Vajrasattva Copper Statue (10") - Nepalese Buddhist Deity
$667
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| Specifications |
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CAA126 |
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Copper With Gold |
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Height: 10 inch |
| Width: 6.5 inch | |
| Depth: 4 inch | |
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Weight 2 kg |
| About the Item |
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| Delivery and Return Policies |
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Usually ships in 6 days |
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Returns and Exchanges accepted within 7 days |
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Free Delivery |
Easy Returns
Fully Insured
100% Handmade
Vajrasattva, a
manifestation of Buddha Conqueror Vajradhara, embodies profound significance in
Vajrayana Buddhism as a potent force for healing and purification. As a
bodhisattva and one of the revered 5 Dhyani Buddhas, his luminous form radiates
with divine brilliance.
Seated gracefully
in the Padmasana, Vajrasattva gracefully wields a bell and Dorje in his hands.
His appearance is adorned with an intricate crown embellished with delicate
turquoise stones, enhancing his ethereal presence. The practices of Vajrasattva
meditation and mantra stand as renowned methods of purification. These
practices hold the power to cleanse and transform, reverberating through the
spiritual journey of seekers, an embodiment of healing and renewal.
The Embodiment of Primordial Purity
Behold a magnificent representation of Vajrasattva, a central figure in Vajrayana Buddhism, sculpted in the heart of Nepal. This exquisite statue, crafted from lustrous copper and adorned with touches of gold, stands as a testament to the enduring artistry and profound spiritual heritage of the region. Vajrasattva, often revered as the primordial Buddha or the Bodhisattva of purification, embodies the ultimate purity and the uncorrupted essence of enlightenment. His presence symbolizes the power to cleanse negative karma, overcome obstacles, and awaken the inherent Buddha-nature within all beings. ––––––––––Iconography and Divine Grace
This devotional artwork captures Vajrasattva in a serene and commanding posture, seated in the vajra posture upon an intricately designed lotus throne. The lotus, a powerful symbol in Buddhist traditions, signifies purity, enlightenment, and spiritual awakening, suggesting that even in the mire of worldly existence, true liberation can blossom. Vajrasattva's serene countenance, with his eyes gazing gently forward, radiates compassion and profound wisdom. His multi-jeweled crown and ornate ornaments, highlighted with gold, speak to his celestial status and the richness of spiritual realization. In his right hand, he holds a vajra, the diamond scepter, symbolizing indestructible wisdom and the thunderbolt of enlightenment that dispels ignorance. His left hand cradles a bell, representing the emptiness of phenomena and the melodious sound of the Dharma. The union of the vajra and bell signifies the indivisible nature of wisdom and compassion. ––––––––––
Craftsmanship and Spiritual Resonance
This sculpture is not merely an object of devotion; it is a masterpiece of Nepalese craftsmanship. The skillful hand of the artisan has brought forth the divine form with remarkable detail and precision. The warm gleam of the copper, enhanced by the subtle application of gold, imbues the statue with an aura of sacredness and timeless beauty. Each curve, each fold of his monastic robe, and the delicate rendering of his facial features contribute to the overall sense of spiritual presence. To gaze upon this image is to invite the blessings and purifying energy of Vajrasattva into your life, serving as a constant reminder of the path to inner peace and ultimate liberation. Its substantial presence makes it a commanding centerpiece for any altar or sacred space, fostering an atmosphere of tranquility and spiritual contemplation.How are Nepalese copper statues made?
Nepalese statues and sculptures are best known for their unique
small religious figures and ritual paraphernalia for over two
thousand years. These are mainly cast in copper alloy. Nepal draws
influences from the artistic styles of Buddhism and Hinduism, and
therefore the sculptors of the country specialize in making the
icons of both these religions. Over the years, Nepalese sculptures
evolved into their own distinctive iconography. Some
characteristic features of these sculptures that differ from other
pieces are exaggerated physical postures, youthful and sensual
features, languid eyes, wider faces having serene expressions, and
ornate flourishes. The Buddhist deity icons of Nepal have
tremendous demand in countries such as China and Tibet for ritual
purposes in their temples and monasteries.
Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.
The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.
Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.
The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.
Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
At this stage, a hollow mould in the shape of the deity is
obtained.
This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
The artist works on the details of the statue using various tools.
It is then polished to get a shiny and lustrous surface.
Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
The lost-wax method of sculpting is the most preferred technique
for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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