A tale of Indian Rites of Passage – The Tradition of Vrats

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A tale of Indian Rites of Passage – The Tradition of Vrats

In Hindu society, there are many rites of passage (samskara) that are performed throughout the year. These rites of passage come in many forms, such as birth, leaving the birth chamber, giving a child a name, first feeding of solid food, puberty, marriage, and cremation. To accompany these rites are the vrats, an ascetic ritual that involves women fasting for the welfare of their husbands and children. As stated by Pearson “Varts [are] a rite…performed on a regular basis to achieve a particular objective, following the respective rule that have been transmitted from one generation to the next” (Pearson 45). The tradition of vrats can be traced back to the Vedic period which makes them over three thousand years old in nature. Most vrats are performed by women in Hindu society because they are believed to enhance a women’s power (sakti). This power can then be transferred to her loved ones. This idea of women performing vrats is common because they are a part of the domestic rituals, over which Hindu women have control and power. Some vrats are performed for a woman’s individual needs, so she can focus on herself and then be attentive to her family's needs.


भारत के व्रत एवं त्योहार - India's Fasts and Festivals (Vrata Stories, Pilgrimage Sites, Ritual Traditions, Auspicious Symbols Etc.)

Many vrats tie in with marriage ideals and are seen as part of dharma (righteousness); they represent the fidelity to a husband and demonstrate their service until the day he passes on. As stated by Rodrigues, “Vrats emanate from ancient Hindu ideas of asceticism as intrinsic to spiritual attainment, meshes with the obligatory duties of married women in the Pativrata ideal” (Rodrigues 61). It is believed that if a Hindu woman performs a certain type of vrat that is for their husband then they will be forever protected by the husband. Also when the vrat is performed it shows to the husband her loyalty which will allow the women to live in harmony with her family.


बारह महीनों के व्रत त्यौहार और कहानियाँ - Twelve Months Vrat Festivals and Stories

The different kinds of vrats have various purposes; some are for good health, prosperity, for a son to be born, for a loved one, and protection for the family. Pintchman in her study, “Women’s Lives, Women’s Rituals in the Hindu Tradition,” states: “these rituals are usually undertaken annually, on days sacred to the particular god (deity) whose blessings are sought”. This day is of great importance when performing a vrats because Hindu women believe that they will receive what they are asking for if they perform the right ritual, to the right deity (god). There are men who perform vratas but, it is not regarded as a norm; it is more popular among Hindu women. Vartas are very organized into castes and regions of India. There are many vrats that only upper-class women perform or that are only performed in certain areas of India. Despite these differences, they are similar in that they are performed in the domestic realm and for the domestic realm (Pintchman 65).


गनेस चउथ (गणेश चौथ) - Ganesh Chauth (Bhojpuri Folklores of Teej Festival and Vrat Fasts)

Jivitputrika vrats also called the Jiutiya (a contraction or jiwit-putra), is one of many popular family vratas. It is often compared to other family vrats, such as Halsathi and GanesCauth. Women perform these vrats for the wellbeing and protection of certain areas of family life; there is no male involvement. The Jivitputrika vrat is performed by the mother where she wishes for the well-being and long life of her sons. The actual English translation of the word Jivitputrika is “living son”. This translation demonstrates a mothers’ wish for her son to live a long, prosperous life. This vrat is known as the most difficult one to perform. It is also the most important because it determines the life of a Hindu women’s son. Jivitputrika can be the most effective vrat because it is believed by Hindu mothers to work; it also changes a son’s life (Pearson 38). Hindu women pass this ritual on to younger female generations- in most cases their daughters. If the mother does not have any daughters she will pass it on to her younger sisters. This vrat has been done for generations but has not been explored by scholars as to its procedure. There have been many hypotheses, but the integral details remain unknown. A lot of the details remain unknown because the ritual is only performed by women who have sons or amongst others who practice Hinduism (Pearson 163).


जीवित् पुत्रिका व्रत-कथा: Jivit Putrika Vrata Katha

Jivitputrika is popular among women because Hindu women play a central role in the household; they are responsible for the protection of their children and husband. Hindu women are said to be responsible for three goals: Artha (profit), Kama (pleasure), and Dharma (religion or virtue). All three of these goals are incorporated into the domestic realm over which Hindu women are responsible (Dhavamony 196). As Tripathi states, “the Puranas (literature consisting of ancient myths) say that women who observe this vrat never suffer on account of their sons” (188). If Hindu women perform Jivitputrika, it is believed that they will be forever protected by their sons. The role of the son once the husband has passed on is to protect their mother, so if the mother protects her son while he is young then the mother has returned the favor (Bhattacharyya 57).

