An Example of Living Vedanta : The Story of King Rantideva

(Viewed 28936 times since Sep 2015)

The Bhagavad Gita, while describing the qualities of a wise person says: ‘The wise looks with an equal eye upon a noble brahmin, a cow, an elephant, a dog and a chandala’ (5.18). Commenting on this verse, Bhagwan Shankaracharya says that a jnani looks upon this whole world as his own self (atman); i.e., he does not look upon anybody as different from himself.

This verse is vividly illustrated in the story of king Rantideva occurring in the Srimad Bhagavatam (9.21). Rantideva was a person who satisfied himself with whatever came his way through its own accord without any direct effort on his behalf. In effect, he personified the jnani described in Gita 4.22:

Rantideva Caritam - The Story of King Ranti Deva


‘He is content with what comes to him without effort. He is unaffected by dualities like heat and cold. He is free from envy and is equipoised in success or failure.' Day by day his wealth started decreasing because he would give away whatever he received, thinking it to be momentary, even at the cost of remaining hungry himself.

He did not believe in hoarding, was above all attachments and was highly patient. His devoted family suffered the hardships along with him. Once it so happened that for forty-eight days they did not get even water to drink.

Only on the morning of the forty-ninth day did he happen to get by chance some eatables and water. His family was in deep distress at that time. They were all trembling due to starvation and thirst. However, as soon as they were about to eat the food, a brahmin guest arrived.

Chandogya Upanishad with Commentary of Shankaracharya and Anandagiri

Rantideva used to see God in everyone (sarvam khalu idam Brahman - Chandogya Upanishad 3.14.1). Therefore, he received the brahmin with respect and gave him his share of food. The brahmin had his meal and went away.

Now they distributed the remaining food amongst themselves. Just then another guest, this time a shudra, arrived. Rantideva, keeping God in his mind, fed some part of the remaining food to the shudra guest. When the shudra departed, another guest surrounded by a group of dogs approached him saying, "Oh King! Me and my dogs are hungry. Give us something to eat."

The king received them kindly and gave to him respectfully whatever food that remained with him and bowed to the dogs and their owner. Now only some water, sufficient enough to quench the thirst of just one person remained.

They were about to distribute it amongst themselves for drinking when there arrived a chandala (one who tends to dead bodies in the cremation grounds). The chandala guest said, "I belong to the lowest of the lowest caste. Give me water to drink."

Hearing the chandala’s pitiful voice, which he uttered with great pains and exhaustion, tormented as he was by thirst, the noble king with limitless patience was deeply moved with compassion and though he himself was on the point of death because of thirst, gave that water to the chandala saying:

 "I do not desire from God the highest powers. I do not even want moksha. What I want is only this: That I be able to go and live in the hearts of all beings and undergo sufferings on their behalf, so that they may become free from all miseries. This unfortunate man wanted water to drink. His life was saved by giving water. Now my hunger, thirst, exhaustion, distress and grief, all have vanished."

 

Actually these guests were different forms of Bhagawan’s Maya. They revealed themselves to Rantideva in the form of Brahma, Vishnu and Shiva. The king, being entirely free from all attachments, cherished no desires. He bowed to them all, even as his mind was one with Bhagawan Vasudeva due to utmost devotion. He sought no boons from the Gods.

King Rantideva did not want anything other than God Himself. Therefore, the Maya of God, constituted of the three gunas, dissolved before him, like a dream dissolves when a man wakes up. By virtue of their close association with him, all those who followed Rantideva too became absolutely devoted to Bhagawan Narayana.

 


References & Further Reading:

Share Post:
About Post Author
Nitin Kumar
Nitin Kumar is a leading light behind the Exotic India story, being a founding visionary. Having conceptualized Exotic India in 1999, Nitin Kumar is today its Executive Editor, and is responsible for all content on the website. He has authored several articles for the website, on diverse subjects as Hinduism, Buddhism, Art, Fashion, et al.


Sri Nitin Kumar is a firm believer in Vedanta Philosophy, and is today an acknowledged scholar on the Vedas, Puranas, and indeed the Brahma Sutras. With his deep understanding of the Sanskrit Language, he is presently directly involved in translations of ancient Hindu texts into English.


The author also holds a keen appreciation of visual art, and has been associated in the recent past with the National Gallery of Modern Art, Delhi.

Add a review

Your email address will not be published *

Popular Articles
Ganesha - The Elephant Headed God
The chronicle of Ganesha’s might and glory in Indian religion and Hindu art is unending. Moved by the immensity of Sri Ganesha, Indian artists have handcrafted a range of magnificent Sri Ganesha murtis, which are the best way to feel the presence of Ganesha in your life. Exotic India Art brings to you an assemblage of handmade and divine icons of Parvati-Putra (son of goddess Parvati), sculpted by skilled artists following the established instructions of ancient iconographical traditions. Bring a statue home from our collection and experience living under the protective gaze of Sri Ganesha.
Published in Oct 2000
Om - An Inquiry into its Aesthetics, Mysticism, and Philosophy
"...God first created sound, and from these sound frequencies came the phenomenal world... Matter itself is said to have proceeded from sound and OM is said to be the most sacred of all sounds. It is the syllable which preceded the universe and from which the gods were created..."
Published in Dec 2001
Krishna the Divine Lover in Indian Art
The major gods in Indian art traditions have all been given consorts. They are rarely described as celibate recluses. In their incarnate form, they are explicit in their demonstrative attraction for the opposite sex. The goddesses do not lag behind. Their love for their husbands or lovers is often portrayed in an assertively earthy and sensual manner. Gods and goddesses represent a conscious duality, complementing each other. In the embrace of Krishna, the gopis, maddened with desire, found refuge; in their love dalliance with him who was the master in all the sixty-four arts of love, the gopis felt a thrill indescribable; and in making love with him in that climatic moment of release, in that one binding moment, they felt that joy and fulfillment which could not but be an aspect of the divine.
Published in Apr 2000
Subscribe to our newsletter for new stories