.
Embodiment of Purity and Enlightenment
This exquisite statue captures the serene and powerful presence of Vajrasattva, a central figure in Vajrayana Buddhism. Crafted in Nepal, a land steeped in spiritual tradition, this idol is a testament to the skill of Nepalese artisans and their profound understanding of Buddhist iconography. The gleaming copper, further enhanced with gold, imbues the statue with an aura of divine brilliance, symbolizing the radiant purity and enlightenment that Vajrasattva represents. His tranquil countenance, adorned with a regal crown and intricate jewelry, conveys a sense of ultimate peace and spiritual authority.The Symbolism of Vajrasattva
Vajrasattva, often translated as "Diamond Being" or "Adamantine Being," is revered as the embodiment of the purity of enlightened mind. He is the primordial Buddha, the source from which all other Buddhas arise. In Buddhist mythology, Vajrasattva is believed to have made a great vow to purify all sentient beings from their negativities and obscurations. This statue, with its serene posture and symbolic accoutrements, serves as a visual representation of this profound commitment. His diamond-like nature signifies indestructibility, clarity, and the ultimate truth that lies beyond conceptualization.
Artistry and Divine Form
The craftsmanship of this statue is truly remarkable. The flowing robes, detailed ornamentation, and the delicate features of Vajrasattva's face are rendered with exceptional precision. The lotus throne upon which he sits, a symbol of purity emerging from the muddy waters of samsara, is intricately carved, further enhancing the divine essence of the figure. The smooth, lustrous finish of the copper and gold composition suggests not only artistic mastery but also a deep reverence for the sacred subject. Each element, from the crown to the posture of his hands, is imbued with meaning, inviting contemplation and spiritual connection.A Source of Purification and Blessing
In Buddhist practice, devotion to Vajrasattva is a powerful method for purifying negative karma, obscurations, and mental afflictions. Meditating on his form or chanting his mantra is believed to cleanse the mind and bring forth one's innate Buddha-nature. This statue, therefore, is more than just an object of art; it is a sacred vessel that can serve as a focal point for meditation and a source of spiritual inspiration. Its presence in a home or temple can create an atmosphere of peace, purity, and auspiciousness, inviting the blessings of Vajrasattva to permeate one's life. The rich cultural heritage of Nepal, where such statues have been created for centuries, is palpable in every detail, making this idol a treasured piece for any practitioner or admirer of Buddhist art.
How are Nepalese copper statues made?
Nepalese statues and sculptures are best known for their unique
small religious figures and ritual paraphernalia for over two
thousand years. These are mainly cast in copper alloy. Nepal draws
influences from the artistic styles of Buddhism and Hinduism, and
therefore the sculptors of the country specialize in making the
icons of both these religions. Over the years, Nepalese sculptures
evolved into their own distinctive iconography. Some
characteristic features of these sculptures that differ from other
pieces are exaggerated physical postures, youthful and sensual
features, languid eyes, wider faces having serene expressions, and
ornate flourishes. The Buddhist deity icons of Nepal have
tremendous demand in countries such as China and Tibet for ritual
purposes in their temples and monasteries.
Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.
The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.
Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.
The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.
Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
At this stage, a hollow mould in the shape of the deity is
obtained.
This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
The artist works on the details of the statue using various tools.
It is then polished to get a shiny and lustrous surface.
Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
The lost-wax method of sculpting is the most preferred technique
for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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