An analysis of the poetical and dramatic creations of Asvaghosa in the light of the principles of literary criticism prevalent in the oriental and oxidental world was a desideratum. I am happy to note that Dr. Samir Kumar Datta, the author of the present dissertation has tried hard to break a new ground and has come forward to analyse the excellences of some of the images and techniques adopted by Asvaghosa in his work.
Book's Contents and Sample Pages
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