Batik is a medium that lies somewhere between
art and craft, and is believed to be at least 2000 years old.
The technique of batik is a demanding one. In
general, the final design must be conceived before the picture
is begun. The batik artist works intimately with color; if he
wishes parts of his design to be light yellow, for example, all
these parts must be waxed at the same time before any subsequent
dyeing. He cannot isolate one part of his design and complete
it before moving on to the others as an artist in oils or watercolor
may; he must create his design in stages, each of which encompasses
the whole picture.
The basic process of batik is simple. It consists
of permeating an area of fabric with hot wax so that the wax resists
the penetration of dye.
If the cloth we begin with is white, such as bleached
cotton, linen, or silk, then wherever we apply hot wax that area
will remain white in the final design. After the first waxing
the fabric is dipped into a dye bath whose color is the lightest
tone of those to be used. When the piece has dried, we see an
area of white and an area of cloth that is the color of the first
dyeing. Wax is now applied to those parts in which we wish to
retain the first color, and the entire fabric is immersed in the
second dye bath whose color is darker in tone than the first.
This process is repeated until the darkest tone required in the
final design has been achieved. When the fabric, now almost wholly
waxed, has dried it is placed between sheets of absorbent paper
and a hot iron applied.
As the sheets of paper absorb the wax
they are replaced by fresh sheets until the wax is removed. At
this point the final design is seen clearly for the first time.
The tools and materials used in batik are simple
and readily available.
Any tool that can efficiently transfer hot wax
from a container to the fabric will serve to produce a design
on cloth when it is dyed. At the simplest level, a lighted candle
can be used to distribute drops of melted wax on the fabric. A
variety of objects such as bent wire or the rim of a tin can,
can be dipped in melted wax and pressed onto the cloth to make
a design. However the serious artist uses the brush. The best
to use is about a Number Twelve water-color brush. The brush needs
to have a large enough tip to retain a good quantity of wax. A
larger brush for waxing out large areas of cloth is very useful
as is a small brush-a Number Six is about as small as one can
use-for delicate work.
The selection of waxes is important to the quality
of the finished batik. Paraffin and beeswax are the two waxes
most commonly used in batik and are usually combined in different
Because of its ready availability the best fabric
for most batiks is cotton. The weave of the cloth should not be
too close, and the fabric should be translucent when held in front
of a light. For the best results, the fabric to be waxed should
be stretched on a frame in a taut manner to prevent wrinkles which
may cause the wax to run in an unpredictable way.
Wax is an inflammable substance, so the wax container
should not be placed directly on the source of heat. It should
sit in boiling water, and care should be taken to see that the
water is replenished as it evaporates.
As with painting, color is an integral part of
batik. A painter uses pigment; a batik artist uses dyes. The Painter
can, if he chooses, completely obliterate an undesirable color
by covering it with another color. Perhaps he must wait until
the unwanted color is dry, but there is no doubt about it, he
has another chance, he can cover up his mistake.
In batik the correction of mistakes, in most cases,
is impossible. The Painter is not limited in any way in the variety
of colors he uses and juxtaposes. In batik, however, each color
used is significantly changed by the proceeding color; or at least
it is certainly affected by the color "underneath". The only pure
color is the first one, so all other colors used are mixtures,
determined largely by the first color, or the first strong color.
Batik paintings from a renowned Indian Batik Artist
- S. M. Krishna, can be viewed at our Batik
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