बारह महीनों के व्रत एवं त्यौहार: Twelve Month fasts and festivals

The Jivitputrikavrat takes place on the eighth of the waning fortnight of the month of Asvin (September and October). On the day of the vrat a Hindu mother will wake up early, complete her chores, and then purify herself in a tirtha (pool). She must be fully purified to be able to continue with the vrat or it will not work. Once she has bathed she proceeds to make a sankalpa (statement of intent before starting the vrat) for the wellbeing and protection of her son. She enters into a fast, where she cannot have food or water for a day. On the eve of the first day, fasting mothers sing Jivtiya (song to the deities) and tell or listen to kirtan (song expressing glory to deities). It is unclear what deity each mother praises because it changes with each request they make for their son and the deity that they worship at their home puja (worship, shrine). At late night, they tell a meritorious (story of deserving praise, reward, esteem) and again perform a kitana. On the second day of the ritual, they will bathe and give a dan-daksina (a payment given to Brahmans for ritual service) to a Brahman woman, whose husband is still living and blessed with sons. There are offerings made to the puja (worship, shrine). These can be items such as food, or material goods. Once the offerings have been made the Brahmin women blesses the mother by giving her Jiutya (red and yellow threads to wear on their necks). This Jiutya symbolizes that the mother has performed the ritual and that she is protecting her son. The Jiutya is worn for months after the ritual. In some cases the mother may never take it off, symbolizing her gratitude to the deity that granted her request. The women continue to fast and go home singing, carrying baskets on their heads or hands. The baskets contain the food from the offerings and are chopped and offered as Prasada for those not keeping the vrat. She will continue fasting until the next day when she will rise before dawn, bathes, and eats. The Jivitputrika, vrat is not always performed alone; there are times when women who have been blessed with sons perform the ritual as a group. In these cases, the meritorious stories are told by the older women and food offerings are performed by them (Pearson 163-165).

जीवितपुत्रिकाव्रतकथा - Jeevit Putrika Vrata Katha (An Old and Rare Book) 

The meritorious stories are very important to the Jivitputrika vrat because it allows for information to be passed from generation to generation. The most popular story is about a “noble king, Jimutavahan, and his self-sacrifice to Garuda, the half-man, half-vulture king of the birds, for the sake of Nag ( snake) and his mother”(Pearson 164). There are three reasons why this story is relevant to Jivitputrika vrat. The first is that the happy ending occurs on the eighth of the dark half of Asvin. The second is that King Jimutavahan demonstrates a model of what Hindu women wish for their sons. The last reason is that snakes are thought to be protectors of children, which portrays protection in the Jivitputrika vrat. There are many versions of this story but, in every version, there is an appearance of Siva (lord of the yogi, ultimate reality) and Parvati (wife of Siva), who gives blessings to the sons or ensures their safety.

The Jivitputrika vrat demonstrated the limitless love and affection of a mother for her son. This vrat is done differently in houses across India but the main message is consistent across the country. The Jivitputrika vrat will be performed for many generations and with each generation altering its performance to better meet their needs and values.

References and further recommended readings

Bhattacharyya, M. (1988) Hindu religion and women’s rights. Religion and Society35, 52-61.

Dhavamony, M. (1991) The position of women in Hindu society. Studia Missionalia40, 195-223

Pearson, Anne. (1996) Because it gives me peace of mind: ritual fasts in the religious lives of Hindu women. Albany: State University of New York Press.

Pintchman, T. (2007) Women’s lives, women’s rituals in the Hindu tradition. England: Oxford Univ Press

Rodrigues, Hillary. (2006) Hinduism, the e-book, the online introduction. Journal of buddhist ethics Online Book Ltd.

Tripathi, R (1978) HinduonkeVrat, Parv aur Tyauhar. Allahabad: LokbhartiPackasan. Depiction by Pearson, Anne (1996) Because it gives me peace of mind: ritual fasts in the religious lives of hindu women. Albany: State University of New York Press.

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