Kama was the second son of Dharma, one of the Prajapatis born
from the right breast of Brahma. His other two brothers were
Shama and Harsha. All three brothers were extremely handsome but
Kama excelled all and became the god of love, beauty and passion.
He was married to Rati, the goddess of beauty. As to how Kama
became prey of Shiva's wrath there are two stories in prevalence.
In the process of creation Brahma created a girl who was
extremely beautiful, sweet tongued and wise. She was named
Saraswati. Brahma placed her on the tip of each one's tongue but
himself fell in her love. After he realised that his act was
immoral, he cursed Kama for kindling in him the related passion.
He cursed that he would turn to ashes by Shiva's wrath.
Brahma's curse takes effect later. After the death of his wife
Sati Shiva retired to Himalaya and engaged himself into deep
penance. Those days a demon Taraka had grown quite powerful after
he was blessed with the boon that save the son of Shiva none else
would be able to kill him. Shiva had refused to marry any woman.
Thus, Taraka was practically invincible. This made him arrogant
and he began harassing even gods and snatching from them the
Indraloka. In the mean time Parvati, the daughter of Himavana,
fell in Shiva's love and vowed to marry none but him. She engaged
in rigorous penance for winning the Parmeeshvara. Indra decided
to exploit this situation. He sent Kama to rouse in Shiva's mind
the passion of love. Accordingly Kama reached where Shiva was
engaged in penance and shot at him his arrows of passion. The
enraged Shiva did not open his normal eyes as these were buried
in meditation. He opened instead his third eye. There emitted
from it a flood of fire and Kama was burnt into it. His wife Rati
moaned and prayed Lord Shiva to revive her husband but Shiva said
that he would live for ever but only as 'Ananga', the one without
a material form.
This excellent Madhubani painting has its canvas divided into
upper and lower compartments. The upper one portrays Lord Shiva
engaged in deep and rigorous penance inside a tree-grove on a
mountain range, obviously the Himalayas. He is seated on lion
skin. His third eye has been prominently portrayed on his
forehead. On his right he has his trident and drum nailed into
ground and on his left he has his 'kamandala'. The 'Neelakantha'
or the blue throated Shiva has been portrayed as total blue.
Black trees with green leaves are typical of Madhubani art. The
lower compartment depicts Rati and Kamadeva. Kamadeva has in his
hands his bow and arrow ready to shoot. Two flowering plants, one
each on both sides, further symbolise Kamadeva and the season of
spring when Kama is stronger than ever else. In front of Kamadeva
there emerges a heap of fire and coal like black ashes under it.
It depicts the prime theme, that is, Kamadeva reduced to ashes.
This description by Prof. P.C. Jain and Dr Daljeet. Prof. Jain
specializes on the aesthetics of ancient Indian literature. Dr
Daljeet is the chief curator of the Visual Arts Gallery at the
National Museum of India, New Delhi. They have both collaborated
on numerous books on Indian art and culture.
Of Related Interest:
Shiva - The Sensuous Yogi (Article)
Kama-Artha-Siddhi Sadhana (Tantra Painting)
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