Blogs by Tanvi Mehta

If we go back and trace the history of the Sindh culture, we will come across the era of the Indus Valley Civilization, one of the oldest civilizations. Since the Sindh region is located along the Indus River (also known as the Sindhu River) and the Arabian Sea, the Sindhi people became skilled traders. Before partition, the Sindh province embraced major parts of the Punjab (Pakistan), Kutch, Kathiawar, and western parts of India. During the Indus Valley Civilization, a similar civilization called “Harappan” grew along the Indus and Sarasvati rivers. However, around the year 1700 BC, a decline took place in both civilizations. The reason is believed to be the disappearance of the Sarasvati River and many disturbances occurring in the Indus River (floods). People faced many losses in their trading businesses. Subsequently, the civilizations met a dead end.

According to the Vedic custom, after the Prana Pratishtha ceremony which involves many rituals to invoke the presence of God inside the deities. The deities then become non-different from the actual personality of God. However, some devotional statues which have not undergone the ritualistic ceremony are kept for decoration and admiration purposes in the houses of Hindus. In this blog, you will learn cleaning and maintenance tips for your Hindu God brass statues.

Wearing an ethnic outfit during summer often seems impossible and uncomfortable. But at Exotic India Art, we assure you the comfort you need to beat the heat of the scorching summer and be able to make a unique style statement. Kurta Pajamas, highly suited to all weather conditions, have now undergone a fashion revamp - distinct designs, lengths, sleeves, and embellishments to add a touch of flair to the ensemble. In the Indian states of Uttar Pradesh, Bihar, Madhya Pradesh, and Maharashtra, the dress of choice for most men is the Kurta Pajama complemented with a Pagri (turban) or a Gamcha over the shoulders.

It was Treta Yuga when Supreme Lord Ram descended on the Earth to protect His devotees, kill the miscreants, and re-establish the Dharmic principles. Ravana was the king of Lanka but the kingdom did not seem to flourish. He was full of pride, envy, ego, anger, and greed. He looked down upon everyone and considered himself their master. Later, captivated by the beauty of Mother Sita, the wife of Lord Ram, he kidnapped Her and took Her to Lanka. Shri Ram then sent Hanuman Ji and Sugriva in all directions to search for Mother Sita. Hanuman Ji took the mission of crossing the great Indian Ocean and finding Sita Mata. He burnt various places in Lanka and delivered Lord Ram’s message to Mother Sita. But Ravana was so engrossed in his pitiful actions that he did not care to take Hanuman’s warning seriously. In the end, Lord Ram came to Lanka and attacked Ravana with His powerful bow. As He released His Brahmastra, it sped like air and stroked the chest of the wicked Ravana taking his life air along with it.

The month of Sawan is more than just a religious observance—it is a chance to harmonize your life with the divine rhythm of nature and spirit. Through devotion, rituals, and mindful fasting, devotees seek blessings of Lord Shiva, who asks not for elaborate gifts but for sincere devotion. Explore the Significance of Sawan Month - Rituals, Festivals, and Celebrations. Discover the Sacred Observances and Festivities during the Auspicious Sawan Month. The month of Shravan is a sacred time to connect with Lord Shiva through prayer, fasting, and ritual worship (Puja). Performing Sawan Puja correctly, even in a simple manner, brings spiritual merit (punya) and divine blessings.

The Thangkas developed their ethnic characteristics and features from the early Buddhist paintings which were mostly done on the walls of temples and monasteries. Many of the murals had Tibetan inscriptions and incorporated many elements from Han Chinese paintings and some elements reflecting Indian styles. These emphasized more on the landscape background. Some traditional Buddhist paintings survive even today in a few sites such as the Ajanta Caves in India and the Mogao Caves in China. It is from this time that Thangka paintings were developed from the tradition of Tibetan Buddhist wall paintings.

Ekadashamukha is an Eleven-faced manifestation of Avalokiteshvara in Buddhism. He is considered one of the six principal forms of the Bodhisattva that relieves all sentient beings from the six realms of material existence; the realm of Devas, the realm of Asuras, the realm of hungry ghosts, the hell realm, the animal realm, and the human realm. Ekadashamukha is believed to save those in the Asura realm.

In many Buddhist traditional arts, Yama is depicted as a wrathful being holding the wheel of life or Samsara, known as “Bhavachakra” in his hands and between the jaws. It represents the cycle of birth and death and the impermanence of this world. The innermost circle of the wheel has a pig, a rooster, and a snake that represent the three poisons of ignorance, attachment, and envy. It explores his depiction in art and literature, often represented with a noose and riding a buffalo. Additionally, the article touches on cultural beliefs surrounding Yama, including rituals and practices intended to honor him and seek his protection. Overall, Yama is presented as a complex character, embodying the themes of mortality, justice, and the afterlife in Hindu mythology.

However, modern civilization has changed the clothing styles and preferences of Indian men and women. Indians have now imbibed the western culture. That being said, one cannot ignore the fact that some sections of men can still be seen wearing dhotis such as the farmers of Uttar Pradesh and Bihar, some secular politicians, the pujaris or priests in Hindu temples, and some traditional martial artists. It is undoubtedly the emblem of the unmatched Indian culture. Dhoti is called by different names in different places such as ‘Mundu’ in Kerala, ‘Laacha’ in Punjab, ‘Mardaani’ in Uttar Pradesh and Bihar, ‘Veshti’ in Tamil Nadu, ‘Dhotar’ in Maharashtra, etc.

Made in the ancient city of Varanasi or Banaras, Banarasi sarees are one of the most loved sarees among Indian women. Be it a glamorous wedding or a grand festival, they choose to wear Banarasi sarees to enhance their traditional look, which in itself brings in grace. The intricacy of designs, their rich base colors, and the opulent broad silken borders are the basis of these sarees that make them never go out of style.